Saturday 5th July 2025
Blog Page 1738

Review: Vagina Monologues

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This was a production full of promise, but also sadly one that was not quite “there”. It was under rehearsed and in places clumsy, with some underpowered monologues that lacked drive and some that we so full of energy that unfortunately they went too far the other way and came across as “hammy”. This was a shame, because there was some real acting talent here. It felt like it could have been a great production, had it had just a week or two more.

The success of the Vagina Monologues rests on timing and pace, and ultimately this is where the underpreparation showed the most. The opening lists were too slow and lacked rhythm which was a shame because it overshadowed the lovely touch of adding to these lists the names for vaginas in various Oxford colleges.

Of the monologues, The Flood and The Vagina Workshop were overplayed, losing their touching confessional quality in favour of laughs. Jo Murray’s slightly manic, energetic presentation was right-on for The Women Who Loved to Make Vagina’s Happy (although the styling for this was wrong- she looked like an air hostess not a kinky corporate dominatrix) which was nothing short of virtuosic in her enthusiastic menu of moans, but this didn’t work for the more intimate Vagina Workshop monologue. Then, on the other hand, I wished the Angry Vagina had been a bit more angry and showed more passion.

Charlie Goodman’s Because He Liked to Look at It and Carolin Kreuzer’s The Little Coochie Snorcher That Could stood out against the rest of the monologues as gentle, natural, touching. They didn’t seem like they were trying too hard, and the moving power of the monologues themselves were able to shine through. The subtlety of both of their performances really captured the personal and confessional intent of Ensler’s vagina monologues concept.

There were also a few bad directorial choices; in the Six Year Old Girl section, the girl and the interviewer kept switching roles which felt unnecessary, and in the My Vagina Was my Village monologue – played very movingly again by Charlie Goodman – there was a voice over through the sound system which was too loud, jarring, and disrupted the quiet mournfulness of the piece. It would have been better if the other actress had been on the stage. It felt as if the technology had been used just because it was there.

Sadly, this was an “almost there” production of the Vagina Monologues, which is a shame because there was so much about the production that was funny, touching and well observed. It just needed to be slicker, sharper and perhaps a bit more carefully handled. The audience enjoyed it, they were laughing along- but this is part of the problem. When underprepared it is easy to go for laughs rather than the more delicate balance of something that is quietly funny but also moving and meaningful. I just wish that this production had had a little bit longer to rehearsal, because it had so much potential. 

2 stars

The Olympics — Cann she do it?

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England’s number one ladies singles badminton player, Elizabeth Cann, represented England from the age of 13 and received her first England senior cap in 2002 in the Uber cup held in Holland. She now has 38 caps to date with her most immediate aim (as with most British international athletes of the moment) being to qualify for London 2012.

Her main competitor, Susan Egelstatt from Scotland, however, is standing in her way. For both British players to qualify for the Olympics, they both have to be ranked in the top 16 in the world. When asked her about the rivalry and what it was like knowing that in the most-likely scenario only one of the Brits would qualify, she told Cherwell Sport “It’s OK between us. We’ve always got on fairly well although we don’t see a lot of each other. Even if we are at the same tournament we don’t necessarily bump into each other. I guess it’s a bit strange this season as we both know we want the other one to lose.”

Cann is still hopeful, despite being ranked below Egelstatt, and is adjusting her tournament-training balance to try and improve her chances. “There are a lot more tournaments than a usual season to give us the best chance of getting our ranking as high as possible, but we still train really hard. I am on court Monday to Friday for two hours every day and on Monday afternoons for one hour. Tuesdays, Thursdays and Sundays are when I do my physical training. We may do matches twice a week if tournaments are coming up but some weeks we may not do any. If we play several tournaments in a row we don’t do much match practice in training.”

Here typical match routine is as follows: “I’ll arrive at the hall about an hour and a half or two hours before my match. When I arrive I organize myself, fill up my drink bottles, and then mobilize my joints and proceed to sit and watch other matches for a while. I’ll have a brief chat with my coach about tactics and maybe eat a banana and have a carbohydrate drink. I’ll start my warm up half an hour before my match and will also go through the match in my mind and what I want to focus on.”

