Tuesday, May 6, 2025
Blog Page 1833

OUSU votes to help end genital cutting

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On Monday night OUSU Women’s Campaign hosted an event at Merton addressing the work of the Orchid Project and Daughters of Eve, two organizations dedicated to ending the practice of female genital cutting (FGC).

Speaking in the main lecture hall of Merton College, the speakers threw a spotlight on what Julia Lalla-Maharajh of the Orchid Project called a “terribly under-resourced” cause — the abolition of FGC.

FGC is the practice of cutting any portion of a girl’s clitoris. The custom is a social norm in many communities across Africa, the Middle East and Asia, as well as the diaspora of such communities in Europe and the United States.

Human rights, women’s rights, and children’s rights groups unanimously condemn the practice.

Lalla-Maharajh decided to establish the Orchid Project after spending time in Ethiopia, where she came into close contact with communities that experienced widespread practice of FGC.

She explained, “From then on I wanted to truly understand this problem and find a way to solve it. It has devastating impacts on a girl’s health, on a girl’s development. In some cases, it results in death from bleeding.”

Given that FGC affects at least three million girls in Africa, according to UN estimates, Nimco Ali of Daughters of Eve sought to explain from personal experiences why the custom is so prevalent.

“Back in Africa marriage is a commodity. Girls have no independence, and if they do not submit to this practice then they are socially stranded.”

As to why diaspora continue the practice in Europe or North America, Ali said, “a feeling of distance and unfamiliarity often drives diaspora communities to adhere to customs even more rigorously than the place they’re coming from.”

Speaking to Cherwell, Julia Lalla-Maharajh said that she recognises the persistent taboo that accompanies the subject of FGC, which makes her cause more difficult to promote and fund.

However, she added, “By 2013 an entire ethnic group in West Africa will have abandoned the practice, and it may see total eradication in Senegal by 2015.

Tania Beard, an OUSU women’s representative, who organised the talk, presented a motion at the end of the talk which was passed unanimously.

It stated, “WomCam resolves to ask Common Room Women’s Officers and Women’s Campaign members to submit charity motions to their Common Rooms, asking for donations to the Orchid Project, at OrchidProject.org.”

BNC ball goes green

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Brasenose has teamed up with Trees for Cities to host Oxford’s first ever carbon-neutral ball today.

Environmental rep Jocelyn Waller commented that the Ball committee wanted to “show that it is possible to have a normal Ball without changing much and still helping the environment.”
“We worked hard not to increase the ticket prices because we wanted people to see how easy it is to create this type of ball.

“We are hopeful that this will start a trend within Oxford Balls”.

To show the results of the evening, Morebins will be weighing the waste streams to show much was recycled.

The event’s partner agency, consultancy Environmental Perspectives, will be conducting a complete review of the environmental impact of the ball, as well as the carbon footprint, that will be shared online.

Union Hasan-‘t forgotten Ali

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A motion to remove the mandate that enforced a disciplinary complaint of “dereliction of duty” against Hasan Ali, last term’s Librarian at the Oxford Union, has failed.

A Senior Disciplinary Hearing will now be organised by the Returning Officer in the next month.

The disciplinary complaint, originally brought against Ali by last term’s Union President, James Langman, had been mandated by the Standing Committee last term.

In this week’s Standing Committee meeting, concerns were raised as to the necessity of a Senior Disciplinary Hearing for Ali, with the current President, Ashvir Sangha, in particular noting the cost.

Union Press Officer, Alexander Reut-Hobbs commented, “When the complaint was bumped to SDC [Senior Disciplinary Hearing], some members of committee began to doubt whether it was worth the time, money and effort that the SDC would take, and whether other channels could be used to voice disapproval, which would be more informal, but much less costly”.

In the ensuing discussion, concerns were raised that removing the mandate would set a “worrying precedent” that the committee had the power to simply brush away such disciplinary complaints.

