Tuesday, May 6, 2025
Blog Page 1678

Oxford Oddities #2 – Wadham

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The current students of Wadham College like to think of themselves as being the most radical and sexually liberated kids in town, but their collegiate predecessor, John Wilmot, the Earl of Rochester, would have put them to shame with his bawdy behaviour.

The infamous Rochester once attended Wadham College as a fresh faced undergraduate. A close friend of Charles II, Rochester was the author of many satirical and controversial poems. In his ‘Satyr on King Charles II’ he called the King ‘The proudest, peremptoriest prick alive’ resulting his immediate dismissal from court.

Rochester came to Wadham in 1659, at the grand old age of twelve, where he was supposedly ‘corrupted’. He acquired an M.A. at fourteen, helped by the fact that it was awarded by his uncle, the Earl of Clarendon and Chancellor of the University. At twenty, he married Northern beauty Elizabeth Malet, who had two years earlier been victim of his attempted abduction. Rochester hijacked her carriage late at night and tossed her into a coach. Her father, being less than pleased, kindly placed the Earl in the Tower of London.

Rochester led a scandalous life at court filled with debauchery, drunkenness and deviancy. Another Elizabeth in his life, mistress Elizabeth Barry, was a theatrical protégé who became the most successful actress of the Restoration period. Rochester became the source of inspiration for many playwrights, such as Aphra Behn, who based her protagonist in The Rover on him. Horace Walpole describes him as ‘a man whom the muses were fond to inspire but ashamed to avow’.

The crux of his career came in 1676. A midnight brawl with the guards got out of hand when the Earl’s companion was killed with fear causing Rochester to flee the crime scene. Subsequently he led a life in the shadows, taking on the personality of quack doctor ‘Doctor Bendo’. Using this pseudonym, Rochester ‘treated’ infertility amongst women, becoming effectively a backstairs sperm donor. ‘Mrs Bendo’ allowed for Rochester to enter the chambers of young women without qualms. It might not surprise readers to hear that Rochester died at 33 from syphilis, gonorrhoea and alcohol abuse.

His most famous play is Sodom, or the Quintessence of Debauchery – a culturally pre-emptive title given Wadham’s indeterminate sexual preferences. Its literary offspring proved too depraved for contemporary audiences and were removed from the public domain. His appeal remains, with a recent copy of the play recently sold for £45,600. The Libertine, starring Johnny Depp and ex-Wadhamite Rosamund Pike, was based on his life.

Rochester is the quintessential Wadham alumnus, marrying the dichotomous ‘ladhamite’/ ‘sodomite’. Current students, having gazed over his eventful life might find themselves rather innocent by comparison.

Large-scale opera-tions

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The word ‘Opera’ brings with it a whiff of belle époque extravagance, and more than a little Andrew Lloyd Webber: women in fur coats, gentlemen in top hats, Edith Wharton novels, or an affectation of class aspirations à la Woody Allen’s Match Point, which features Caruso in Donizetti’s mournful ‘Una furtiva lagrima’ as a leitmotif.

When I call Ellen Kent, the impresario who’s brought large-scale operatic productions to an estimated 3 million people, she admits to being wrapped in a towel, preparing for an ‘army of guests’ at her 15-acre country estate.

Previously an actress and dancer, Kent’s entry into the world of opera (and later ballet) happened almost entirely by chance. When her then-husband went to Europe to report on European children’s theatre for the Arts Council, what he saw there convinced the couple to start a tour of said children travelling all around Britain, supported by the patronage of the great and good, including the likes of Judi Dench. Following the Eurotunnel’s opening in 1991, more and more opportunities for cross-cultural exchange presented themselves, and the pair became further involved with international productions.

When the Rochester (later Medway) City Council asked Kent to contribute ‘something foreign’ to the summer festival at Rochester Castle, Kent decided to throw over the French play she was currently producing – consisting of 7 French actors and 50 goldfish – for something more adventurous. She volunteered an opera production without much forethought. Kent’s research led her to the Romanian National Opera. She went to the current President (the dictator Ceausescu) and asked for an aeroplane. She got it. Ceausescu’s plane brought the whole company – all 200 of them – over in July of 1992 to stage Verdi’s Nabucco on the small stage at Rochester Castle.

Although she didn’t know much about opera, Kent was undaunted by the challenge, ‘I can do anything,’ she thought, ‘I’m a producer’. Though Kent admits she was never ‘super-attracted’ to opera during her youth, her mother, a descendent of the British Raj, was ‘the opera drama queen of Bombay’. Born and raised in India, Kent was transplanted to the small Andalusian farm to which her parents retired. After attending boarding school in Norfolk she later read Classics at the University of Durham. Kent attributes her creative thought process (‘the way my brain works’) to her being ‘a little bit of a maverick’. Dyslexic as a child, Kent didn’t read or write until she was nine and then ‘read and wrote everything’. She trained as an opera singer herself for two years (she has ‘quite a good’ mezzo-soprano with a large range) but is glad she didn’t pursue opera as a career – ‘it’s a very incestuous little world’.

