Monday 8th June 2026

Culture

The death of the male novelist or the birth of the feminist?

The death of the male novelist, as a concept exaggerated by the dramaticisms of its name, fails to stand up under investigation.

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

“An enormous array of talent on display”

Jonnie Barrow enjoys a bumpy ride through a musical twist on a classic

‘We’re going to do it better than Braveheart’

If your schooling was anything like Tom Fisher's, who is playing Ross in this new production of Macbeth, you studied the Scottish play in...

Between the World and Ta-Nehisi Coates

Altair Brandon-Salmon on an autobiographical look at American racism

Underground and boxed inside

Will Cowie on Boxed In’s concert at Village Underground

OxFolk reviews: ‘March Glas’ by Elfen

Ben Ray is entranced by Elfen's debut release, giving a small insight into the joys of the Welsh folk music scene

89th Academy Awards: Predictions

Oliver Barlow and Jonnie Barrow speculate which films will win big at the Oscars

Reinvention: a love affair with language

Tilly Nevin reviews approaches to the interplay of language and creativity

The birth of modernism: a journey in innovation

Surya Bowyer celebrates the originality, scope, and joie de vivre of the Ashmolean’s latest special exhibition 'Degas to Picasso: Creating Modernism in France'

A dose of sarcasm, playfulness, and politics

Priya Khaira-Hanks is delighted by Kate Nash's down-to-earth rock 'n' roll at the O2 Academy

Preview: ‘Tender Napalm’

Emily Lawford is stifled and mesmerised by this production of Tender Napalm

Laura Marling: always a woman

Ellen Peirson-Hagger delves into the folk singer’s most recent explorations of love and identity on her new album Semper Femina

“Krapp isn’t quite of this world”

Sian Bayley is finds chills and thrills in this production's take on Beckett's exploration of failure

Review: The Optimists

Suzy Cripps’ The Optimists, a tightly-paced romp of hypocrisy, coincidence and curtains, is a solid comedy of errors in the best of British tradition. Involving...

Both disturbing and utterly engaging: Suddenly Last Summer

With the tagline, “Something unspeakable happened last summer”, you might be forgiven for thinking of Aunt Ada Doom’s (Cold Comfort Farm) cry of “I...

A word from the stalls

Miriam Nemmaoui receives mixed feedback from an audience member after Suddenly Last Summer

Through the Looking Glass: the Auden set

Daniel Villar explores the perils of collaboration for Auden, Day-Lewis, Spender and MacNeice

Writing the uncanny and the lyrical

Tilly Nevin reviews Gillian Cross and Daisy Johnson in conversation

An injection of life and joy in the dark

Romilly Mavin is energised by Two Door Cinema Club's electrifying performance at Alexandra Palace

Walking in someone else’s shoes

Alice Robinson suggests that role-swapping in theatre helps to foster empathy

What to watch in the time of Trump

Tilly Nevin praises a new generation of political comedy in a ‘post-truth’ era

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