Although removing the mandate would leave it up to Langman whether or not he wished to pursue the complaint, the impression was given that Langman was inclined to withdraw it.

However, he would not have been able to withdraw the complaint unless the Standing Committee’s mandate was removed.

It was stressed that removing the mandate was “not passing judgement”, only leaving it up to Langman to do as he wished.

Some at the meeting also argued that as Ali was no longer in office, it would not set a worrying precedent for those who are in office.

As reported by Cherwell last term, Ali was initially condemned for “failure” to host a guest speaker and providing “conflicting, contradictory and incompatible explanations of this failure to complete his official duties”.

The vote’s failure, by six votes to five with two abstentions, ensures that the mandate remains in place, and so the complaint cannot be withdrawn by Langman.

When asked to comment on the implications of this for Ali, and for the Union, Reut-Hobbs issued a statement on the Union’s behalf, which said, “the Union doesn’t want to say anything that will pre-judge, prejudice or pressurise the SDC hearing”.

Man Guilty of student rape

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A man has been convicted of raping a 21-year old student in the John Radcliffe
Hospital last October.

At roughly 8.35pm, the victim was in the foyer of the hospital’s west wing,
waiting to visit her sister, when the 44-year old followed her into a toilet cubicle.

The jury took only 1 hour to reach a unanimous decision to convict Ian Joseph on
the 5th May, following a three-day trial in which the victim described her ordeal.

The victim stated Joseph spoke to her “through gritted teeth” and that he said
that she was “making him mad”. She also stated that, worrying he had a weapon,
she complied out of “sheer fear”.

With Joseph reportedly stating that if she was quiet he would let the victim go,
the victim also added that “she found it really hard to be quiet because [she] was
so scared”.

Joseph was arrested two days in later in Southampton, claiming only to have
waked in on the victim before leaving.

Joseph has however already had a criminal record spanning 23 years, having
committed serious offences from robbery and dangerous driving to ABH and
GBH.

As a result of Joseph’s latest crime therefore, Judge Patrick Eccles adjourned
sentencing for a probation report in order to determine whether Joseph presents
sufficient danger to the public to require indeterminate imprisonment. As stated
by the Judge, the sentencing “will inevitably be one that involves a substantial
period of imprisonment”.

Dc Rob Barrett, speaking outside Oxford Crown Court also stated that, “Joseph
had absolutely no connection to that hospital apart from trying to find a place to
stay. People should not fear going to hospital- it needs to be remembered who he
was”.

Joseph is currently residing in custody, awaiting sentencing next month.

C’est très Marant

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I fell in love with Isabel Marant’s clothes about four years ago at a time when she was still relatively unknown as a designer, and it’s not difficult to see why.  Her style speaks to an entire generation of young women who, like me, dream of spending long and lazy days followed by endless nights on a beach somewhere in Southern California.  Her collections become more and more like this as the seasons go by – no one will forget the Chanel-esque jackets of 2009 which were more Champs-Élysées than Sunset Boulevard, but gorgeous all the same.  Everybody wants to be an Isabel Marant girl. 

And Spring/Summer 2011 was no exception. I’d venture to say that the pastel pink cut-offs teamed with the Aran sweater, or the floral strapless dress cinched in at the waist with a classic brown leather belt, would not have looked out of place at Coachella last month. It was, however, somewhat comforting to see a nod to her Parisian roots with belted jackets and skyscraper heels.  I particularly loved the way that she sometimes managed to combine the two cultures in a single outfit – the red and white striped mini coupled with a blue jacket, reminiscent of the American flag, but completely French in overall style and structure, was nothing short of genius. 

