Friday 1st May 2026

Culture

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple whose otherwise perfect relationship is...

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

“There is a selfish core to Mark that is the sort of thing that a sitcom character needs”

Comedian and Peep Show star David Mitchell talks to El Blackwood about the similarities between him and Mark Corrigan.

Ten years on, Burial’s ‘Untrue’ is still dripping with raw emotion

Joe Bavs reminisces on an experimental classic

As You Like It review – ‘Slightly flat, with a twist of theatrical magic’

Shared Experience’s reinterpretation of As You Like It is surprising and worth a watch, writes Harry Hatwell

Five minutes with: Audrey, the mysterious figurehead of The Oxford Revue

This week, we chat to Audrey, the Oxford Revue’s mysterious icon.

‘Twelfth Night’ review – ‘The Luscombe effect strikes again’

The RSC’s new version of Twelfth Night is an innovative reinterpretation, writes Katie Sayer

‘Volpone’ review – “Overdone accents but an otherwise fantastic production”

Amelia Coen enjoys Seeing Hand Production's witty Blackpool update of Johnson's satire

‘Volpone’ preview – “a very potent type of dramatic humour”

John Livesey is excited by 'Volpone', playing at the Keble O'Reilly in 7th week

Nancy Drew – feminist icon or tired corporate creation?

Ellie Duncan explores whether the children's detective series Nancy Drew is progressive or not

‘God of Carnage’ preview – “a disgusting and disquieting play”

Jorge Lopez Llorente previews God of Carnage at the BT Studio

‘Retelling Tales’ preview – “I heard stories that got inside my body.”

Lucy Enderby is impressed by the originality and emotive power of ‘Retelling Tales’

Confessions of a Drama Queen 6: Things get worse, again

Our drama queen goes into hiding, after some shocking humiliation.

Under Milk Wood preview – ‘Creative and interesting but overly dramatic’

Though admiring the production's use of space, Zad El Bacha finds the acting of 'Under Milk Wood' excessively solemn.

Five minutes with: Lucy Hayes

We chat to Lucy Hayes, chair of OUDS and manager of Perepeteia Productions, about her experience with Oxford drama, her real-life heroes, and her latest exciting project.

Julien Baker ‘Turn out the lights’ review – rawness and painstaking detail

Julien Baker exposes the harsh realities of her mental health struggles, writes Ollie Braddy

Sowing the seeds for the Eastern bloc’s sexual revolution

Chantal Marauta explores the life of Russian Revolutionary feminist Alexandra Kollontai and her fight for gender equality

Confessions of a Drama Queen 5: Things can only get better

Our drama queen's unparalleled potential is finally recognised

Revolutionary artists: from creatives to criminals

Catherine Cibulskis reflects on the dramatic evolution of Russian art in the immediate aftermath of the revolution

“A Mythical Future”: Katya Rogatchevskaia on the Russian Revolution

The British Librarian curator discusses her exhibition Russian Revolution: Hope, Tragedy, Myths

The ‘new’ jazz must be seen as well as heard

The latest offering from the 'new' Jazz scene is an innovative success, writes Harriet Davis

In The Aeroplane Over The Sea – “experimental and weird”

Barney Pite reexamines one of indie rocks most enigmatic classic albums

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