Saturday 12th July 2025
Blog Page 1750

Misanthrope: The 2012 Olympics

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I want to make it quite clear that I am not a patriot. I don’t feel that surge of pride when I order chips abroad, loudly and in English. I don’t approach groups of American tourists, defiantly talking about “water bottles” in received diction. And I can only think of two occasions when I’ve sipped tea with a protruding pinkie.

But, despite myself, at the mention of the London 2012 Olympics I feel a desperate urge to wrap myself in a Union Jack and catch the first double-decker bus down to Buckingham Palace. And no, it’s not because that’s where they’re hosting the women’s beach volleyball. It’s because I can’t ruddy wait to have the second greatest four-yearly sporting event in the world (the football world cup would never need CGI footprint-shaped fireworks to make people watch it) in our very own Blighty – and watch us balls the whole thing up with consummate mastery.

Just the build up to the games has revealed the spectacular capacity of Great Britain for lukewarm achievement. Take the Olympic Stadium. It has been charitably described as a “bowl of blancmange” by some. And it’s not even a big bowl. In fact, with a capacity of 80,000, it’s smaller than just about every college (American) football ground.

OK, fine. So our Games won’t be as ostentatious as Beijing ’08. But who wants ostentation anyway, in times like these? No, what we want is efficiency. An understated games that goes off without a hitch. Obviously it was with this in mind that some genius came up with the idea of giving athletes free use of London’s public transport. Usain Bolt is very quick, but not even he will be able to win the 100 metres when he’s stuck at Tower Hill because of signal failure on the District Line. In fact, transportational issues are so high on the list of potential fuck-ups, that the Games’s organising committee has already resigned itself to mitigating the disaster, rather than averting it. Thus, they have made early efforts to recast the inevitable gridlock on London’s roads in a more glamorous light, anticipating a “perfect traffic storm” for the summer of 2012.

Look out world. 

5 Minute Tute: Sub-Saharan Africa

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What are the biggest challenges currently facing sub-Saharan Africa?

Africa has is biggest ever opportunity, which is to harness the commodity booms and new resource discoveries for sustained development. Historically, natural resource booms have often been a curse, giving rise to the politics of plunder: the few expropriating what should benefit the many, and the present generation burning up what should also benefit future generations. The challenge is to avoid repeating that sad history. The repeat of history is the default option, but it is not inevitable. For example, Germany is the best-managed economy in Europe because it used to be the worst, but learnt from its mistakes. Africa needs to do what Germany did: legislate the key decision rules; build dedicated institutions that implement the rules; and most important, build a critical mass of citizens who understand the issues and defend the rules and institutions. As the strikes in Nigeria demonstrate, Africa’s citizens are not yet up to speed in their true interests.

What is the evidence that aid to sub-Saharan Africa works?

Aid has got a lot better, but there is still plenty of room for improvement. Its future is in the small, impoverished, fragile states which without aid would simply fall apart. But to date in these societies aid has often merely kept the country on life support. What is needed is to use aid more strategically in developing the economy. In particular, this means supporting decent international firms to come into the country: without them such countries will probably remain impoverished. So aid needs to become both more focused on the plight of the least successful societies, and at the same time, more commercial.

Is recent Chinese investment helping the region’s development?

On balance, yes. The Chinese are not saints: they are primarily interested in helping China. But they are motivated by the notion of ‘win-win’, or projects which generate mutual benefits. This is not charity, but as a result it is less patronising, and it gives the Chinese a genuine motivation to stick with projects until they are successful. That said, at its worst, Chinese investment is indeed helping crooked regimes to remain in power.

What should outsiders who want to help sub-Saharan Africa do?

Both social enterprise and private enterprise now offer outsiders ways of being really useful to Africa. At its best, social enterprise brings the practices of effective organizations to environments which lack them; enabling poor people to gain access to services and products that would otherwise be the preserve of the privileged. After years of neglect, private enterprise is at last interested in African opportunities. Of course, some private enterprise is part of the plunder machine that has looted Africa. Reputable companies have until recently shied away from being tainted by what they perceive as corrupt environments.  Because young people are not willing to tolerate corrupt practices, they are the ideal workforce to enable decent companies to do business in Africa without damage to their reputations. As with social enterprises, Africa sorely needs what effective modern organizations can bring.   

