Monday 9th June 2025

Culture

Review: So Far, So Good – ‘Counting down the fall’

Student theatre has always thrived on experimentation, collaboration, and the courage to speak up. So Far, So Good, a new piece of original writing by Melissa Chetata-Brooks, undoubtedly embraces...

The writer behind ‘The Writer’

Tucked away in a room at Worcester College, I sat in on a rehearsal...

Reframing Oxford’s controversial portraits

“All art is quite useless,” declared Oscar Wilde in the preface to The Picture...

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece...

‘Community’ teaches us all how to say goodbye

Christopher Goring looks back nostalgically at the final episode of the cult postmodernist sitcom

A sense of closure amongst dreaming spires

Sarah Brown reflects on three years at Oxford University as the end draws near

“Intense and enjoyable to watch”

Nina Crisp enjoys an intense and enjoyable performance

OxFilm: An exciting summer lined up

Calum Bradshaw celebrates an excellent term for student film, and looks forward to a busy vacation

Honey-glazed, hedonistic, and hyper-real

Priya Khaira-Hanks indulges in a summer holiday certified by Lana Del Rey

‘Salazar’s Revenge’ sinks with no survivors

Emily Lawford finds little good in the fifth Pirates of the Caribbean movie

“Unapologetically Blink-182”

Abby Ridsdill-Smith is a fan of the band's deluxe edition of 'California'

Traditional folk music at its experimental best

Ben Ray finds Miranda Sykes’ latest release reaches dizzying new heights

Choose wisely, it’s in your hands

Alice Robinson explores the phenomena of multiple endings

“Exploring what it means to be an intelligent modern woman”

Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio

“The biggest student comedy event of the year”: Oxford Revue and Friends

Miriam Nemmaoui chats to Olly Jackson ahead of the Oxford Revue's hotly tipped performance

Communication and confrontation in Brooklyn’s art community

Avery Curran discusses curating Text/ure, Trump, and artistic cataclysm in the US There’s an argument, and it’s a convincing one, that all art is political and, in the interim period between the election and the inauguration it felt truer than ever. There was an atmosphere of displacement and shifting ground. Between daily revelations about suspicious calls to Russia and plans to defund sanctuary cities (of which New York is one), no one seemed to know where they stood.

Pastel pink speculums, embroidered condoms, and art for reproductive freedom

Anoushka Kavanagh explains why protest art is now more important than ever

OxFilm: “An hour—and a £3—very well spent”

Sandy Elliot is impressed by the range of talent on show at the launch of OUFF’s Easter Projects

OxView: Best of Cannes

Kenji Newton runs through his top picks of the 2017 festival

Old and new fuse in ‘Twin Peaks: The Return’

Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival

Rhetoric and realism in ‘Raphael: The Drawings’

Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition

Music without borders : Misogyny and Bollywood

Jeevan Ravindran exposes the contradictions within Hindi cinema

“A fascinating interpretation of Racine’s masterpiece”

Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy

“Precisely the kind of theatre I would like to see more of in Oxford”

Charles Britton is besotted with the potheads in 'Garden'

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