I do, however, have two issues with the Isabel Marant of 2011.  Although the clothes certainly look accessible, the prices are most definitely not. A few years ago you could swing an Isabel Marant skirt for under £200 whereas today it’s becoming less and less common to hear her name uttered in the same sentence as the likes of Maje and Sandro, who were once her mid-range peers.  I applaud any designer who strives to reach the dizzy heights of the high-end world, but this seems completely at odds with the nature of Marant’s clothes, and she risks losing the interest of her target audience.  Why spend thousands on something that you can replicate with a little help from the high street?  I know this argument can be made with regards to any designer in the world, but Marant leaves herself particularly open to this kind of criticism due to the relaxed style of her clothing – if she’s not careful, her charm will become her achilles heel. 

This leads me on to my second, slightly more hesitant criticism, and I know that I am not alone when it comes to this.  Fashion journalists across the globe question whether Marant really has what it takes to hold her own against the likes of Lanvin and Dior who are expected to come up with something innovative and striking every single time.  The question here is whether we really need to see this on a catwalk? Whilst I agree with this to an extent, I think that fashion could do with being a bit more accessible, and as long as we don’t lose the spectacles, there is absolutely nothing wrong with bringing a touch of easiness to the runway. 

Click here to see Isabel Marant’s Spring/Summer 2011 collection in full

Brideshead Rehearsed

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‘A good director is never sure what he’s going to do’, said the great Elia Kazan. Frankly, as I was negotiating one of those tiny, cobbled streets off St Aldate’s on the way to the august event of the first Brideshead rehearsal, I couldn’t have agreed more. However many scribbled and unintelligible notes you make beforehand in your black notebook (Moleskine, obviously), nothing ever quite goes according to plan.

It was one of those summer evenings at Oxford where the larks are singing and the spires are dreaming, and that flighty spirit of eternal youth that Sebastian was so desperately yearning for seems like it never left the place. It’s easy to forget, on such a balmy, idyllic summers eve, that Brideshead – contrary to what most people who haven’t read it think – is less about all this idyllic guff, and more about loss, and guilt and futility. Some episodes in the play are so heart-wrenching that it is quite possible we may all require the services of a good, or at least expensive therapist when all this is over, perhaps even before.

 

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It is customary, at the first rehearsal, for the director to give some sort of opening speech, ostensibly to motivate the actors but all this is, in reality, is an excuse for the director to inflate his ego to hitherto uncharted heights. However, I have a horror of self-important, pompous directors who like to give these speeches – I used to be one, after all – so I dispensed with the speech and we got started with a particular favourite of mine from the standard first-rehearsal repertoire: blocking. It is remarkable how, in real life, two people sitting down and having a conversation for half an hour without moving seems natural.  However, if this happens in a play, half the audience will have run for the hills in boredom, or alternatively the bar – whichever is closer – before you can say ‘total flop’.  So there we have it – every director’s and actor’s nightmare – blocking, where every single movement has to be analysed as if it were a Callimachean epigram. Unsurprisingly, despite all this careful choreography and close attention to the dictates of stage dynamics that, I can assure you, was going on, the best movements were hit upon quite naturally and entirely by accident. Of course, I’m more than happy to take the credit.

 

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On a similarly propitious note, the cast seem to be getting on very well, which always helps. It’s not always easy to stroke the hair of someone you’ve only just met with the love light in your eyes, even after a few stiff drinks. It seems bizarre how, on stage, you can portray vast, complex emotions like love or contempt just by distilling them into one simple gesture. That, I suppose, is the beauty of theatre.

Rory and Tim’s Friday Frolics – Episode 2

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The latest installment of Rory and Tim’s comedy sketch show

Oxford’s Best: Kebab Van

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People really seem to like reviewing Kebab vans on the Internet. Sometimes while inebriated. Do we know why? No. Will this stop us? No.

