Culture

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple whose otherwise perfect relationship is...

Film Siena Tracey -

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Books Elizabeth Bourn -

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‘Lieutenant of Inishmore’ review – ‘An excellent understanding of pace’

John Livesey admires the acting in 'The Lieutenant of Inishmore,' but regrets how it shies away from violent visuals

Why the Sgt. Pepper’s show cannot be missed

Kenji Newton is impressed with the Oxford Beatles' recreation of the classic album

Not Forgetting William Hazlitt

Despite critical acclaim, William Hazlitt is now scarcely read.

Turtles All The Way Down review: messy, clichéd, and pretentious

John Green’s latest novel is a messy, sprawling cliché, writes Barney Pite

Villians Review – ‘Pop songs with rock sensibilities’

Queens of the Stone Age don't quite live up to their high standard, writes Rowan Janjauh

In conversation with Layo-Christina Akinlude

Katie Sayer talks Shakespeare and the pursuit of happiness with the star of 'As You Like It'

Angel Hill review – ‘It may be simple, but it isn’t empty’

Michael Longley’s Forward Prize short-listed collection is elegant and timeless, writes Barney Pite

‘A Familiar Friend’ review: “a masterful intensity”

Shamika Tamhane highly recommends 'A Familiar Friend' at the Michael Pilch studio

Lady in the Sheets review – ‘powerful and horrible but comic for all the wrong reasons’

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact

Intruder and Seven Princesses review -‘Twisted and ghoulish delight’

Charles Britton is won over by the plays' disturbing horror

The right production but the wrong play

The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough

The Lieutenant of Inishmore review – ‘fast moving and extremely funny’

Whip-smart dialogue ensures this black comedy leaves its mark

An improbable journey to the East

Sam Dalrymple reflects on mundanity and self-discovery in Bouvier’s The Way of the World

‘Lights Over Tesco Carpark’ review – “equal parts inspired and bonkers”

Charles Britton is abducted by laughter in 'Lights Over Tesco Carpark'

Reconsidering the Lobster: Wallace’s Dostoyevsky

David Foster Wallace cuts to the core of what makes Dostoyevsky invaluable, writes Barney Pite.

Five Minutes With… John Livesey

This week we chat to John Livesey, the manager of Klaxon Productions

Confessions of a Drama Queen 4: I meet my Romeo

In the next instalment of 'Confessions of a Drama Queen', our eponymous diarist becomes infatuated with a fellow thespian

The opening of a closed cultural world

One combative poem has a lot to reveal about the place of artists under Soviet rule, Charlie Baker writes

Preview: Lady in the Sheets – “chaotic, hilarious, uncomfortable”

Jimi Cullen is excited by the potential of 'Lady in the Sheets'

Project 1917: The revolution will be tweeted

The historical Project 1917 is bringing new life to the Russian Revolution, writes Lucy Enderby

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Culture

In sickness, health, and wrongdoing: ‘The Drama’ in review

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Why you should spring clean your bookshelf this Trinity

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