Friday 20th March 2026

Books

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.

Well-educated, fairly bred, but without money: Gissing’s ‘Collected Short Stories’

Hassan Akram reviews the Collected Short Stories of George Gissing, edited and introduced by Pierre Coustillas.

In defence of academic writing

In my year out before my postgraduate degree, I made the momentous decision to start writing fiction. I’d recently got back into reading novels, and thought becoming a novelist would be an ideal way to commit my name to posterity.

‘I don’t like the idea of hope’: An interview with Iya Kiva 

Iya Kiva is an award-winning Ukrainian poet, originally from Donetsk. Since 2014, when war first came to her region, she has lived in displacement.

A swing of the pendulum: the horror literature that’s making its way up

"Modern academics are reexamining genre fiction, helped by a number of critical movements breaking down literary elitism, and there’s a world of horror which is intelligent, complex and, most importantly, terrifying."

Cherwell Recommends: Bildungsroman

"Are we destined to become who we are as adults, or are we formed by our experiences on the way? It happens to all of us, but the process of growing up continues to fascinate writers, artists, and filmmakers, for it surrounds the struggle to forge an identity in a chaotic and often harsh environment."

Forgive me, Katherine Mansfield, for I have sinned.

"The essay I would go on to write, and, reader, the article I had drafted and readied for this very publication, would, I see now, have Mansfield, alongside pretty much every other writer of fiction, willing to cross both space and time in order to beat me around the head with a copy of Crime and Punishment."

Cherwell Recommends: Memoir

"Memoir is an exploration of the complex layers of human memory: fallible, emotional and moulded by subsequent reflection. Like life itself, memoir is messy - but all the more enjoyable for it."

Atmospheric autumn reads: ‘Cemetery Boys’

"The novel shows us a utopian vision in which our ghosts can be cathartically released, in which rebirth and renewal is possible."

Cherwell Recommends: Feminist Fiction

"Each of this week’s recommendations demonstrate that female voices are far more nuanced and diverse than fiction has traditionally led us to believe."

Identity and Identicality in Brit Bennett’s The Vanishing Half

"Tender and thought-provoking, The Vanishing Half offers a reflection on whether a person can choose who they are. In a world where Stella and Desiree represent black and white, Bennett embraces the grey area of personal, racial, and gendered identity."

Cherwell Recommends: Historical Fiction

"This week’s recommendations each represent a unique “texture of lived experience” to perfection, proving that historical fiction is a genre full of excitement and experimentation, and one that also demands to be taken seriously."

Review: Midnight Sun

"Even as a firm member of Team Edward, 756 pages of Edward tormenting himself over a girl is fundamentally tedious."

The power of perspective: how the narrative lens can transform a story

"The authority of the white and male point of view is undermined when voices that have been silenced for so long are finally given the opportunity to speak out, and to tell the story anew. This process of re-reading applies, perhaps most crucially, to history itself."

A Prize of One’s Own: do we really need the Women’s Prize for Fiction?

”Since the prize’s inception, it has faced backlash from women and men alike, with accusations of misandry thrown at the gender criterion and with some critics suggesting that the prize is patronising and belittling to the women that win it.”

‘The knack of living’: Pond by Claire-Louise Bennett

"Pond is the exemplary proof that ‘the knack of living’ lies in attending to such ‘small matters’ as the number of spoonfuls of sugar added to a cup of coffee."

Will there be a COVID-19 novel?

"After months of quarantining, of Zoom calls and empty supermarket shelves, it feels foolish to suggest we’ll emerge from this crisis as the same people as we were when we entered it. Consequently, our writing must also change."

Review: The Silent Patient

"If you’re looking for a good book, I’d give this one a miss, but I will it give it one thing- The Silent Patient is accidentally hilarious."

Literature festivals of the future

"As idyllic as it sounds to vanish for a few days to the literary haven of Hay-on-Wye, for many, financial and geographic constraints curtail the prospect of reaching the so-called ‘Woodstock of the mind’."

Avonlea Revisited: what children’s classics offer for adult readers

"Revisiting these childhood classics gives us an important reminder for these definitely non-normative times: seek happiness in the unlikeliest places. Love is patient, love is kind, but it is also a little shy and very, very funny."

Review: The Places I’ve Cried in Public

"The book tackles abusive relationships in a way that allows younger (and older) readers to realise the many forms abuse can take."

Friday Favourite: The Cairo Trilogy

“A historical allegory that mirrors political events through the livelihood of the Al-Jawad family, it is a seminal work of modern Arabic literature and is crucial to understanding Egypt’s modern history, society and culture.”

The language of Pride: five books I read in the closet

"As well as the direct dialogue from writer to reader, I realised that I was just one of a larger readership: an intoxicating mix of individual and collective experience that was validating above all else."

In defence of self-help

"It took my own experience of trauma to recognise that maligning self-help can contribute to disempowerment, and to think non-judgementally about the traumas which might have led other people to seek self-help and self-care."

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