eople really seem to like reviewing Kebab vans on the Internet. Sometimes while inebriated. Do we know why? No. Will this stop us? No.
There are about fifty Kebab vans in Oxford and they are, in all honesty, pretty difficult to compare. They are similar in price-range and “menu” options. (And let’s not forget their elegant décor.) Judgment on this matter really depends on one’s location and level of sobriety. 
My personal favorite is Botley Kebab, but this has little to do with their food. (Stay away from the falafel.) I hardly expect any Oxonian to walk his or her butt all the way down there at a time when walking in a straight line is conceivably out of the question; regrettably, though, I used to live in Botley and along with my cheese and chips the “kebab guys” offered me what was a strange kind of safe haven from potential assailants. Plus they were always speedy and called me “Gorgeous.” 
I am led to understand that Hassan’s on Broad Street is a crowd pleaser. It’s delicious, super efficient, pretty reasonably priced, and a prime location for late night studiers. I quote: “If you are gonna make the extra five minute walk, go to Hassan’s. And there’s always a line so you know it’s good.” Hard to argue with that logic.
McCoy’s on St. Aldate’s is another that comes highly recommended. Stop and Bite on George Street sadly sucks. I’ll say no more. And Houssain’s on St. Giles isn’t great—I waited for about 10 minutes for eight chicken nuggets—but it is close to city center and convenient for those of us high tailin’ it to Jericho every evening. 
Really guys, chips are chips. You just want to make sure you get ‘em while they’re hot and the man serving them isn’t looking down your shirt.

There are about fifty Kebab vans in Oxford and they are, in all honesty, pretty difficult to compare. They are similar in price-range and “menu” options. (And let’s not forget their elegant décor.) Judgment on this matter really depends on one’s location and level of sobriety. 

My personal favorite is Botley Kebab, but this has little to do with their food. (Stay away from the falafel.) I hardly expect any Oxonian to walk his or her butt all the way down there at a time when walking in a straight line is conceivably out of the question; regrettably, though, I used to live in Botley and along with my cheese and chips the “kebab guys” offered me what was a strange kind of safe haven from potential assailants. Plus they were always speedy and called me “Gorgeous.”

I am led to understand that Hassan’s on Broad Street is a crowd pleaser. It’s delicious, super efficient, pretty reasonably priced, and a prime location for late night studiers. I quote: “If you are gonna make the extra five minute walk, go to Hassan’s. And there’s always a line so you know it’s good.” Hard to argue with that logic.

McCoy’s on St. Aldate’s is another that comes highly recommended. Stop and Bite on George Street sadly sucks. I’ll say no more. And Hussain’s on St. Giles isn’t great—I waited for about 10 minutes for eight chicken nuggets—but it is close to city center and convenient for those of us high tailin’ it to Jericho every evening.

Really guys, chips are chips. You just want to make sure you get ‘em while they’re hot and the man serving them isn’t looking down your shirt.

