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UrbanObserver
Monday 15th September 2025
Oxford's oldest independent student newspaper, est. 1920
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Music
Night School: Oxford’s after-hours curriculum
The first time I saw Nahom and Ethan, it wasn’t on a night out – it was an early morning. I was shuffling through the half-awake crowd when my...
Culture
Maya Rybin
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Oxford Commas at the Fringe – Interview
The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe...
Culture
Lara Machado
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‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review
★★★★☆ A capella groups from Oxford have long been favourites at the Edinburgh Fringe, with...
Culture
Alexander Kwon
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St Anne’s goes All-Steinway: A purposeful and bold commitment to music
In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...
Culture
Miriam Hussain
-
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“A fresh and beautiful contemporary jazz repertoire”
Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe
“U2 still deserves a place at the forefront of modern rock”
For Calum Bradshaw , U2 can still deliver a world class performance
Gangster rap with glimmers of uniqueness
Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples
Awkward singing and timely rain from Radiohead in Manchester
Thomas Athey finds last minute venue changes are easily overcome by Radiohead
Edinburgh Fringe: In the Pink preview
Thomas Athey looks ahead to Oxford's acapella efforts at the Edinburgh Fringe
“Unapologetically Blink-182”
Abby Ridsdill-Smith is a fan of the band's deluxe edition of 'California'
Traditional folk music at its experimental best
Ben Ray finds Miranda Sykes’ latest release reaches dizzying new heights
Music without borders : Misogyny and Bollywood
Jeevan Ravindran exposes the contradictions within Hindi cinema
Music without Borders: Welsh national music
Theo Davies-Lewis explores the importance of music to his homeland
“Guitar legends of the Sahara”
Ellen Peirson-Hagger finds a refreshing new perspective in Tinariwen's concert at the O2 Academy
Taking up Tupac’s “thug poet” mantle
'You Only Live 2wice' is Freddie Gibbs living up to his predecessors, says Jonathan Egid
The comeback kids keep ‘lad rock’ alive
Kasabian's 'For Crying Out Loud' is the Leicester band at their best, says Matt Roller
The Japanese House – “I’ve never wanted fame at all”
Ellen Peirson-Hagger interviews Amber Bain on her moody indie project
A titanic record for all the wrong reasons
Will Cowie finds Gorillaz's Humanz to be soulless and robotic
“A captivating, quasi-religious experience”
Clara Dijkstra reviews the new London Grammar single, 'Truth is a Beautiful Thing'
Pop is dead—long live pop!
Alex Waygood on how Ed Sheeran represents the decline and fall of the charts
Friendship, Feminism and Fun(damental Rights)
India Parker talks to Jess Bollands, the President of the Oxford Belles, about the enormous success of their latest music video
Chuck Berry – “One of the greats”
Will Cowie pays tribute to the late Chuck Berry
The Shins – Heartworms review
Akshay Bilolikar finds a confident and valedictory wisdom in the Shins' fifth effort
Circa Waves – Different Creatures review
Matt Roller deems the sophomore effort from Circa Waves to be refreshing, but inane
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