Culture

Jacob Collier is on scintillating form at Love Supreme

Despite being a seven-time Grammy Award winner, it was only at the 2025 Love Supreme Festival in Glynde that Jacob Collier had his first major festival headline show. Wearing his...

Music Susan Yu -

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

Latest

Lady Gaga is not a receptacle for your pain

It's been almost two years since the release of Chris Moukarbel's documentary about the pop icon super-star Lady Gaga, a.k.a. Stefani Germanotta. Gaga: Five...

Reflective Awakenings

The Victorian period was one defined by immense social change - especially in regards to women’s position in society. Throughout the century, increasing debate...

The Magic of Madeline Miller’s ‘Circe’

An exploration of the way Madeline Miller finds beauty in sadness.

Review: Edward II – ‘fantastic at handling themes of homosexuality and power’

The tender exploration of sexuality in Bagnall's production makes Marlowe's sixteenth century play still relevant for a modern audience

Van Gogh and Britain

Exploring Van Gogh's fascination with British culture and Dickens

Tracey Emin’s A Fortnight of Tears: an unflinching study of the haunting power of trauma

The body is placed centre stage in an exhibition that flits between the violence of both birth and death.

BBC Three’s Fleabag

“I’d just like my tits to be that much bigger — does that make me a terrible feminist?” Such forthright, fourth wall busting, hilarious, and...

Jordan Peele’s new horror film ‘Us’

The idiom, “To be afraid of one’s own shadow,” normally forms part of an insult, a derogatory phrase denoting child-like cowardice. The characters of...

Hartnell’s ‘Bodies’: Hugely readable

A review of Medieval Bodies by Jack Hartnell (Wellcome Collection, 2019, 352 pages)

Talkin’ ’bout a Revolution: The Sound of Protest Art

Tracy Chapman’s appearance at the 1988 Nelson Mandela tribute concert transformed her career. The political turmoil surrounding Apartheid was transposed onto Chapman’s performance; songs...

Mackintosh at the Liverpool Walker

A working-class liberator of the arts

Review: Betrayal – ‘all the poise, restraint and subtlety that Pinter’s masterpiece requires’

Ingenious set design, the actors’ spectacular chemistry, and director Lloyd’s brilliant attention to detail make Betrayal a triumphant culmination of the ‘Pinter at the Pinter’ venture

Review: The Duchess of Malfi – a brave and ambitious move

York Settlement Community Players present an ambitious take on the Webster classic

The crises of contemporary art

An exploration of beauty and meaning in the world of contemporary art.

Some New Angles on Perspective

A preview of Thinking 3D (Treasury Room, Weston Library), on from March 21st 2019 until February 9th 2020.

A tapestry of living and dead: Max Porter on his new book, ‘Lanny’

An exploration of Max Porter, in conversation with Ali Shaw, and his new novel, Lanny.

The Dark Review – ‘calls our attention to the othering of refugees’

Taiwo Oyebola finds that poet Nick Makoha's new play uncovers the stark realities of a refugee's journey.

So Far Gone – Ten years on

A decade ago, Aubrey Graham was trying to break into the music industry. After 8 years playing Jimmy Brooks on a Canadian soap opera Degrassi, he...

Bird Box: a victim of its own platform?

It is ironic that Netflix, the reason for the film’s rapid popularity, might also be the reason why it’s not as memorable a film as it could have been. Emilie Rapport Munro discusses whether Netflix overdid its latest hit

Surviving the Drama Scene

Do Oxford's student theatre productions have the longevity of professional shows?

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Culture

Jacob Collier is on scintillating form at Love Supreme

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

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