Turning to topics of controversy I pried into the reasons behind Robert Blair and Nathan Robertson’s falling out (both male British internationals, with Robertson an Olympic medallist) wondering if this had had any impact of the Anglo-Scottish relations within the squad. “To be honest I don’t really know what the problem was, I try to stay out of other people’s drama. It has had no effect on the Anglo-Scottish relations in the squad; they are doubles players so I never train with them and I haven’t noticed a difference in atmosphere.” Not giving up on my desire for some scandal, I asked Cann about the BWF’s attempt to make all women wear skirts for matches. “That definitely caused a stir. It wouldn’t have affected me as I wear skirts anyway. I see what they were trying to do but you need to wear what you feel comfortable in when competing. I wouldn’t have liked it if they were trying to make us wear big baggy shorts so they should probably just leave that one alone.”

Cann expresses great enthusiasm on the subject of the national team’s new coach Kenneth Jonassen, “a great coach, very professional and really knows his stuff. He brings a great intensity into the sessions and his style of coaching really suits me. He gives you small pointers to focus on within the exercises which make it different from what I’ve had before.”

The funding she receives from Badminton England is not enough to cover her expenses so she has to find other sources of income, which, she says, is not easy in the current climate. When asked about the seemingly endless conveyor belt of badminton talent coming out of South East Asia, she said “Badminton is an extremely popular sport in Asia and they have a very different system over there. Most athletes live in sports schools from the very young age of about 7 years old and so are pretty much training full time from that point. I think that’s part of the reason why they become good so young, along with the fact that they have world-class players to model themselves on. There are also many more people to choose from so if one gets injured then there are hundreds more.” She does believe that Europe is starting to challenge Asia in terms of producing badminton superstars but concedes that badminton will always remain more of a minority sport in Europe.

Asked whether it was easier to succeed as a girl or a boy, she told me, “Although there are more boys than girls playing the sport there are still a lot of girls who play singles on the international circuit and there’s a lot of depth. I guess it probably is easier for girls if you look at it that way, but it is by no means ‘easy’ for girls to succeed; we still have to put a lot of work in.” She is keen to encourage more girls to take up badminton by urging them to have a go and see if they enjoy it. “Singles is quite physically hard but if you don’t enjoy having to run around the court a lot then you can do mixed doubles,” although she quickly added that mixed doubles still involves a lot of running. “It’s a great social sport too and also interesting as there are so many different parts of the game to work on so it never gets boring.”

So in five years where does she see herself? “That’s an interesting one. I won’t be competing in badminton anymore, or not seriously anyway. I’m not sure what career path I’ll take but I’d like it to involve passing back the things I have learnt over the years by doing some coaching, although not full-time.”

Cann remained reserved when asked what her predictions would be for London 2012. “I wouldn’t like to say. It’s so hard to predict in such a huge event as strange things often happen.”

Uses of Exam Regulations

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Big, fat, nondescript. Maybe that was what was on your plate at hall last night, or a precise photo-profile of the last person you landed at Camera. I can also safely assume it’s that huge wad of a codex in your room emblazoned ‘Exam Regulations’, currently sat on your shelf/floor/unwashed plate, unless you cunningly ‘left’ it at home after Michaelmas to make room for the extra Jäger. Whilst definitely the fifth best thing to come into my possession last October after my four free University of Oxford Student Notebooks, it took something of a hit in my estimation after I found out that 1.5/1125th of it was actually relevant to me and the rest left a lot to be desired on the bedtime-reading front. What for it now?

Doorstop
This is a genuine use and the original inspiration for this article. Exam Regs are versatile and can be propped against doors, or even jammed in the frame for a stylish “look, no wedge” look.

Jenga
For those of us not fortunate enough to work in the Oxford University Press warehouses, hoarding and piling everyone else’s Exam Regs is the ideal inappropriate 2am answer to the standard communal board game. As this version broadly involves picking holes in the existing Regulations and putting more on top, some PPEists will find it delightfully analogous to their desired futures.

Saving your life
First World War British serviceman Corporal Frank Richards had a Bible. Former US president Teddy Roosevelt had a single-folded fifty-page speech. Whether you’re an Assassin’s Guild fanatic, coming into a lot of money shortly, or simply scared of snipers, Exam Regs provides top-dollar torso protection on the cheap. Wear it close to your heart.

