Culture

From cloisters to concrete: Oxford’s architectural evolution

As a proud member of one of Oxford’s younger colleges – one that didn’t make it into the set of Saltburn – the magnetic pull of the old Oxford...
Art Sophie Price -

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent...
Film Tom Cockburn -

Hand over Heart

"So bite the heel that walked you home in the rain"
The Source Briony Arnott -

Oxide Radio is a breath of fresh, musical air

"This free station is worth a listen"
Music Milo Man -
Latest

Tragic Female Friendship in The Pursuit of Love

'In everything from Little Women to My Brilliant Friend, Lady Bird to The Sisterhood of the Travelling Pants, women are offered a pretty clear choice: do you want to be sexy, or clever? Do you want to be stimulated, or happy? According to Mortimer, you can’t have both.'

‘[I]n spring the soil swells’: Poetry’s favourite season through the ages

Spring has been extolled in poetry perhaps more than any other season. Since antiquity, poets have associated spring with growth and celebration making their poems are a joy to read this time of year.

Hyperpop: the newest teen fad or pop music’s saviour?

"This juxtaposition characterises the genre: bright, happy elements of club hits mixed with a subversive sly irony that comes with introducing darker lyrical and aesthetic elements." Connor Connolly tackles the explosion in popularity of Hyperpop, and its effects on the music industry.

“Je ne comprends pas”: learning to love bilingual literature

My first experience of reading a bilingual novel was both painful and involuntary. It was that heady World Cup summer of 2018 – the...

Review: “Beauty in Death” by Chase Atlantic

"The energy is less mosh pit, headbanging, and more vulnerable. There’s talk of heartache and relationships crumbling" Poppy Atkinson Gibson finds a different side to the Australian trio, Chase Atlantic, in their latest release, "Beauty in Death".

Review: “Half Baked” by Nina Jurković @ North Wall Arts Centre/00Productions

"'Half Baked' passes the Bechdel test with flying colours. It is truly a feminist triumph and is so refreshing to see an all-female cast on an Oxford stage—something of a rarity, especially in the genre of farce." James Newbery reviews the first live post-Lockdown show in Oxford, "Half Baked" by 00Productions at the North Wall Arts Centre.

Five Book that Shaped My Life: A Biblio-Biography

'Upon sitting down to write this article, the immense prospect of narrowing down my entire life's reading experience to five books suddenly seemed to stare at me, chasm-like. Life does not always present itself to us in such neat sequences.'

Why I’m still disappointed by How I Met Your Mother’s finale

Spoiler alert! The finale of How I Met Your Mother aired in 2014, and its discordance with everything that came before it and unexpected direction...

What Makes A Great Writer: A Biblio-Biography

'What makes a great writer? Practice, of course, and undoubtedly that unique spark called talent or inspiration. But as every writer, great or otherwise, knows, the whole business of writing is built on reading.'

Album Review: “Great Spans of Muddy Time”//William Doyle

""Great Spans of Muddy Time" finds Doyle in new realms of abstraction, with a record that can feel formless, sometimes almost messy." Frank Milligan ruminates on William Doyle's latest release.

Review: “The Arnolfini Portrait” by Tamsyn Chandler

"The Arnolfini Portrait was an intricate, sophisticated project with a controlled yet bold execution. Every element of sound was carefully considered, and I took great satisfaction in being guided along Jean’s journey through the various mediums of sound." Beth Ranasinghe reviews the audio production of "The Arnolfini Portrait" by The Industry Magazine Podcast.

Review: These Quicker Elements by George Rushton

"The lack of interaction prescribed by the online format forbids conversation between Lana and her audience, a blockage that’s mirrored by the cited words’ failure to offer clarity on Lana’s lost life events". Eleanor Zhang reviews the online production of These Quicker Elements.

Cannibal coming-of-age: Julia Ducournau’s Raw

'Raw is gross and disgusting, but it is also an important story about acceptance, about what makes us normal, and about our relationship with what we eat. Though the very idea of the film is sickening, disgust is central to the point it wants to make.'

The Epic Highs and Lows of Riverdale

'Riverdale is the teen drama to end all teen dramas. What started off as a fairly standard show about a teen murder mystery has evolved into essentially a parody of itself. '

Billie Eilish and the exhaustion of being a young woman in the public eye

Since Billie Eilish burst onto the pop music scene in 2016 with Ocean Eyes, her voice has reverberated around many a bedroom, club, and...

Self-growth, Sin Miedo: The Rise of Kali Uchis

"The potentially risky decision to produce a Spanish album to a predominantly English-speaking fanbase reflects Uchis’ consistent commitment to be authentic to herself." Ellie-Jai Williams explores Uchis’s brave Spanish new album, "Sin Miedo (del Amor y Otros Demonios)."

“We’ve come a long long way together” Liverpool’s ‘First Dance’

""I want to go again. It was just so so fun. It was such a nice atmosphere there.” The feeling of happy excitement of people heading out for their first night out post-lockdown definitely gave a boost of energy." Iona Neill discusses the recent trial rave at Bramley-Moore dock in Merseyside.

‘Blink’ and You’ll Miss It

"'A kind of circus act between two people, of juggling all these emotions and arguments and sentiments’....The play is defined by that same sense of quirkiness, instability and fascination. I’d watch Blink over a tightrope act any day." Katie Kirkpatrick previews Frangipane Productions' latest play, 'Blink'

The #OwnVoices Movement: Whose Voices Are Being Heard?

From abandoning the acronym BAME to placing diversity and inclusion at the forefront of their values, representation has never been so important in the...

Review: “Orestes”//Oxford Greek Play @ the Oxford Playhouse

"The intense and nuanced performances, the queasy mix of fear and fury palpable with a small glimmer of hope, made Oxford’s Orestes a very capturing play." Marietta Kosma reviews The Oxford Greek Play's production of Euripides' tragedy "Orestes".
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