Music

What will the Schwarzman Centre mean for music at Oxford?

"Oxford as a cultural centre on a global scale"

Culture Lilia Goldstein -

A tale of two venues: Oxford’s musical legacies

Oxford is a city full of firsts – historical, personal, degree class, and musicological....

Culture Milo Man -

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out...

Culture Maya Rybin -

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe...

Culture Lara Machado -

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Stilettos, Broken Bottles and Teenage Heartbreak: A Love Letter to Robyn’s Dancing on my Own

When I was sixteen, I was in love for the first time. It was a boy from a school near mine, who I’ll refer to...

Review: Lover by Taylor Swift

Jess Curry looks at why Taylor Swift's latest record represents a strong return to form

Sex, drugs and gender roles: Frank Turner’s historical concept album

A discussion of the new historical concept album from Frank Turner, "No Man's Land".

Were Nickelback really that bad?

Were Nickleback responsible for killing guitar music in the pop charts?

Review: ANIMA by Thom Yorke

A glance at Yorke's finest solo album to date

Songs to Sell Your Soul To

A talk through some of the songs on our newest playlist, designed to bring a little sunshine to the life of a languishing intern.

Just a Crush?

How Tessa Violet's 'Bad Ideas' and Mitski's 'Be the Cowboy' are changing the portrayal of romance in pop

Mashrou Leila’s Message of Pride Prevails Following Government Ban

How one Lebanese band became a symbol of hope for LGBTQ people across the world

Music and Christianity: What’s it all about?

What is the role of music in Christian worship, and does it still matter in the 21st century?

Review: No Man’s Land – Frank Turner

Why the newest offering from Frank Turner was a pleasant surprise

Music on the Big Screen

Music’s place in cinema: why the soundtrack must be unforgettable

“Lil Thot”: How female empowerment and music intersect

One of the first lessons we are taught as children is that to gain respect, we must first earn it. Yet for women in...

Review: Madlib and Freddie Gibbs – Bandana

Madlib is perhaps hip-hop’s greatest enigma. In a career spanning almost three decades he has studied a variety of genres, masterfully integrating them into...

Review: Arkells at ULU

The Canadian rock band, solo gigging, and why the music community is what makes a night

Let’s talk about… Diner Days

Find Becky's playlist at: https://open.spotify.com/playlist/2QAIzDp2lLpVwjTZab4uov?si=26UzFEgWRCK3ApYlgIWebw

Preview: Lia Mice at Supernormal Festival

Lia Mice is someone important. The experimental pop creator and film score composer combines dreamy vocals, and otherworldly sonics to create a kind of...

Does Taylor need to calm down?

An exploration of Taylor Swift, and the role that musicians should have in politics

Bigmouth Strikes Again: Morrissey’s Provocative Politics

Morrissey has been cancelled. The Guardian asked the Mancunian crooner “what happened” on Twitter after his records were banned from Britain’s oldest record store....

The Timelessness of Vinyl

Why the cracking, authentic sound of a record will always beat digital music

A Tribute to Lewis Capaldi

In defence of the Greggs-serving, sunglasses-wearing, Scottish singer.

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Music

What will the Schwarzman Centre mean for music at Oxford?

A tale of two venues: Oxford’s musical legacies

Night School: Oxford’s after-hours curriculum

Oxford Commas at the Fringe – Interview

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