Taking a life

Alternatively, maybe you’re thinking about running for Union next term, or perhaps that weird guy in Schools who honks a little over-keenly at ‘lecturer banter’ is simply far too annoying. Exams Regs is your friend, but you really wouldn’t want take that bad boy to the cranium.

Song lyrics
Back in the day, Handel didn’t make up his lyrics. Proselytising prose for pros were psalms from the Book of the ultimate G, Gee Oh Dee. Messiah was a hit, but getting the words down wasn’t much harder than the job of whoever it was that wrote Barbra Streisand. So if you’ve got your dub on like Tinie Tempah or Tinchy Stryder or some other variety of Small Misspelled-Nouun, consider taking Exam Regs as inspiration. Stuff like “Regulations 4.15-4.19 below apply to the appointment of external examiners” can only be described as a ‘massive ch00n’.

Recreating a terrible version of that Yellow Pages Christmas advert
With the startling audacity of coming on to taller girls at the age of about six, no doubt the posh little Lad in question has since had his share of further ‘success’, and Fuzzy Ducks. For us though, the Yellow Pages has gone from brick to flatbread, making Exam Regs your bulky saviour in awkward tiptoe mistletoe moments.  Not recommended for size 12 feet.

Property development
Oxford’s housing problem is a well-known one, but so is your secret love for Lego-like activities. Time to tackle both. While Exam Regs aren’t guaranteed to be A-rated energy efficient, they could probably handle a monsoon or two. Plus, Bob the Builder made the whole construction business look very straightforward; all you really needed was breezeblocks and pink icing. Who knows – with minimalist design in vogue these days, it’s perhaps something to try after losing that game of Jenga.

Drinking game
What better way to kick off a desolate Monday evening than shots and Exam Regs. Start from the top, down one for “Candidates may offer”, and down a gallon after every instance of “Honour School”. Which isn’t the sort of school you’ll be in by the end of it.

Forging Sir Thomas Bodley’s signature in and eBaying it
Not going to lie, someone in rural Rajasthan is probably going to buy it.

Be my Valentine?… No thanks.

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Immy: There’s a strong probability that most of you reading this will develop a disinclination towards me and my pro-valentine’s day gushing but I genuinely love it.

We all love to complain about the overpriced chocolates and cards, the queues outside Oxford’s finest eateries (i.e. the cheapest meal you can get away with without resorting to Hassan’s), and the PDA overkill, but I’d just like to say to all you cynics out there: look away. Just go away. Stop complaining about not being able to go out to dinner because of the surplus of couples and tables-for-two in every restaurant  you might want to visit. Why is it that no one ever goes out to dinner in term-time and then suddenly, on Valentine’s day, you’re all moaning about not being able to get a table? If you don’t want to buy chocolates and cards, then don’t. But don’t rain on our parade just because you don’t have anyone to love. The PDAs I can’t explain away as easily, but if you’ve ever lived in a student house with no locks on the bedroom doors, chances are you’ve been in more awkward situations.

Don’t get me wrong, I’m not going to idealise the day for you. It’ll probably be pretty normal, there’ll be no fireworks or candles, long walks on the beach and sunsets, and aside from a more-than-average level of pink and red in shop front windows, you might not even notice. You’ll stick to your usual routine: lectures, library, lunch. Even the alliteration’s depressing. That is, if you’re single.

If you do happen to be in a relationship, then it’ll probably be the same, with one key difference: lectures, library, lunch…love. Even the alliteration’s magical. That half a chocolate bar he left you, the way she touches your hand when you say hello, the look of longing in both of your eyes when you part, they all have that special extra something when it’s Valentine’s day.

Valentine’s Day is a day to really make the most of being with someone.  You know that feeling you normally get when you come up behind your boyfriend and give him a massive hug but all of his friends look disapproving?  The social stigma attached to Public Displays of Affection doesn’t apply on Valentines Day.  Rather than just hugging your boyfriend on Valentines Day why not start passionately making out with him, regardless of whether he’s mid-speech or not.  Hell, it’s Valentine’s Day, live a little and have sex in a public location of your choice.  