Great people, shame about the sheep

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he Welshman’s dishonest, he cheats when he can/ Little and dark, more like monkey than man/ He works underground with a lamp in his hat/ And he sings far too loud far too often and flat…
Michael Flanders there reminding us of the joys of witticised racism. He couldn’t be more wrong. Wales ain’t bad. It’s lovely. The Welsh are lovely, their culture is lovely, their language is lovely. It’s as if Stephen Fry founded a country. But there is one problem with Wales; one very curly problem. Sheep. 
Wales, as a concept, is mostly about sheep. They are everywhere. Actually everywhere. Alive on hillsides and farmyards, dead on plates and the side of the road. Big ones, small ones, violently rutting ones, rarely out of earshot and rarely out of sight. The reek of sheep’s wool spindles up the valley. To know what it smells like in rural Wales, wear a woollen jumper continuously for six months, then piss on it. Now hold it over your face till you’re knocked out. The poor Welsh do their best to counteract it. I don’t doubt they started underground mining not to get coal or make money, but to get away from the smell of wet sheep.
Except when they’re shagging them. Sheep-buggery is rampant, and I can marshall legions of evidence to prove this viz. that I want it to be true. My old maths teacher – a Welshman so Welsh he makes Huw Edwards look like he’s from Norfolk – spent a good deal of time telling our class an elaborate history of sheep-rape, sheep-jobs and sheep-sodomy in Wales in the nineteenth century. So I have an encyclopaedic knowledge of this subject. It’s very useful. It’s a great way to racially abuse the Welsh.
As does the rain. It never rains, but it pours, and it never does anything but pour. Before going to Wales make sure you’re kitted out with waterproof coat, shoes, trousers and water. I was there a week and the gangrene had already set in. Wales, therefore, in weather terms, is basically England except yet more rain, wind, hail and (especially) sleet. Outrageously, the Scots outdo Wales in rain per square metre (fourty-four gallons of rain per second on average). The Welsh hate the Scots for this reason. Well, that and the fact that the perpetual weather makes them terminally depressed.
So the countryside is ruined. What about the towns? Most of Wales is poor as shit. This is not the fault of Wales. It is the fault of England. To be precise, the bits of England that voted Tory in the eighties, and thence shut down the mines. So if, as I did, you went on holiday to Blaenau Ffestinog, you will come to understand what is meant by ‘third world poverty’ without taking the bother of  visiting the third world itself. It is buttock-clenchingly depressing. 
There is only one source of income in the town, the railway. I love the railway. It’s a steam railway, and I like the smell of steam and the cheery conductors. Woo woo! Yes. But imagine if that was everything. Imagine if nothing else existed in your town except a railway. And imagine if that railway was populated exclusively by tourists. Mostly English tourists and mostly ones bringing their own food. You would, I could say with some certainty, go mad. Helping your madness are the immense walls of slate slag. These tower about the hamlet like Mrs Doyle’s sandwiches. They block out the sun. Really. They actually do block out the sun. This is the world if, instead of opening her box a second time, Pandora took a fag break, and forgot.
“Oh scathful harm, condition of Povertie!” wrote Chaucer, and allow me to repeat it and take the credit. Given that the economy of the area is derived from sheep and sheep-brothels, it should not be surprising that there aren’t that many people, and most of them seemingly poor. There is nothing here except mountains, railways, and sheep. And the Lloyd George museum. This was a sight of wanton calamity. For here was a rare, indeed unique example, of rampant rudeness and idiocy from an otherwise helpful and welcoming bunch. 
I went into the museum. It was a big museum. Everything you could ever want of Lloyd George’s was here. His tea towels, his sock-drawer: everything. There were pictures of him as a dashing and debonair youth; there were quotes about how he read Euclid up a tree; there were paintings of him addressing the House of Commons. Best of all – best of bloody all – there was a hologram of him giving a speech about tariff reform. It looked like Lloyd George. It sounded like Lloyd George. And by golly if it didn’t appear to be him. Great! I took out my camera, about to snappy-snap.
Then catastrophe. A woman came over to me, waddling intently. “NO PHOTOGRAPHY ALLOWED,” she said, and meant it. I mean to say, dash it. We were the only people in the museum. Nobody cared. Nobody stirred. The photography wasn’t flash and neither were the exhibits. I could do no harm. But apparently, in Wales, you can allow your country to be defiled and derided in poncey student papers, all for the benefit of not taking photographs. Ghod. 
Very little else was of interest. I longed for the bright lights of the city. Aberystwyth! Aberystwyth! So good they named it unpronounceably. I don’t care. They could send me to Anglesey. Anywhere to get me out of the Lleyn Peninsula. There are beaches on the Lleyn Peninsula. And mountains. But apart from them and the Lloyd George museum there’s nothing else. Driving eastwards brings me to Caernafon Castle. This is quite exciting as castles go. Walking round the edges makes you realise just how tough and hardy Edward I must have seemed to the Welsh. No wonder they retreated to the hills and sang songs and drank mead for a hundred years till Glyndwr came along and smote the English. For a bit.
Problem with Wales is, it isn’t really Wales. As you well recall from your readings in Welsh constitutional history, the Welsh Assembly was only established in 1999, and the referendum establishing it gave an almighty 50.3% in support. Sod India. England’s most successful colony was Wales, if only cos we stopped them being Welsh and made them the Yorkshire of the west. Thank God the Welsh have been regaining their identity, what’s left of it anyway. After all, now almost the only thing Welsh about Wales is the language. And that sounds like an early Bob Dylan song crossed with a fart in a bath.
Or does sound, to the English. The Welsh, in their lovely if downtrodden way, have succeeded in converting this panoply of mouth-gargler into a beautiful poetical song-dance, crooned by the poets and loved by themselves. They ought to be proud of their nation. It may be wet, poor, sheepy, smelly and cold, but its inhabitants have tackled this with verve and gusto. It’s remarkable really. They’re so far from London it’s unreal.The Welshman’s dishonest, he cheats when he can/ Little and dark, more like monkey than man/ He works underground with a lamp in his hat/ And he sings far too loud far too often and flat…Michael Flanders there reminding us of the joys of witticised racism. He couldn’t be more wrong. Wales ain’t bad. It’s lovely. The Welsh are lovely, their culture is lovely, their language is lovely. It’s as if Stephen Fry founded a country. But there is one problem with Wales; one very curly problem. Sheep. Wales, as a concept, is mostly about sheep. They are everywhere. Actually everywhere. Alive on hillsides and farmyards, dead on plates and the side of the road. Big ones, small ones, violently rutting ones, rarely out of earshot and rarely out of sight. The reek of sheep’s wool spindles up the valley. To know what it smells like in rural Wales, wear a woollen jumper continuously for six months, then piss on it. Now hold it over your face till you’re knocked out. The poor Welsh do their best to counteract it. I don’t doubt they started underground mining not to get coal or make money, but to get away from the smell of wet sheep.