Our conversation is interrupted by a sudden call to a person I can’t see – ‘Don’t shoot my pheasant!’ Apparently, her pet pheasant is off-limits to the hunter she calls to, laughing. Everything else on her estate is game.

Though Kent is now famous for her Eastern European companies, she insists that she was not specifically attracted to Eastern European theatre. She needed a big company at minimal costs, and Romania was where her research led. The political timing was right, Kent says, and everything culminated – accidentally – in great success. ‘I don’t have a master plan,’ she says, ‘I just do it.’

Her productions range between a cast of 70 to 200 people. ‘I don’t do small,’ Kent insists, ‘I do large.’ Nevertheless, the single-set Madama Butterfly, which comes to Oxford’s New Theatre this May, is ‘easy’ to put on. La Traviata, which also comes to Oxford next month, is ‘more of a challenge. I love a challenge.’ It’s hard to scale down, she admits, when beginning with Nabucco and a cast of 200.

Kent’s latest design challenge was an amphitheatre. Her history in Classics fed her interest in Greek and Roman theatre, which led to her ambition to build a miniature Colosseum. The travelling amphitheatre, constructed in 2008 on big wheels with three tiers and columns, is designed as a continuous set against which the operas play. Carmen, Aïda, and Turandot were all performed in the amphitheatre, and the set was changed by swapping statues for each production: Aïda’s Egyptian statues were exchanged for Turandot’s terracotta army. ‘It cost a fortune,’ says Kent, ‘but it looked great.’

One gets the feeling that this is the MO upon which Kent operates. Money is of the utmost importance – and spending is extravagant (thousands of pounds were reputedly spent on the gowns worn in La Traviata) – but the visual effect is priority. And the expenditure is worth it; stage managers report continuous standing ovations. ‘The audience responds to what I do,’ Kent says, and I can almost hear a shrug.

Kent’s website mentions her desire to make opera and ballet less elitist and more approachable, but she says she doesn’t have a programme for this transformation. ‘I didn’t set out to do it,’ she says, ‘I’m not here to educate.’ Her goal is to put on quality shows, and quality entertainment. Her ‘method’, if one can use the term, is her ‘dramatic perspective’. After all, Kent is ‘a drama – not an opera – lady’.

Her productions testify to her tastes and, indeed, she calls herself a ‘Verdi woman’. When I ask why she responds with great enthusiasm, ‘Well, he’s just fantastic. Dramatic music to die for. Aïda is some of the best music ever written.’

Ellen Kent productions emphasize spectacle, and her version of opera seems entirely without sentiment. Music, dance, drama, opera are all just forms, she says, insisting that opera ‘was not done to be precious.’ Kent lists the greats – Verdi, Puccini, and Bizet – as composers who created opera ‘for the masses’. In the same spirit, Kent wants to eschew elitist audiences and create an ‘opera for the people’ which is unabashedly entertaining. She tells me gleefully, ‘I always go for young, pretty people’. Kent wants to make opera like film, reminding me that early Hollywood owed a lot to opera; for Kent, they are equally visual and musical. Audiences ‘love the drama – they come, they cry’.

Kent acknowledges that she has her disparagers. A small snobbish faction mutter about her bringing foreigners (not just the soloists – she brings everybody). But she sees detractors as a small minority. While feeling she’s ‘selling out’ with her ‘cheap and cheerful opera’, they still they give her ‘begrudging respect and begrudging admiration’. Kent, on the other hand, will always play to those who ‘vote with their feet’.

Ellen Kent’s production of La Traviata is at the New Theatre on May 3rd, and Madama Butterfly is on May 4th-5th

Demon Barber of Fleet Street

I’m off to interview the Demon Barber of Fleet Street, a nickname which Lynn Barber gained through her so-called ‘hatchet jobs’ on figures like Harriet Harman and Rafael Nadal: invoke her wrath at your peril. So I arrive at her house in Highgate, clutching my voice recorder and notebook, and feeling pretty apprehensive. How do you interview a professional interviewer?

In fact, she’s lovely and reassuring, promising not to throw any tantrums like some of her past interviewees. She claims to have mellowed, calling her nickname “completely unjustified nowadays, because I’m an absolute pussycat. I mean I’m nice about people more often, much more often than I am nasty about them.”

These days, Barber is perhaps as famous for her own life as for her interviews. The film ‘An Education’ was very closely based on her memoirs, where she opened up about her relationship as a schoolgirl with a much older man, who turned out to be a conman. Simon came into her life when she was 16 and stayed for two years, winning her parents’ favour and whisking her off for exciting weekends – giving her a “breadth of cultural knowledge” which was his positive legacy. But though on her parents’ advice she agreed to marry him and give up her Oxford dreams, she found out he was married – and had to admit to herself that he was a conman, living a double life and taking part in shady property extortion.