Spending Valentine’s Day together with your other half is an experience only beaten by managing to skip the Park End/Shark End/FUBAR/Lava Ignite queue on a particularly busy Wednesday.  All day you can glory in being together, why not get up early for a breakfast together?  Go to each other’s lectures just so that you can hold hands?  Curl up together for a night in watching P.S. I Love You or The Notebook and talking about how your love is even stronger than theirs?  The best thing is that it’s in February, so sharing a bed with someone isn’t the endurance contest that it is by Trinity and actually, if you’re doing it right, normally pretty pleasurable.

People who don’t like Valentine’s Day, who can’t share the love and joy that the rest of us feel, have something wrong with them.  It’s a very well known, but still technically unproven, scientific fact.  If you’re single Valentine’s Day doesn’t so much represent a day of depression as an opportunity to strike.  Everyone who is single on Valentine’s Day is acutely aware of the fact that they will probably die alone and unloved. As such everybody’s looking to hook up.  That hot Blues Rugby guy who never returns your calls?  Drop him a text on Valentine’s Day and he’ll be round before you’ve even pulled up those suspenders.  

If you don’t fancy remedying your single status this Valentines Day, it’s impossible to argue that Valentine’s Day represents anything other than one of the best opportunities to wallow each year.  Nobody can judge you for consuming over four litres of Haagen Daaz, with some Ben and Jerries thrown in for variety, while watching more chick flicks than journal articles you’ve read so far this year.  This presents a prime opportunity to pity yourself, knowing that tomorrow you can continue on your life as normal with all that existential angst out of your system, having been replaced with a slighter larger waistline and indigestion, along with an inability to watch Hugh Grant films.

*The views in this article do not necessarily match those of the writer.

 

Matt: It’s that time of the year again.  One of the most polarising days of the year, normally dependent on whether you’re spending it with a loved one or sobbing into a tub of ice cream while you comfort eat through Notting Hill.  I’m personally not a fan.  Given the amount of anguish it causes, Valentine’s Day just seems a bit unnecessary.

It’s not even just about being alone on Valentine’s Day that causes me to hate it, I’ve spent plenty of other Valentines Day’s in the company of the fairer sex that have caused me just as much discomfort.  A particular low occurred last year.Having been tipped off by a well meaning, but unfortunately for me misguided, friend that a girl I had been ‘seeing’ for a while was expecting something for Valentine’s Day, I set off to Sainsbury’s to purchase some of the finest chocolates I could find.  I arrived at hers with some Guylian’s Sea Shells that had been reduced by 50% – maybe not the finest chocolates but we’re living in times of austerity – and we settled down to watch a film.  Halfway through, with the perfect moment still eluding me, I whipped out my gift to be met with complete silence.  Turns out she wasn’t really ‘a Valentine’s Day sort of person’.

I wouldn’t be surprised if Valentine’s Day alone was enough to restore the British economy’s growth as anyone shopping for anything vaguely related to Valentine’s Day seems to lose all notion of a fair price.  Boxes of chocolates, half of which nobody in the world will ever eat because they’re flavours such as ‘Pistachio Cream’, are sold for ten pounds.  Cards that will take longer to choose than the time they stay out of the bin/drawer are sold for four pounds.  Set menus (easily the worst culprit) featuring a small piece of pork/chicken/beef/dog and some ice cream are only 25 pounds (you’re paying for the ‘ambience’).  I’m pretty sure that McDonald’s would have a set menu for the night if they thought they could get away with it.  I’m even more sure that people would pay for it.

If you are unfortunate enough to be alone on Valentine’s Day my advice is to call Nightline to be on the safe side.  The day is so hyped up, with couples discussing their plans weeks in advance and comparing what they are going to do, that you almost fool yourself into thinking that you want the day to arrive just so that it’ll hurry up being over.  Then it does and you immediately regret it.  Public Displays of Affection take place left, right and centre with the entire world seemingly in couples: couples sitting outside the Rad Cam, couples in hall, couples sharing desks at the library and couples comforting each other through their respective essay crises. It’s as if all of the single people have rushed out to find someone, anyone, to cuddle in the middle of the road just so people know that they are not, in fact, alone.  My advice is to put on some music to distract yourself from the world around you.  I find Slipknot normally does the trick.  

