News
Opinion
Culture
Books
Film
Music
The Source
Columns
Arrogant, Offensive, Truth Twisters
Auntythetical
Behind The Screens
Brain Freeze
Haute Kosher
Hysterical Histories
Off The Rails
Pens, Paper, and Panic
Features
Innovation
Business & Finance
Science & Technology
Lifestyle
Food
Rusty Kate
Profiles
Sport
Search
UrbanObserver
Sunday 7th June 2026
Oxford's oldest independent student newspaper, est. 1920
Facebook
Instagram
Twitter
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
Culture
The death of the male novelist or the birth of the feminist?
The death of the male novelist, as a concept exaggerated by the dramaticisms of its name, fails to stand up under investigation.
Books
Elizabeth Gammaidoni
-
OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford
It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.
Culture
Amy Lawson
-
Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed
Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.
Culture
Leo Jones
-
Siskin
Near the riverside, a girl with walnut hair sat with her back to the...
Culture
Sasha Darvas
-
Latest
Search
Spotlight: Emily the Snake
Emily the Snake are a funky outfit full of potential, says Will Cowie
A disturbing worldview undercut by patchy acting
Olivia Cormack finds that it's not just the costumes in Contractions that need ironing out
SLAM: Poetry that isn’t afraid to make an impact
William Hosie investigates how the art of slam challenges our assumptions about poetry
Old&New: Songs of displeasure
Sydney Gagliano on being open-minded about overlooked art
“More gentle slap than sucker punch”
Katheryn Thompson finds Made in Dagenham lacking in political grit
A night for dancing and jumping
Daniel Curtis is left reeling from White Lies’ unpolished yet momentous performance at Oxford’s O2 Academy
“A bold and unapologetic production”
Surya Bowyer is frustrated by a powerful production of 'Suspiria' which comes so close to greatness
Anything but a simple fairy-tale
Ebere Nweze is impressed by this unnerving and sharp new adaptation of Wilde’s short story
Zoom In: How to steal our jobs as Film and TV editors
Shivani Ananth and Katie Sayer tell you how to take over their legacy
Moonlight: a transcendent spectacle
Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity
Single of the Week: Calvin Harris’ ‘Slide’
Natalia Bus basks in the DJ producer's sunny new collaboration
Coldplay: ‘Something Just Like Piss’
Will Cowie carefully pulls apart the new Coldplay single
Home is where the art is: Yu Hong
Queenie Li explores Chinese feminist Yu Hong’s artwork
Facing walls
Art by Mark de Courcy Ling following Cherwell's portrait photography competition
Spotlight: Yellow Days
Natalia Bus takes a look at new music
Edwin Hubble: Oxford lawyer (almost)
Richard Birch discusses the University days of the Oxford lawyer turned revolutionary physicist
“Young, classy and capable of mischief”
Jacob Greenhouse is impressed by the freshness of Consortium Novum’s production of The Marriage of Figaro
A word from the stalls
Miriam Nemmaoui chats to an audience member who is left feeling nostalgic by Anna Karenina
Single of the week: Lana Del Rey’s ‘Love’
Natalia Bus chooses the baroque singer-songwriter's latest effort as her single of the week
The female artist: speaking truth to power
Tilly Nevin asks why the art world often seems to overlook an entire gender
1
...
136
137
138
...
349
Page 137 of 349
Follow us
Facebook
Instagram
Twitter