Music

The power of the playlist

"These ten precious songs ... will become a time capsule"

Culture Sophie Hough -

‘Like the edge of a knife’: Ukrainian pianist Lubomyr Melnyk brings his ‘Continuous Music’ to Oxford

Ukrainian pianist Lubomyr Melnyk took the stage in Magdalen College Chapel and the Holywell...

Culture Lilia Goldstein -

Review: Hill and Harmer’s A Life in Song – the strange world of Lieder

"poetry told across language through performance and music"

Culture Francis Lee -

What will the Schwarzman Centre mean for music at Oxford?

"Oxford as a cultural centre on a global scale"

Culture Lilia Goldstein -

Latest

“A fresh and beautiful contemporary jazz repertoire”

Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe

“U2 still deserves a place at the forefront of modern rock”

For Calum Bradshaw , U2 can still deliver a world class performance

Gangster rap with glimmers of uniqueness

Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples

Awkward singing and timely rain from Radiohead in Manchester

Thomas Athey finds last minute venue changes are easily overcome by Radiohead

Edinburgh Fringe: In the Pink preview

Thomas Athey looks ahead to Oxford's acapella efforts at the Edinburgh Fringe

“Unapologetically Blink-182”

Abby Ridsdill-Smith is a fan of the band's deluxe edition of 'California'

Traditional folk music at its experimental best

Ben Ray finds Miranda Sykes’ latest release reaches dizzying new heights

Music without borders : Misogyny and Bollywood

Jeevan Ravindran exposes the contradictions within Hindi cinema

Music without Borders: Welsh national music

Theo Davies-Lewis explores the importance of music to his homeland

“Guitar legends of the Sahara”

Ellen Peirson-Hagger finds a refreshing new perspective in Tinariwen's concert at the O2 Academy

Taking up Tupac’s “thug poet” mantle

'You Only Live 2wice' is Freddie Gibbs living up to his predecessors, says Jonathan Egid

The comeback kids keep ‘lad rock’ alive

Kasabian's 'For Crying Out Loud' is the Leicester band at their best, says Matt Roller

The Japanese House – “I’ve never wanted fame at all”

Ellen Peirson-Hagger interviews Amber Bain on her moody indie project

A titanic record for all the wrong reasons

Will Cowie finds Gorillaz's Humanz to be soulless and robotic

“A captivating, quasi-religious experience”

Clara Dijkstra reviews the new London Grammar single, 'Truth is a Beautiful Thing'

Pop is dead—long live pop!

Alex Waygood on how Ed Sheeran represents the decline and fall of the charts

Friendship, Feminism and Fun(damental Rights)

India Parker talks to Jess Bollands, the President of the Oxford Belles, about the enormous success of their latest music video

Chuck Berry – “One of the greats”

Will Cowie pays tribute to the late Chuck Berry

The Shins – Heartworms review

Akshay Bilolikar finds a confident and valedictory wisdom in the Shins' fifth effort

Circa Waves – Different Creatures review

Matt Roller deems the sophomore effort from Circa Waves to be refreshing, but inane

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Music

The power of the playlist

‘Like the edge of a knife’: Ukrainian pianist Lubomyr Melnyk brings his ‘Continuous Music’ to Oxford

Review: Hill and Harmer’s A Life in Song – the strange world of Lieder

What will the Schwarzman Centre mean for music at Oxford?

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