 

A third state, and now a third victor

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Newt Gingrich has won the South Carolina primary. Faced with waves of what would be considered obstacles to any normal candidate, including his serial adultery, his wildly oscillating political positions and an endorsement from Chuck Norris, he has outlasted the other non-Romnies to not just squeak past Mitt but trounce him by a margin of 14%. This is a man who was forced out of the highest position he ever held by his own party (whom he would later describe as ‘cannibals’), who divorced one of his wives while she was suffering from cancer, and who, most gravely of all for a Republican, once tried to raise awareness about climate change.

Pundits keep on describing the search for a ‘real’ conservative to replace Mitt Romney, who is probably quite accurately suspected of being more interested in low corporate tax rates than home-schooling and gay-bashing, but Gingrich’s win suggests different forces at work. For one thing, he would be one of the most radical candidates to stand for President in decades. He routinely predicts World War Three. He seriously advocates colonising the moon. He would ignore the judiciary if it disagreed with him. He writes alternative histories and children’s books about American exceptionalism. Slightly demented policies have long been a byproduct of the Republican obsession with ideological purity, but this is something different.

Gingrich’s appeal is, I think, not the actual content of his policies or even the values they represent, but their sheer wide-eyed radicalism itself and the maniacal confidence with which he expounds them. His ascent is perhaps the climax of the Republicans’ protracted, messy divorce from reality, and their retreat into a fantastical world in which shadowy ‘elites’ wage proxy wars against middle America in hospitals, schools and gay bars.

You have to place yourself within this imagined dystopia to really understand Gingrich’s appeal. His apocalyptic warnings that American civilisation itself is nearing collapse start to make sense if you believe that everything you hold dear is under constant siege. His snappy, aggressive debating is suited to a political war zone, while Romney, with his constant smile and tiresome practicality just doesn’t seem angry enough. Romney promises to get Obama out of office. Gingrich promises to ‘knock him out’.

That aggression, and that macho contempt for anyone who does not believe in him is what gave Gingrich the edge in South Carolina. Sure, Ron Paul has radical plans to dismantle the modern financial system, but he views supporters of the status quo only as idiots; Gingrich one-ups him, claiming that they are actually evil, or agents of the ‘secular-socialist machine’, to be precise. Rick Santorum has plenty of hatred in him if his policies are anything to go by, but it never quite shows through; it is, after all, hard to look outraged wearing a sweater-vest.

Gingrich’s skill is to take the kind of gutsy anger that once powered Sarah Palin’s brief flight in the polls  and marry it with enough intelligence to carry his points beyond mere rants into something with at least the feel of a political vision. His style is radicalism for its own sake; that is, there are no real plans, only a constant sense of righteous anger about to be unleashed upon the establishment. He has replaced political principles with abstract nouns, like ‘greatness’ and ‘civilisation’. Even the Tea Partiers, crazed though they may be, at least have a concrete goal of cutting spending.

Yet with a meticulously compromising President in power, who brought Republicans into his cabinet, adopted Republican plans for his modest healthcare reforms and even maintained Republican tax cuts, why do so many Americans buy in to claims that he is the socialist anti-Christ? I suspect, in part, that among the patriotic middle-aged, a kind of nostalgia has been growing for the days of the Cold War and the single, simple enemy that the ‘Evil Empire’ provided as a foil to America’s heroism.

By the patriotic middle-aged, I mean in particular the generation old enough to remember the fall of the Berlin Wall, but too young to fully remember the Vietnam War, the generation raised on the purest narratives of American greatness. No satisfactory replacement has ever been found; even the once-trumpeted War on Terror has produced only a spluttering, ceaseless trickle of deaths, and whatever victories have been won remain half a globe away, intangible for most Americans. It’s that deep longing for simple divisions between good and evil that has pushed Gingrich to the front.

Of course, he will never likely be President; his mental state and approach to decision-making have been tactfully described as ‘erratic’ by members of his own party. Yet he is not just another ‘traditional values’ candidate buoyed by rural voters, but the first to directly represent the Republicans who grew up with the mythology of the Reagan era, and live now within the terrifying news-world created by Fox.

That’s what makes Gingrich worth paying attention to – he represents not a set of policies or values, but a mindset, a schizophrenic worldview in which every problem is a conspiracy and every solution a chance to ‘rebuild civilisation’. Newt is not the first politician to be crazy, but he may be the first man in history to make craziness into a passable political brand. And he is worth following for it.