While music may be good to distract yourself, the mediums of film and TV are equally as obsessed by Valentine’s Day.  What is worse is that no great cultural piece has ever emerged from Valentine’s Day (unless you count the film Valentine’s Day, in which case I don’t think you quite understand culture, or film, or the word ‘great’).  Instead we’re treated to the standard and predictable tale of a singleton who seems unlovable but eventually finds love. This scenario could exactly be described as mood-lifting unless you consider yourself a masochist. If that’s the case, then you won’t be needing a DVD today, head straight to the cinema for some seriously depressing couple time.

Alternatively, ask a coupled-up friend what their plans are. The look on their face as they describe how they’re just ‘going to have a night in, because they don’t need to do anything special now – their love is so cemented they’re just happy to be together doing nothing’, is enough to make you feel more nauseous than the morning after a particularly heavy crewdate.  
What’s worse is that no matter how hard you’ve prepared for Valentine’s Day, whether you’ve made reservations or detailed plans, you’re always left that little disappointed.  That’s because it’s been hyped out of all proportion, presented as a day to celebrate ever lasting love that you have to shoehorn your own situation into. So this year, cancel that table at GBK and just have a laugh with your friends.  I’ll see you at Camera, I’ll be the one without the other half…

Take a walk on the wild side

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In joint first place for my first crush were Ritchie Neville from 5ive and Nick Baker (although Ben from A1 was a close third).  While Neville had that dashing boy-band thing going on, Baker was pure bad boy – if you count bad boy as knee deep in bugs, scrabbling through mud and flirting with Michaela Strachan in her yellow cagoule as  well as you could on early afternoon CBBC. Even today, Baker’s probably got the only face that would make me sit through an hour of the creepiest, and most shuddersome, crawlies in the world.

Baker’s interest in nature started young; as a boy he was often found ‘crawling around the patio’ stuffing jam jars with all the bugs and spiders and frogs he could lay his hands on. Fortunately, for the 10 year old me, his parents didn’t stamp out his curiosity, although ‘they didn’t actively encourage it. But, they did move out of an estate where I spent the first couple of years of my life, and moved into the countryside to give me the kind of upbringing that they didn’t have.’

After finishing a degree at Exeter, Baker smiled his way onto our TV screens in The Really Wild Show. But hasn’t he completely gone against the traditional adage of avoiding working with children and animals? ‘That saying was definitely a saying dreamt up by someone who had worked with children and animals and realised it’s the best job in the world! They want to create a false sense that it’s a terrible way to work and keep it all for themselves.   Working with children and animals is one of the most exciting things you can do: if you want a nice, stable existence then don’t do it. Young people are inspiring because they’ve not been tainted and suppressed and fed with all the pressures of the adult world, and as a consequence they keep you young, they fire you up, they see the world as it really is. For me that’s really exciting, and the natural world is exciting in a different way. It is so fundamental to our everyday being; we cannot live without it even though we think we can. We are just another species on this planet.’

Baker’s gained his credentials at university, but with a successful career as a presenter scouring the globe to bring more maligned creatures to our TV screens, does Baker still see himself foremost as an academic? ‘I work as a field biologist, that’s how I started and the TV stuff was an accident. I’m not a Bear Grylls type explorer, not at all. I can’t stand the bloke. Actually, as a bloke he’s probably alright, but I hate the kind of TV that represents. Even though it’s controversial and freaks people out, I find anybody who can make so-called “educational television” by biting the heads off snakes is playing a cheap trick. It’s nasty and as broadcaster you have a massive responsibility for what you put out.

‘I’m sort of between the two. I’m a failed academic in the sense that I got bored during my finals and wandered off the path a little. I’m back with the university I started with and I’m an honorary research fellow with Exeter university and also a lecturer in the public understanding of science so I’ve kind of gone full circle. I am academic in the sense that I love my subject and I’m an absolute nerd because it’s the details. I’m very much into science and I speak that language, but I’m also part of the real world and I can translate that language.  Joe Public doesn’t engage with a lot of research that is going on and I guess I like looking into that; I like translating science language into a language people can understand and it just increase the outreach of scientific research. Without scientific popularists whether on radio or the internet or TV, that stuff would just remain stuck in journals where it doesn’t have a great lot of use except to other scientists so really, I’m getting it out there. It just increases the chance of someone having another great idea.’

