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UrbanObserver
Tuesday 26th August 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Timestamp’ at the Fringe: Existing in the ‘now’
★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the Edinburgh Fringe after a successful run in New York City by Emilee Lord and Karen...
Culture
Nicole Palka
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Architectural and religious fusions in Andalusia and Oxford
Oxford is a city deeply entwined with religion. With the first of its colleges...
Art
Sofia O'Casey
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‘HOLE IN THE WALL L’HOPITAL’ at Fringe
★★★☆☆ Everything I write ends up being about grief – I suppose this review only...
Culture
Rebecca Harper
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Beyond the binary: Leigh Bowery’s radical individuality
Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine,...
Art
Ava Doherty
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Latest
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Spotlight: DFO
Will Cowie on those three magic letters
Tiny words: on the art of small talk
Ellie Duncan ruminates on the place of everyday interaction in literary writing
Faces, forgotten and faded
Jonathan Egid visits Christ Church Picture Gallery’s disappointingly small Forgotten Faces exhibition
“Love and humanity scattered amid the horror”
Emily Lawford enjoys a genuinely frightening production of Macbeth
Home is where the art is: Rod Jordan
Sophie Jordan ventures past her grandfather’s notecards only to come back to them
‘Deeper than the Abyss’: Resisting the Holocaust
Sam Sussman reviews Peter Hayes' new book, 'Why? Explaining the Holocaust'
A word from the stalls
Miriam Nemmaoui speaks to a tipsy audience member at Suzy Cripps’ 'The Optimists'
Representing sex in young adult fiction
Cherwell Books focuses on the importance of consent and honesty
Imagination and immediacy in travel writing
Ellie Duncan interviews Neil McQuillian, Senior Editor at Rough Guides
“Even while expecting an hour of postmodernist drama, I couldn’t have been more unprepared”
Katie Sayer recovers from the gripping and disturbing 'Marat/Sade' at the Keble O'Reilly
Spotlight: Emily the Snake
Emily the Snake are a funky outfit full of potential, says Will Cowie
A disturbing worldview undercut by patchy acting
Olivia Cormack finds that it's not just the costumes in Contractions that need ironing out
SLAM: Poetry that isn’t afraid to make an impact
William Hosie investigates how the art of slam challenges our assumptions about poetry
Old&New: Songs of displeasure
Sydney Gagliano on being open-minded about overlooked art
“More gentle slap than sucker punch”
Katheryn Thompson finds Made in Dagenham lacking in political grit
A night for dancing and jumping
Daniel Curtis is left reeling from White Lies’ unpolished yet momentous performance at Oxford’s O2 Academy
“A bold and unapologetic production”
Surya Bowyer is frustrated by a powerful production of 'Suspiria' which comes so close to greatness
Anything but a simple fairy-tale
Ebere Nweze is impressed by this unnerving and sharp new adaptation of Wilde’s short story
Zoom In: How to steal our jobs as Film and TV editors
Shivani Ananth and Katie Sayer tell you how to take over their legacy
Moonlight: a transcendent spectacle
Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity
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