Speaking in Tongues – Part 2

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Speaking in Tongues was written by Rob Williams and produced by Loveday Wright and Tom Moyser. 

The Cast, in order of appearance, are:

The Apologist – Dave Ralf 
Micheal – Richard O’Brien 
Louise – Charlotte Geater 
David – Rob Williams 
Jennifer – Sarah Whitehouse 
Terry – Jack Hackett 
Billy – Tom Moyser 

Press Preview: The Man Upstairs

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The Man Upstairs is about a man struggling to distill a modicum of meaning from the banality of everyday life.  The play begins with a troubled professorial type going by the name of Arthur luring a bystander to a rooftop to give him a hand at ending it all. Zoe, said bystander, unsurprisingly refuses, and in her attempt to dissuade Arthur from the irrevocable, is drawn into a dialogue with the supposedly intriguing and mercurial Mr. Arthur Hallam. Arthur is the quirky professorial type (though not a professor) whilst Zoe is a naive student.

Over the course of two days, Zoe and the audience are given a number of insights into Arthur’s life, including the facts that he has a wife who he doesn’t think is worth mentioning, that he’s addicted to self-pity and most generally that he’s a bit of a dick. From what I saw in the press preview, writer Tim Kiely has made a valiant effort, yet I feel he ran into trouble writing lines for Mr. Hallam. The problem I think he ran into is that when trying to write about a character who’s manic enough to commit suicide, you inevitably end up trading authenticity for good theatre. As a result, Arthur isn’t the most believable of characters, and unfortunately neither is his relationship with Zoe, who clearly gets something from her time with Arthur that I must have missed. whilst I had problems suspending my disbelief, I did in all fairness only see three scenes, and with a longer exposition I may have been convinced. I felt the play was strongest when Arthur wasn’t involved, with some excellent dialogue between Zoe and Helen, Arthur’s wife. Indeed I was completely convinced by Helen’s wistful reminiscing about her early relationship with Arthur, and actress Caitlin McMillan deserves plaudits.

Vyvyan Almond made a courageous attempt at playing Arthur, bringing to life a particularly funny analysis of ITV’s Loose Women but failed to make me forget the limitations of the character, which once again, given the brief nature of the preview, may well have been an impossible task. Overall I enjoyed The Man Upstairs but am left thinking that writer Timothy Kiely has bitten off ever so slightly more than he can chew. Just slightly though, and slightly is still worth a viewing.

3 STARS

Review: Craig Finn – Clear Heart, Full Eyes

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Craig Finn, charismatic frontman of slightly niche, yet excellent rock band The Hold Steady, and very niche (but equally excellent) post-punk outfit Lifter Puller, is back. As any good indie label should, Vagrant have essentially given him free reign on his first solo outing, allowing the Minneapolis native to take a decidedly relaxed approach, with mixed results.

The album opens, somewhat disappointingly on a rather weak note, the quirky 12 bar blues of ‘Apollo Bay’ offsetting obtuse and frankly uninteresting lyrics. Thankfully, it picks up from there with a couple of solid tracks, the glassy guitars and dark character study of ‘When No One’s Watching’ contrasting well. But patchiness is the name of the game for Clear Heart, and a few weak moments plague the middle of the album, (I’d recommend avoiding the sappy and pretentious ‘Jackson’ altogether). Luckily, Finn manages to save face in the back half of the album, with a quartet of brilliant songs that leave you as any good album should – with a feeling of deep contentment. This is a true lazy Sunday album; satisfying and enjoyable, but ultimately lacking the passion and drive to make it more than just average.

Without the strength of his usual bandmates, the focus here lies squarely on Finn’s writing ability, which I have to say falters a bit. The slightly repetitive instrumentation eventually wears thin, despite the initially interesting change of pace compared with his prior efforts, and even his excellent storytelling abilities sound muted, despite showcasing his genuinely heartfelt and sincere approach to lyricism. While dedicated fans will be content with this record, for all newcomers to his work, don’t write him off. He can do so much better, I promise.

3 STARS

How to get the Oxford Blues

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The saying goes, you should leave Oxford with a first, a Blue or a spouse. Now, unfortunately, the first option is mostly down to you while for the last, let us gently point you in the direction of Cherwell’s Blind Date. But what about the middle one?

