Film

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he aims to release in 2028. As I recall from conversations among friends and a torrent...

Film David Percival -

Going Dreamy: The Singular Will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a...

Film Arthur Meynell -

Missing the plot of ‘Wuthering Heights’: Is the book always better?

Sophie Price discusses Emerald Fennell's upcoming film adaptation of Withering Heights, examining how much film adaptations can get away with changing.

Culture Sophie Price -

A review of Day 2 of the Oxford University Short Film Festival

The Oxford University Short Film Festival took place at the end of last term...

Culture Tomas Overton -

Latest

Review: Doctor Who’s New Year’s Day Episode, “Spyfall”

On New Year’s Day, exactly ten years after David Tennant’s beloved Tenth Doctor regenerated into Matt Smith, Doctor Who returned with the first instalment...

Review: Marriage Story

“Everything’s like everything in a relationship, don’t you find that?” This is the question Nicole (Scarlett Johansson) asks at the start of Marriage Story....

THE BEST FILMS OF THE DECADE

We, your Film Section Co-editors, have assembled a totally and completely objective top ten best films of the 2010s list. While we theoretically believe...

Review: Knives Out

British audiences know the whodunit genre well. The Queen of Crime, Agatha Christie, wrote 66 murder mystery novels over the course of her prolific...

In Defense of Escapist Art

In our current political climate escapism is a dirty word. Moreover, it is a risky form of mental engagement in a culture that calls...

Food - whether symbolising power, desire, loss, despair, love, murder or moral, social and political disorder - provides an extensive menu for films. Imogen Harter-Jones explores its symbolic capabilities.

The Farewell Review

Seemingly all of us either have or yearn for an affectionate but caustically witty grandmother such as Nai Nai (Zhao Shuzhen), the endearing matriarch...

Peaky Blinders Season 5 Review

For all its sex, drugs and violence, Peaky Blinders is starting to get tired of itself. Its response? A gripping foray into the world...

Film School- Tales of Coming of Age

In the language of the Aymara, an indigenous South American nation, it is the future and not the past that lies behind you. The...

Dark Crystal: Age of Resistance Review

Jim Henson was a master of entertainment: I’ll hear nothing to the contrary. The Muppets were a genuine delight and, no matter how much Oxford has...

This Way Up (2019)- Review

Content Warning: Mental Health/ Depression/ Suicide.

Stranger Things and… capitalism?

Even as our favourite American TV shows are owned and trademarked by enormous conglomerates with massive influence over the entertainment industry, prestige television has often been...

“All My Loving”- a love letter to the Beatles’ uncompromising “A Hard Day’s Night”

John, Paul, George and Ringo, chased through the oft-mistook Marylebone station, boyishly attempting to evade a hoard of adoring young fans. It is an iconic scene...

Sex and Sensibility: Are ‘Spiced Up’ Adaptations really that progressive?

Pulses were sent racing in 1995 when Andrew Davies’ television adaptation of Pride and Prejudice saw Mr. Darcy, played by a fresh-faced Colin Firth, emerge sopping wet from a lake in a translucent white shirt that barely clung to his torso.

Funny before Fleabag- the best flawed female sitcom characters

Although seemingly it is a truth universally acknowledged, we need to reiterate that Fleabag was one of the best sitcoms broadcast in years. From its three-dimensional...

The Virtues (2019)- Review

It may seem an overstatement, but I truly believe that Shane Meadows’ This is England saga is one of the greatest contributions ever made to British culture....

Fast & Furious Presents: Hobbs & Shaw (2019)- Review

Within the first five minutes of Fast and Furious Presents: Hobbs & Shaw, Idris Elba jumps onscreen off of a CGI motorbike and announces...

Animals (2019) review

Sophie Hyde’s latest film Animals, adapted from Emma Jane Unsworth’s 2015 novel, is a welcome antidote to the friendships of fun, feminist, Glossier-buying millennial women that...

Apollo 11 (2019)- An Interview with archival producer Stephen Slater

Mattie O'Donovan speaks with Stephen Slater, the chief archival producer for Apollo 11, a new, critically lauded documentary on the first moon landing.

Midsommar (2019)- Review

Colette Webber critiques Hereditary director Ari Aster's new offering Midsommar, a contemporary take on the folk horror sub genre.

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Film

Please, no more biopics!

Going Dreamy: The Singular Will of David Lynch

Missing the plot of ‘Wuthering Heights’: Is the book always better?

A review of Day 2 of the Oxford University Short Film Festival

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