Baker’s next big passion and an idea he’d love to see on the telly soon is bio-mimicry. ‘I believe nature is the salvation of human kind in the sense that if we’re clever and steal our ideas from it, that will be the answer. I’m talking about biomimetics really, the science of bio-mimicry. Applying a lot of principles from nature to our business and manufacturing industries. At the moment I’m just a great believer in what bio-mimicry has for us as a species. I’m really pushing for a TV series on the subject, unfortunately the word bio-mimicry leaves commissioners cold and it’s a really difficult one to get across because as a subject it’s very diverse. Bio-mimicry is basically taking human problems, like generating energy or self-cleaning windows or the exhaust of a car, it’s taking all those sorts of issues and looking at how nature might deal with it or does deal with those sorts of problems.  

‘Ultimately, we are humans, governed by the laws of nature, and other species are able to come up with solutions from nature that are practically 100% efficient whereas humans use a very old way of dealing with their manufacturing which is a process called heat-beat–treat. As in, we heat up materials, we then bend and beat them and contort them into various kinds of shape, and then we treat them with chemicals to keep them that way. It’s 97% inefficient, so if we can change our manufacturing processes in line with how nature does it we’re on a winner, and all the other issues we have will get solved.’

Conservation has been a large part of Baker’s life since his university days. After finishing his degree he returned to set up the ‘Bug Club’, a society which promotes the study of entomology among the younger generation; a support group, if you will, for the kids and teenagers who spend their days traipsing the countryside for insects to the disdain of their wearisome parents.

While Baker spends his spare time at the moment working with the RSPB looking for the Ring Ouzel on Dartmoor, he’s acutely aware that conservation is not top of everyone’s list, but he argues that it should be. ‘Without doubt humans are the biggest threat to our planet. We are facing the sixth great extinction phase; species are vanishing from this planet faster than they have ever done before. We’ve had extinction phases in the past but this is the quickest one that’s occurring. It’s us. It’s our fault. The biggest issue we have that even technology can’t solve however, is overpopulation.  We need to wise up and look at the bigger picture and use our collective intelligence. We’ve got to break out this human condition that we are selfish, short-sighted monkeys who want to survive. We need to stop ourselves doing the inevitable and somehow take control of the situation.’

Baker’s been working hard, then, to bring the secrets of the natural world to the country. With his current Weird Creatures tour (‘I’m sticking up for the evolutionary underdogs. I’m telling people the back stories, all the ones I never got to talk about on telly, all the trials and tribulations of making the Weird Creatures programme’) and a TV show on biomimetics, if he can convince commissioners to make it. Baker’s continuing on his mission to make people look twice at nature, something he calls his ‘life’s obsession’.

For an entomologist, does he ever find a little etymological mix-up leaves him blushing, I wonder? ‘All the flipping time! Everyone gets muddled up between naturist and naturalist! You speak to someone about David Attenbourgh and you can bet someone will call him Richard Attenbourgh, and you can bet someone will say naturist. People can’t work out which way to go. Similar words, but very different occupations. I’m definitely a naturalist though.’
Shame.

And who said pidgery was dead?

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I am not going to try to convince you that there is anything remotely acceptable about commercialised paraphernalia, overpriced menus, awkwardly tentative PDAs and saccharine film releases. So, how can I possibly explain my affinity for the festal instigator of these atrocities? As far as I’m concerned, Valentine’s isn’t a day for honeyed, lovestruck couples. Instead, it offers perfect conditions, under the cover of anonymity, to spark intrigue and approach the inapproachable.

For those of you who already self-identify as romantics in the adventurous, fanciful sense of the word, you have no excuse; the anonymity that comes with the traditional valentine is the ideal invitation (if you need one, that is) to make mischief. February 14th is the day you can justify all manner of whimsical scribbles and nameless tokens of affection…to anyone. Oxford even has a discrete system in place; with their public visibility in Porters’ Lodges, pigeonholes add a delicious dimension of intrigue, while being able to accommodate more than just a card if need be. To be on the safe side of absolute secrecy, beware the internal mail (your college may be stamped on the envelope) and if personal delivery seems too risky, coerce a cupid, because honestly, what good friend wouldn’t help you out in the name of a little fascination?

