Culture

‘A team of criers’: Behind the scenes of ‘Uncle Vanya’

Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation with Cherwell, director Joshua Robey’s...

Culture Lara Machado -

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time...

Culture Charlie Bailey -

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR...

Culture Rhys Ponsford -

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

Virginia Woolf’s extended essay A Room of One’s Own is probably the most important...

Books Benjamin Waterer -

Latest

The Lord Gave Me Brothers: Lockdown Lessons from Religious Lives

Angela Eichhorst writes about how we can learn from two religious communities, Greyfriars Franciscan Friary and the Buddha Vihara Temple, during the second lockdown.

The making of Bong Joon-Ho: Memories of Murder

Bong consistently backs up this technical precision with an attention to thematic and emotional detail that, combined with his now infamously anarchic approach to genre convention, renders him a singular force in the landscape of modern cinema

Damsels in distress? – The rise of the lesbian period drama

Kate Winslet catches Saoirse Ronan’s eye in the mirror, watching in the light of an oil lamp as she takes her corset off. Later, Ronan...

A Vision of Autumn

"It was uncommonly sultry and dark when I arrived at the Winchester water meadows. The scene was a near stereotype, and it reminded me of those decrepit - far too embellished - landscapes you see in many royal palaces."

Petrichor

"in a quiet hollow on the far side of this field rain patters through the leaves like twinkling glass"

Cherwell Recommends: Memoir

"Memoir is an exploration of the complex layers of human memory: fallible, emotional and moulded by subsequent reflection. Like life itself, memoir is messy - but all the more enjoyable for it."

What The Write Offs tells us about literacy in Britain

Nothing has hit me as hard as this minute of TV for months. I had been sat in my little ivory tower of ‘well, why didn’t they just learn?’, but now I felt all that come down.

Oxford artist spotlight: in conversation with LZYBY

Emerging from the depths of lockdown, Oxford-based singer LZYBY (George Cobb) has made light work of spelling ‘Lazy Boy’, and even lighter work of...

Atmospheric autumn reads: ‘Cemetery Boys’

"The novel shows us a utopian vision in which our ghosts can be cathartically released, in which rebirth and renewal is possible."

All treat, no terror – Halloween horrors for scardy cats

This year, Halloween is probably going to involve a movie night-in rather than a night out on the town. But not to fear! The...

Mercury Prize 2020: an apt event for a tumultuous year

It goes without saying that the music industry has faced more than its fair share of hardship this year. With gigs cancelled, arena tours...

Cherwell Recommends: Feminist Fiction

"Each of this week’s recommendations demonstrate that female voices are far more nuanced and diverse than fiction has traditionally led us to believe."

‘Change Is Your Responsibility’ – more than just a song

"When Paddy hit me up, I was like: this is 100% something I want to be the voice on."

Intimations of Closeness: what might a distanced theatre look like?

It would be a dramatic understatement to say that Covid-19 has been disruptive for the United Kingdom’s creative industry – but live drama is...

Identity and Identicality in Brit Bennett’s The Vanishing Half

"Tender and thought-provoking, The Vanishing Half offers a reflection on whether a person can choose who they are. In a world where Stella and Desiree represent black and white, Bennett embraces the grey area of personal, racial, and gendered identity."

Culture

‘A team of criers’: Behind the scenes of ‘Uncle Vanya’

Grappling with ‘grief that’s half formed’: Your Funeral

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

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