Culture

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the Edinburgh Fringe after a successful run in New York City by Emilee Lord and Karen...

Culture Nicole Palka -

Architectural and religious fusions in Andalusia and Oxford

Oxford is a city deeply entwined with religion. With the first of its colleges...

Art Sofia O'Casey -

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only...

Culture Rebecca Harper -

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine,...

Art Ava Doherty -

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This series of Sherlock is particularly varied, playing around with genre far more than usual. The first episode, ‘The Six Thatchers,’ feels at many...

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Natalia Bus is captivated by this Oxford artist's authentic debut effort

Review: The Leopard

Altair Brandon-Salmon revisits the classic Italian 20th century novel

Nick D’Aloisio: Oxford’s new media hero

Theo Davies-Lewis investigates the undergraduate tech prodigy who chose Oxford over MIT or Stanford

Single of the week: Arcade Fire’s ‘I Give You Power’

Will Cowie remains unmoved by Arcade Fire's impassive anti-Trump release

Walking the pilgrim’s way

Looking back at his exhibition 'We will meet', Alvin Ong tells Sophie Jordan of his walks along the thin line between memory and fiction

Which film best represents your Oxford college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

Instagram: the art of on screen reinvention

William Hosie reminds us to view others’ Instagram personae with some crucial critical distance

A fusion of movement, light, and sound

Christopher James Goring finds much to admire in the complexity of Illuminated

Margo Price live at the Bullingdon

Emily Beswick is delighted by the raw energy of Price's live show

Review: John Hodge’s ‘Collaborators’

Bessie Yuill finds herself simultaneously amused and disturbed by this dark tragedy about a fictional meeting between Stalin and Bulgakov

Four Gorillaz of the Ape-ocalypse

Natalia Bus on the anti-Trump rhetoric of the chilling Gorillaz release

Review: ‘Edward II’

Susannah Goldsbrough is captivated by Oxford's finest acting talents and their leather leggings

Review: ‘A Monster Calls’

Jonnie Barrow is impressed by Bayona’s adaptation of an underrated children’s novel

Disney princesses and ‘Lolita’: the danger of men writing women

Carolina Earle explores how masculine fantasies have shaped and corrupted our childhood obsessions

The Price is right: Margo’s musings

Emily Beswick discusses gender with the rising country star

Harry Potter and the Procrastinators’ Tome

Izzy Smith is reminded of the comforting power of the books of our childhood

Home is where the art is: Helen Pinkney

Bill Freeman investigates his artist godmother’s inspirations and her relation to the process of creation

‘Enter First Lobster’

Miriam Nemmaoui plays the drama queen and attacks the state sector's failing arts curriculum

Author of the week: Halldór Laxness

Ellie Duncan takes a look at one of Iceland's greatest writers

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Culture

‘Timestamp’ at the Fringe: Existing in the ‘now’

Architectural and religious fusions in Andalusia and Oxford

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

Beyond the binary: Leigh Bowery’s radical individuality

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