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UrbanObserver
Thursday 26th February 2026
Oxford's oldest independent student newspaper, est. 1920
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Music
Remembrance, resilience, and reflection: Lubomyr Melnyk, the ‘continuous music’ pioneer
On the 23rd and 24th February, the Ukrainian composer and pianist, Lubomyr Melnyk, returns to Oxford for a performance at New College.
Culture
Ruaridh McEwen
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From topping charts to ‘The Traitors’: An ode to Cat Burns
The chaotic new season of 'The Traitors' made me reflect on the celebrity version, and my personal favourite contestant, Cat Burns.
Culture
Charlie Bailey
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Dropping hints before dropping albums: The art of the tease
Promotion seems to be a part of the performance for many artists, setting the stage for the project they are going to release, and priming their audience.
Culture
Evelyn Lambert
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The cost of ‘free’: How streaming undermines the value of music
Monthly subscriptions may seem affordable when compared to vinyl, but the cost quickly accumulates.
Culture
Ruaridh McEwen
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Sad and Loud, Ryan Adams Live
Thomas Athey reports on an eventful show at The Sage
‘It’s even kind of morale boosting, in a Lana kind of way’
Nicola Dwornik praises Lana Del Rey's latest subtle reinvention
‘A nuanced and complex musical creation’
Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks
Oxford can’t afford to lose clubs like Cellar
The planned closure of Cellar is a warning sign of our city's creeping gentrification
Houghton Festival 2017 Review
The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.
Hannah Kessler: “Music is an incredibly therapeutic thing”
Lily Begg discusses subverting the male gaze, empowerment and juggling Oxford life with up and coming musician Hannah Kessler
Grief pushes music to its conceptual limits
Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting
“A fresh and beautiful contemporary jazz repertoire”
Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe
“U2 still deserves a place at the forefront of modern rock”
For Calum Bradshaw , U2 can still deliver a world class performance
Gangster rap with glimmers of uniqueness
Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples
Awkward singing and timely rain from Radiohead in Manchester
Thomas Athey finds last minute venue changes are easily overcome by Radiohead
Edinburgh Fringe: In the Pink preview
Thomas Athey looks ahead to Oxford's acapella efforts at the Edinburgh Fringe
“Unapologetically Blink-182”
Abby Ridsdill-Smith is a fan of the band's deluxe edition of 'California'
Traditional folk music at its experimental best
Ben Ray finds Miranda Sykes’ latest release reaches dizzying new heights
Music without borders : Misogyny and Bollywood
Jeevan Ravindran exposes the contradictions within Hindi cinema
Music without Borders: Welsh national music
Theo Davies-Lewis explores the importance of music to his homeland
“Guitar legends of the Sahara”
Ellen Peirson-Hagger finds a refreshing new perspective in Tinariwen's concert at the O2 Academy
Taking up Tupac’s “thug poet” mantle
'You Only Live 2wice' is Freddie Gibbs living up to his predecessors, says Jonathan Egid
The comeback kids keep ‘lad rock’ alive
Kasabian's 'For Crying Out Loud' is the Leicester band at their best, says Matt Roller
The Japanese House – “I’ve never wanted fame at all”
Ellen Peirson-Hagger interviews Amber Bain on her moody indie project
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