You’ve probably seen them, swanning about the Park End VIP area in their Dark Blue blazers having prelashed at Vinnies or been on crewdate. You’ve probably thought ‘wankers’ or something similar and more forceful. But maybe, just maybe, you’ve wondered what feat of sporting prowess has given them the right to wear such and overpriced, understated garment? What do you have to do to get hold of one for yourself?

To break things down, there are three types of Blues sport: Full Blue, Discretionary Full Blue and Half Blue. Discretionary Full Blue sports tend to be a little less mainstream, with the ability to award Blues for fulfilling certain (often very hard to achieve) criteria, while Half Blue sports occupy the niche end of the spectrum. For the purpose of this article, let’s say you have your eyes set on the top prize (not to do down any other sports: no Half Blue is easily won). We will also ignore most Discretionary Full Blues, as the requirements (Badminton – last eight in BUCS, Karate – medal in a national competition) are mostly prohibitively high for any novice to aim for.

So, we’ve laid down the ground rules, now where from here? One of the most important factor is squad size – you have a far higher chance of making the Varsity athletics or rugby teams than you do for netball (seven players), sailing (six helmsmen) or squash (five players). Then, one must consider the difficulty of making the Varsity team (generally the sole requirement for a Full Blue Sport). In most other universities, rowing would be an excellent route to representative success, as long as one is reasonably tall, and dedicated enough to put in the many hours of training required. However, Oxford is clearly an exception to this, as evidenced by the total absence of an OUBC stand at the Freshers Fair. They will find you and not the other way round. Similarly, although rugby offers the largest number (up to twenty three, as long as you make it onto the pitch at HQ) the artificially high standard of OURFC, where ex-professionals and internationals are ten-a-penny, makes hockey and football appear ‘easier’ options from a team sport perspective.

The use of inverted commas above is deliberate. Having approached the issue from a purely statistical direction, we’ve clearly been naïve and ignored the popularity of the sports on offer. For the boys, rugby, hockey, football and cricket are played at schools throughout the land, while for the girls netball, hockey and to a slightly lesser extent (although not that much, looking at the Oxford demographic) lacrosse fulfil the same roles. Chances are, if you’re going to be turning out against Cambridge at one of these you’ll already be gunning for it and have played it for a good proportion of your pre-Oxford life. It would be best to steer clear of sports for which you need a long-developed technique, such as cradling in lacrosse or serving in tennis. That’s not to do down other sports at all, but a stab at a slightly less mainstream sport such as golf, basketball or women’s rugby may be better served for the athletic but undecided.

One interesting subsection is those sports that have a measurable level attached to Full Blue status – for athletics, swimming and Modern Pentathlon one needs to achieve a pre-set standard as well as competing in the Varsity match. Let’s not understate the quality required – the men’s 100m time would have put you in the top 150 nationally last year and athletics, for example, routinely gives out only three or four Blues annually each to men and women – but it is a great motivator to know at all times how close you are to that elusive Blue standard (and just how far there is left to go).

So combining all these factors, where should one aim? It is important to remember that whatever the sport we are talking about, serious dedication and no little talent are needed to achieve our aim. To quote Tom Bloomfield, Men’s Blues committee President, “The awarding of a Full Blue is a great accolade and any receiver should be proud of their achievement regardless of the sport.”

However, for men the up ’til now overlooked noble art of boxing could be a good avenue to go down; the training is brutal and preparing for a fight requires total commitment (as well as the world’s longest drinking ban), but there are nine spots on offer spanning the weight categories, and the club has a history of turning total novices into Varsity-winning fighters.

Meanwhile, for women, rugby is definitely worth a look. Natural sporting instinct can be moulded into excellent rugby technique, and this brilliant yet sometimes overlooked sport does offer nineteen Blues up for grabs each year, with their Varsity match coming at the end of Hilary term to give beginners an extra three months time to get used to a new sport. Alternatively athletics and modern pentathlon, with their definite targets, are tempting options for those with natural yet unfocussed athleticism (and modern pentathlon has enough variety to cater for the easily bored).

So, getting a Blue from scratch? It should have been made clear by now that although far from easy it’s definitely possible, and has been done many a time in the past. All that’s left is to throw yourself in and give it a go!