If you’re worried this is all talk and no trousers, let me share some of my highlights; my valentines have featured Cloak Room Guy, Jericho Café Boy, Cravat Boy and The Johnny Depp Grad, messages written on napkins, pink ukuleles, scrawls on manuscript paper (a not-so-­subtle attempt to hint my identity) and of course, the classic, charmingly kitsch failsafe of a single, foil-wrapped chocolate heart. You are welcome to cringe on my behalf (though you might reconsider if I disclosed details of the success rate), but I have always believed this approach to be far more desirable than a reliance on Dutch courage coupled with one of Oxford’s less-refined night time establishments, with their disadvantages of being public, rarely memorable and, well, grimy. Challenging Oxford courtship etiquette in this way leaves one feeling empowered, delightfully devious and is guaranteed to put a spring in your step.

Still not persuaded? What if I were to tell you that you biologically need Valentine’s Day? At this time of year, your body will appreciate the adrenaline rush that accompanies impulsive pidgery as much as the object of your affection will value the frisson of its tantalising mystery; an excellent symbiosis to counter dull weather and the lethargy that comes with it. The cerebral exercise of crafting a suggestive missive is as entertaining for author and reader and must be the tonic to the impending fifth week blues.

If you are still sceptical about Valentine’s, this week should be about getting in touch with your inner Latin American; certain Latin American countries know February 14th as ‘Día del Amor y la Amistad’ or ‘Día del Cariño’, Day of Love and Friendship, or Affection Day and if you were to find yourself in Mexico or Puerto Rico on Tuesday, you might come across people performing small acts of appreciation for their friends. It might seem a little unconventional, but with a calendrical glut of family-oriented festivals, why not put one aside for friendship? How often do you take a moment to appreciate the extraordinary people who, without blood-related obligation or the commitment of romantic entanglement, still, unflaggingly, put up with you? Playing the friendship card on Valentine’s Day is neither a cop out nor an anti-Valentine’s statement but a crystallisation of the ethos of the day, displaying an appreciation for the presence of an individual in your life, strangers, sidekicks and soul mates alike.

Oxford boxers Gown and out

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On Wednesday night, the Oxford Union Debating Chamber played host to one of the most thrilling sporting encounters of the term: the annual Town vs. Gown boxing event. In a setting more accustomed to the genteel world of guest speakers and debates, the prospect of 13 fully-fledged amateur bouts, pitting the best of the OUABC “Gown” against the best the “Town” could offer, was certainly mouth-watering to the local fight fan.

The “Town” opposition came from all across the UK, from Southampton, Kent and Plymouth, to Birmingham and Durham. The sound of the first bell ringing more than an hour late didn’t seem to matter to the buzzing crowd looking on. After the introductions and the blaring drum&bass emanated from the speakers, the first fight commenced. And what a fight. Oxford’s very own Alexandra Littaye came out strong to the roar of the home crowd, jabbing resoundingly before utilising the straight right to her advantage. The defining moment came in the second round when she landed a ferocious right hook ending the match in a TKO victory for Oxford. It was the perfect start for the home team, and a dramatic contest that would set the tone for the night.

The next three fights would bring heartbreak. OUABC’s Mikey Davis, David Wray and Nick Ng all put in admirable performances, breaking through the defences of their opposition, only to fall short of clinching the decision. But from the crispness of Davis’ shots to the flurry in the last seconds of Ng’s first ever bout, it is safe to say that the future of our boxing is looking bright. 

Moreover, the next fight saw one of the best performances of the night coming from Harley Mace. Although the contest was characterised by a series of messy grabs and scraps, Mace performed throughout in a composed manner with probably the tightest defence of all the fighters tonight. He left the ring with a unanimous decision victory and his opponent with a bloody nose.

The next three fights saw more harrowing defeats for Oxford, despite Corpus’ James Watson putting in a solid performance of clean hitting. The crowd perked up at the sight of Oxford’s captain Ollie Harriman entering the ring, and although he started cagily (and by his own admission less fluently) by the second round he was looking in good touch as a superb right hook knocked his opponent down. His victory by unanimous decision was received warmly by the satisfied crowd.

Boxing is a truly gripping sport, but its beauty is derived from two paradoxical elements. Fans are dazzled by what is known as the “sweet science”: genuine boxing skill coupled with solid technique and flair. Yet more carnally, we are drawn to the brutality, drama and impact of that same contest. The penultimate fight offered both elements. Oxford’s Tommy Williams remained resolute in defence in the first round, but in the last two, the crowd was treated to an absolute rumble between two determined fighters: hooks, jabs and straight shots were all fired, leaving both contestants bloodied by the end. This excitement carried itself into the final fight, with Max Lack’s aggressive style sustaining the intensity of the contest until its end.