The Welshman’s dishonest, he cheats when he can/ Little and dark, more like monkey than man/ He works underground with a lamp in his hat/ And he sings far too loud far too often and flat…

Michael Flanders there reminding us of the joys of witticised racism. He couldn’t be more wrong. Wales ain’t bad. It’s lovely. The Welsh are lovely, their culture is lovely, their language is lovely. It’s as if Stephen Fry founded a country. But there is one problem with Wales; one very curly problem. Sheep. 

Wales, as a concept, is mostly about sheep. They are everywhere. Actually everywhere. Alive on hillsides and farmyards, dead on plates and the side of the road. Big ones, small ones, violently rutting ones, rarely out of earshot and rarely out of sight. The reek of sheep’s wool spindles up the valley. To know what it smells like in rural Wales, wear a woollen jumper continuously for six months, then piss on it. Now hold it over your face till you’re knocked out. The poor Welsh do their best to counteract it. I don’t doubt they started underground mining not to get coal or make money, but to get away from the smell of wet sheep.

Except when they’re shagging them. Sheep-buggery is rampant, and I can marshall legions of evidence to prove this viz. that I want it to be true. My old maths teacher – a Welshman so Welsh he makes Huw Edwards look like he’s from Norfolk – spent a good deal of time telling our class an elaborate history of sheep-rape, sheep-jobs and sheep-sodomy in Wales in the nineteenth century. So I have an encyclopaedic knowledge of this subject. It’s very useful. It’s a great way to racially abuse the Welsh.

As does the rain. It never rains, but it pours, and it never does anything but pour. Before going to Wales make sure you’re kitted out with waterproof coat, shoes, trousers and water. I was there a week and the gangrene had already set in. Wales, therefore, in weather terms, is basically England except yet more rain, wind, hail and (especially) sleet. Outrageously, the Scots outdo Wales in rain per square metre (fourty-four gallons of rain per second on average). The Welsh hate the Scots for this reason. Well, that and the fact that the perpetual weather makes them terminally depressed.

