Culture

The death of the male novelist or the birth of the feminist?

The death of the male novelist, as a concept exaggerated by the dramaticisms of its name, fails to stand up under investigation.

Books Elizabeth Gammaidoni -

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Culture Leo Jones -

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Culture Sasha Darvas -

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John Maier finds Tom Ford's re-released second film 'Nocturnal Animals' stylish but confused

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Louise Howland finds an addictive energy in sequel to cult classic Trainspotting

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Matt Roller deems the sophomore effort from Circa Waves to be refreshing, but inane

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Will Cowie on those three magic letters

Tiny words: on the art of small talk

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Faces, forgotten and faded

Jonathan Egid visits Christ Church Picture Gallery’s disappointingly small Forgotten Faces exhibition

“Love and humanity scattered amid the horror”

Emily Lawford enjoys a genuinely frightening production of Macbeth

Home is where the art is: Rod Jordan

Sophie Jordan ventures past her grandfather’s notecards only to come back to them

‘Deeper than the Abyss’: Resisting the Holocaust

Sam Sussman reviews Peter Hayes' new book, 'Why? Explaining the Holocaust'

A word from the stalls

Miriam Nemmaoui speaks to a tipsy audience member at Suzy Cripps’ 'The Optimists'

Representing sex in young adult fiction

Cherwell Books focuses on the importance of consent and honesty

Imagination and immediacy in travel writing

Ellie Duncan interviews Neil McQuillian, Senior Editor at Rough Guides

“Even while expecting an hour of postmodernist drama, I couldn’t have been more unprepared”

Katie Sayer recovers from the gripping and disturbing 'Marat/Sade' at the Keble O'Reilly

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Culture

The death of the male novelist or the birth of the feminist?

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Siskin

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