By the time the night was over, the scorecard read 8-5 in favour of the Town contenders, but let us not take anything away from our OUABC fighters who performed with conviction and showed real heart throughout. This was aptly reflected in the words of Oxford Captain Ollie Harriman on his fighters: “It’s all very positive. I am so proud of them, especially since some of them started boxing just before Christmas. They have trained so hard and I am over the moon.” All in all it was an entertaining night, and with the Varsity match on the horizon, Oxford has much to look forward to in the ring.

Press Preview: Never Say Never

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“Never say never” is a bold title for a play, and boldness I certainly something abounds in Julia Hartley’s brand new translation and production of the classic French play Il ne faut jurer de rien by Alfred de Musset. Opening with a playful, breezy original score by graduate Alex Baxter (perhaps the finest I’ve heard in a student production) and a whimsical silent dressing sequence performed by lead Orowa Sidker, the play quickly slides into a gentle pace and light-hearted manner. This boldness and energy is something that manifests itself in numerous aspects of the play. The second scene, for example, is one of an animated aristocratic tea party, proxemically juxtaposed with a frenetic, exclamatory dance lesson in a scene that giddily introduces the audience to the wonderland world of the upper classes. The performances of the supporting cast are similarly similarly spirited and energetic in their use of uncompromising cariacature. Katie Ebner-Landy’s Baroness is a brash, bawling, bounding matriarch with a broad streak of jolly-hockey-sticks masculinity. Sam Young turns in a simmeringly understated and committed performance as the simpering priest, and Sophie Ablett is perfectly pouty and breathy as the wistful Cécile. Even Chris Young’s momentary comic turn as a waiter leaves an impression on the audience with its broad brushstrokes.

However, the problem with such a supercharged production is that the energy in this play is often misdirected, or else left to dissipate uncontrolledly, meaning many characters lack any sense of progression or development over the course of the narrative. The spirited outbursts of protagonist Valentin’s uncle, Van Buck, as he protests against his nephew’s libertine lifestyle, are perpetually played as peremptory. Van Buck’s relationship with his nephew is never allowed to develop due to constant regression into slanging matches. Similarly, Valentin never pauses to enjoy his plotting and scheming over the hand of the Duchess’ daughter, Cécile, and instead of demonstrating any sense of internal search or exploration, flatly recites his intentions in a somewhat expository manner. The production’s reliance upon cariacature, and its constant pursuit of broad humour seems to lead to a lack of development or nuance in performance – even the Duchess’ booming, though largely brilliant, could be made better with more modulation and variation of volume and pitch. â€¨Perhaps the most crucial flaw in the control of energy lies in the staging of Never Say Never, which is often contrived and heavily repetitive. Conversations between Valentin and his uncle are ceaselessly pushed directly to the front of the stage, with Valentin facing the audience and repeatedly monologising in an uninteresting way. Indeed, the direction seems to suggest a determination to deny the possibility of conversation between the two characters. At other points, actors seem to lack any sense of objective, an end up expelling their physical energy by making repeated, uncontrolled and motiveless circles of the stage’s set. Perhaps the most ill-judged staging comes towards the end of the third act, when a fiery confrontation between the Duchess, Cécile and Van Buck concerning a letter sent to Cécile by her suitor Valentin is played out with the actors awkwardly positioned both standing and sitting within 1m proximity of each other – what should be a rapid and charged confrontation is reduced to an awkward exercise in  head turning, in which drama and physicality are not able to fully or convincingly unfold – the climactic instance feels cramped and smothered – a shame considering the considerable fire of Ebner-Landy and piercing despair of Ablett.

Never say never is a fun piece, which understands its tongue-in-cheek nature. However, this production seems to have been too playful in the development of its own subject matter. What may prove enjoyable and fun for the cast to perform may require a little more technical refinement before the audience are ready to share in it. But hey, Never say never.

2.5 STARS

For the Love of Film

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This week Matt Isard looks at Roland Polanski’s new film ‘Carnage’ which explores the human nature of two middle class couples as they try to settle a playground dispute.