So the countryside is ruined. What about the towns? Most of Wales is poor as shit. This is not the fault of Wales. It is the fault of England. To be precise, the bits of England that voted Tory in the eighties, and thence shut down the mines. So if, as I did, you went on holiday to Blaenau Ffestinog, you will come to understand what is meant by ‘third world poverty’ without taking the bother of  visiting the third world itself. It is buttock-clenchingly depressing.

There is only one source of income in the town, the railway. I love the railway. It’s a steam railway, and I like the smell of steam and the cheery conductors. Woo woo! Yes. But imagine if that was everything. Imagine if nothing else existed in your town except a railway. And imagine if that railway was populated exclusively by tourists. Mostly English tourists and mostly ones bringing their own food. You would, I could say with some certainty, go mad. Helping your madness are the immense walls of slate slag. These tower about the hamlet like Mrs Doyle’s sandwiches. They block out the sun. Really. They actually do block out the sun. This is the world if, instead of opening her box a second time, Pandora took a fag break, and forgot.

“Oh scathful harm, condition of Povertie!” wrote Chaucer, and allow me to repeat it and take the credit. Given that the economy of the area is derived from sheep and sheep-brothels, it should not be surprising that there aren’t that many people, and most of them seemingly poor. There is nothing here except mountains, railways, and sheep. And the Lloyd George museum. This was a sight of wanton calamity. For here was a rare, indeed unique example, of rampant rudeness and idiocy from an otherwise helpful and welcoming bunch. 

I went into the museum. It was a big museum. Everything you could ever want of Lloyd George’s was here. His tea towels, his sock-drawer: everything. There were pictures of him as a dashing and debonair youth; there were quotes about how he read Euclid up a tree; there were paintings of him addressing the House of Commons. Best of all – best of bloody all – there was a hologram of him giving a speech about tariff reform. It looked like Lloyd George. It sounded like Lloyd George. And by golly if it didn’t appear to be him. Great! I took out my camera, about to snappy-snap.

Then catastrophe. A woman came over to me, waddling intently. “NO PHOTOGRAPHY ALLOWED,” she said, and meant it. I mean to say, dash it. We were the only people in the museum. Nobody cared. Nobody stirred. The photography wasn’t flash and neither were the exhibits. I could do no harm. But apparently, in Wales, you can allow your country to be defiled and derided in poncey student papers, all for the benefit of not taking photographs. Ghod. 

Very little else was of interest. I longed for the bright lights of the city. Aberystwyth! Aberystwyth! So good they named it unpronounceably. I don’t care. They could send me to Anglesey. Anywhere to get me out of the Lleyn Peninsula. There are beaches on the Lleyn Peninsula. And mountains. But apart from them and the Lloyd George museum there’s nothing else. Driving eastwards brings me to Caernafon Castle. This is quite exciting as castles go. Walking round the edges makes you realise just how tough and hardy Edward I must have seemed to the Welsh. No wonder they retreated to the hills and sang songs and drank mead for a hundred years till Glyndwr came along and smote the English. For a bit.

Problem with Wales is, it isn’t really Wales. As you well recall from your readings in Welsh constitutional history, the Welsh Assembly was only established in 1999, and the referendum establishing it gave an almighty 50.3% in support. Sod India. England’s most successful colony was Wales, if only cos we stopped them being Welsh and made them the Yorkshire of the west. Thank God the Welsh have been regaining their identity, what’s left of it anyway. After all, now almost the only thing Welsh about Wales is the language. And that sounds like an early Bob Dylan song crossed with a fart in a bath.

Or does sound, to the English. The Welsh, in their lovely if downtrodden way, have succeeded in converting this panoply of mouth-gargler into a beautiful poetical song-dance, crooned by the poets and loved by themselves. They ought to be proud of their nation. It may be wet, poor, sheepy, smelly and cold, but its inhabitants have tackled this with verve and gusto. It’s remarkable really. They’re so far from London it’s unreal.