Rugby League snatch defeat from the jaws of victory

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A chilly afternoon at the University Parks proved frustrating for Oxford as the Blues, having led for a great deal of the match, let things slip in the last ten minutes to leave the University of Wales Institute, Cardiff (UWIC) victorious 18-26.

Oxford had the upper hand throughout the first half against the fancied opposition, shivering off at the break 14-10 up. Looking threatening with possession, they posed danger for UWIC in a way the Welshmen seemed unable to match during their own spells in possession.

Two tries from stand-out wing Chuky Okpalugo, one a length-of-the-pitch kick return after a stunning catch, plus another from Phil Beak in the right-hand corner, could have been joined by a score from skipper Ben Calverley had he not been judged to be held up. This decision was met with derision by a lively crowd. Speaking of whom: most sportsmen are said to be only too happy to have a bit of skirt on hand to watch them play, but when the skirt in question (plaid, in what can only be assumed to be some oblique homage to Burns Night) is being worn by a strapping man with hairy legs, one wonders whether this was a welcome distraction.

It wasn’t just on the scorecard that the Blues impressed. Calverley made up for his personal disappointment with some wonderful distribution, and in general Oxford ran with purpose, vigour and brute force in the contact area. Ed Dick and Fred Garrett in particular impressed with some well-chosen lines of running.

While UWIC, clad in an off-white strip that laid assault to the eyes, managed a try at the end of the half against the run of play, the Blues went into half-time the more content team. The fillip the late score gave the men in white was to prove key however, giving them a foothold in a game that might otherwise have fast got away from them.

From the off the second half was a far sloppier affair than the first, with several handling errors from both sides. This was especially evident in the first five minutes of the half, as an Oxford knock-on led to a UWIC set stymied by a fumble and drop. In addition, the pitch, which had started off in a pretty bad state, had only deteriorated further so that footing was now an issue too, with Okpalugo stumbling in the churned-up mud on more than one occasion.

The visitors looked to have the wind behind them this half and play was end-to-end, with what looked to be a Blues try ruled out due to a double-movement immediately followed by a UWIC break to within ten yards of the try-line before Calverley brought his man down. Another mistake in the hands by Oxford was this time punished as UWIC drew level.

Oxford responded brightly though. The recipient of a voluminously looped pass from Calverley followed suit, skipping two men out to find Okpalugo, whose neat step took him to his hat-trick. From there it seemed to be Oxford’s game to close out. Okpalugo scorched across the pitch, seemingly hungry for a fourth try, and even when they got close UWIC conspired to be their own worst enemies, as a three man overlap with the try-line calling out was ruined by a drop.

Perhaps this ignominy was a tipping point for the men from Cardiff, or perhaps it led Oxford to switch off, but in the last six minutes UWIC scored thrice to claim not only a win, but a convincing one. The first try came as a surprise, but after that Oxford heads dropped, tackles were missed, and more scores for the Welshmen seemed to be on the cards. A brace from Jack Kerr sealed it for UWIC, the first a truly audacious chip and chase he finished off with an Ashton-esque swallow dive, the second an equally daring piece of individual skill, leading to roars from the whites and curses from the Blues.

A slight consolation was that the seconds defeated Exeter 16-10, keeping them in the running in their BUCS league. While Exeter had by far the best of the first half, spending most of it firmly within the Oxford‘s territory, some concerted defence restricted them to a single try.

A refreshed Maroons side began the new half with a flurry of tries from old and new. Blue George Darrah scored first before recent convert from Union Robin Bhaduri added another try, proving his ability to handle the new code. Exeter added another, but this was to be their last, as Oxford were not yet done.

Marauding silver fox Chris Coe went over the line in his first game for the club, and with only minutes left Oxford successfully shut out the southwesterners for the remainder of the game. Afterwards, second row Tom Cole told Cherwell, “The Maroons were able to send Exeter packing to their far flung corner of the country where tales of Oxford brutality will be told for generations.”

Despite the Maroons’ success though, the man in the plaid skirt moped off with a sadness to his face, as this was the day OURLFC let the great white Welsh whale out of their grasp.

Review: It’s a Hit

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The premise seemed interesting enough: a look at the way in which musical theatre developed over the twentieth century to become the hot currency it is today. 

Unfortunately, this kind of show is always more likely to draw musical aficionados out of the woodwork – certainly the audience didn’t seem to comprise walk-ins. And thankfully so; calling your show It’s a Hit! and then featuring lesser-known songs from popular musicals – and just plain lesser-known musicals – seemed unusual. One song from each decade? Really?

It was something of a whistle-stop, haphazard tour, then (with two of the ten songs actually post-20th century). No worries, I thought. There’ll be a great narrative thread to lead us joyously, hand in hand across this musical minefield. Instead, there were basic, reductive ‘piece-to-camera’ style interjections by each cast member between songs, delivered in a  non-naturalistic children’s presenter tone (with the exception of Holly Graham, who addressed the audience in the non-formal manner appropriate to the intimacy of the BT). It was as though, when not singing, they were in a bad play, or they were declaiming a Racinian tragedy or something. Zakiy Manji, wide-eyed and stumbling over his lines, looked as though he might wet himself at one moment.

You might be forgiven for presuming that the girls outperformed the boys: forgiven, and pleasantly surprised, for Oxford has a wealth of male musical talent. Sadly, the two male performers (Zakiy Manji and Jack Graham) were indeed markedly weaker than their lady castmates, both painfully lacking in charisma. Manji in particular was difficult to watch, suffering as he did from a severe case of rabbit-in-headlights, while Graham flitted between blank and dour looks.

If you closed your eyes and didn’t allow yourself to be put off by the truly concerning expressions of fear worn by Manji, however, the experience wasn’t an altogether unpleasant one. His voice was tuneful and his rendition of Sunrise, Sunset (Fiddler on the Roof) was a high point. It was a different story for Graham, whose was obviously straining on tenor notes and frequently fell foul of flat pitch.

Of the girls and, obviously, the cast, Hannah Bristow was far and away the strongest performer. Her acting – through song, a complex feat – was on the money, her versatility unmatched by any other. Yes, Heather Young was pleasing in her moving If I Loved You (Carousel), but her puppy-dog eyes were out of place in the opening and closing ensemble numbers. Holly Graham’s perma-smile was great for the lighter-hearted numbers, but didn’t work for the sultry When You’re Good to Mama (Chicago) or the gritty, confrontational Take Me or Leave Me (RENT).

With so many songs available from such a vast period (pretty much the entire history of the genre), it’d be fair to expect each song to be absolutely nailed: I don’t know how the songs were chosen, but I suspect that the cast’s strengths and preferences played a large part. Why, then, was the potential show-stealer, Take Me or Leave Me – arguably the biggest song of the show (and from 1996, *not* 1994) – sung an octave below? Why was When You’re Good to Mama, a song that needs a big band behind it, ever chosen? In the former case, all the character of Maureen’s force (through the impressive high belting that should be heard) was lost, leaving us to believe that Joanne well and truly won that argument, while in the latter, poor Holly was left relying far too much on her feather boa to make a seductive song out of a brassy, bolshy one.

Movement was a major issue. It’s not just that the little choreography there was was overtly basic and under-rehearsed, but that no one (Bristow aside) really made any use of the space or even interacted very much with the others on stage. The performances often lacked a dimension that would come with commitment to each role.

The supporting band was worthy of praise, if only to commend their ability to cope with Jack Graham’s ever-changing tempo. Alice Angliss on percussion coped well with some challenging time signatures, although Jonathan Soman’s accompaniment to Holly Graham’s When You’re Good to Mama felt a little too slow and stylised.

Given the nature of the BT and the time restriction of one hour for the later slot, I couldn’t help but think that this concert would be much better suited to a College chapel – somewhere like Mansfield, where they’ve done the same thing before. That way, the audience might have felt more at ease and not had the same expectations that you do of black-box theatre. They’d also have benefited from a longer setlist, or ‘showreel’.

If this was indeed a ‘showcase’, as it coyly partly advertised itself, then it was unimpressive. With criticism to be found in cast, setlist, choreography and direction, the show found itself somewhere between average and good, brought up only by the strong accompanists, female flashes of greatness and rich harmonies in ensemble numbers. 

Not a bad show, but rather a frustrating than a great one – you’ll see better this term.

2.5 stars

For the Love of Film

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Once again Matt Isard looks at films that will interest Oxford and discusses them with other moviegoers. This week was the screen adaptation of Coriolanus, which was directed by Ralph Fiennes, and also starred Ralph Fiennes, Gerard Butler, Vanessa Redgrave and many other stars. Thoughts on this film appear divisive.