This harsh introduction to the adult world left her damaged: “it made me quite suspicious of people, always suspicious of their intentions, always doubting whether they’re telling the truth… I wish I wasn’t like that, really.” However, her new-found scepticism was good for her later interviewing career, “because people always put the best possible gloss on themselves. And I’m constantly in my head thinking ‘huh, well is that right?’” With Simon, she didn’t ask questions; now, she asks questions for a living.

Telling the world about her unusual schoolgirl experiences seems to have been a good move. Barber says that “it did me a lot of good in all sorts of ways,” continuing, “I suppose up till then people had only known me as a journalist, so it probably made me more human.” Surprisingly enough, she also found that her experiences were far from unique. “An amazing number of women said that something similar with a dodgy conman, an older man had happened in their own lives. I got the impression after a bit that it had happened to more people than it had not happened to! And so that was interesting.”

Despite the diversion, Barber did indeed end up at Oxford, where she studied English at St Anne’s college – or rather, where she set about enjoying herself and not doing very much work: “actually I didn’t really take any advantage of the sort of academic life of Oxford, just parties and meeting boys and having fun.”

“Meeting boys and having fun” is quite a good way of putting it. During Desert Island Discs in 2010, Barber repeated something she’d revealed in her memoirs: she’d slept with 50 or so men during the course of two terms at Oxford, just “jamming them in.” 50 men! The press had a field day. Barber herself found the reaction “hilarious,” not thinking that it was particularly sensational news.

So why did she do it? “I’m still kind of quite surprised remembering and quite puzzled about why I did that. To be so promiscuous, in such a short space of time….” Before and afterwards, she was a ‘one man girl’, but then there was “this sort of huge slab of promiscuity.” It seems she was in search of something in particular: “at that point I hadn’t yet had an orgasm. And I thought the only reason I hadn’t was because I hadn’t found the man that would give it me. I thought that there would be Mr Orgasm walking around somewhere. And I mean I’ve subsequently learnt that that’s not how it works. That you can build up to an orgasm with somebody you’re with for some time. But I just sort of thought, ‘oh let’s see if this man does it,’ and it was extraordinary really. It was a weird thing to do.

“But anyway – I don’t regret it at all. I don’t regret either doing it, or talking about it.” In fact, she says, “I don’t think it did me any harm at all, actually, and I think it may have done me a bit of good.” It wasn’t that it was particularly fun (“l I wouldn’t even say that I enjoyed myself”), but it got it out of her system and taught her that “sex is something that you work on and develop with one person.” She has little time for those who judge her or try to make her repent: My generation was told ‘if you sleep around no nice man will ever marry you’. And I wanted to say, ‘well look at me, a nice man did marry me, and I did sleep around, so rubbish to that.’”

The odds were more in her favour when Barber was at Oxford: there were seven men for every woman. Not that this was a good thing in general, “I mean that shows how very unfair it was. And actually quite often if I’d met a rather thick boy, I’d think, ‘how extraordinary that you got into Oxford and there are at least two of my friends from school who didn’t get in.’ And I’d think they were 10 times brighter than you, and how comes some absolute dimbo like you is here.” Places for women were limited (most colleges were all-male) and with rowing and rugby scholarships, “you met men of astonishing stupidity. And obviously as well as some very clever ones.” But things have changed for the better, and as she says, “I doubt you get as many stupid men at Oxford anymore.”

As might be expected for any aspiring writer at Oxford, Barber dabbled in writing for Cherwell in her time at university, writing the occasional feature – “but I was never interested in news reporting. I preferred bits of frivolity.” Journalism was an obvious career for Barber – “it became apparent that writing was something I could do, and get paid for.” But it is interviewing which Barber loves above all else: “I think I’m incredibly lucky to have found something as satisfying as interviewing… it’s always been the form of journalism I’ve wanted to do.”

Barber is famed for her approach to interviewing; if she doesn’t like her interviewee, she (quite gleefully) pummels them with words, though admittedly more often than not she does get along with the person and writes a perfectly positive article. The ‘Demon Barber’ label may have scared off some of the people she would like to interview (“the one I pursued for years was Lucien Freud, I really really wanted to do him, and he always said no…. loads of people say no, and you just have to accept that”).

But others have relished the challenge, like Toby Young, who said he accepted the invitation out of “vanity, pure and simple,” and that he “naively thought I could charm the pants off her” (the subsequent article does not show him in a flattering light). Barber thinks this might be a common motivation, “I think in a way my reputation as Demon Barber might help that in a way, because people sort of think ‘oh I’m tough enough to take her on’, it’s a challenge, you know. So it’s not been a wholly bad thing, having that reputation.”

Does she feel sorry for them? Hardly. “I don’t feel guilty… well if you are the sort of person who might be destroyed by words, then maybe you shouldn’t give interviews.” Art Garfunkel once phoned her up after an interview to rant at her and say she’d destroyed his career; he’d never give another concert – “you know, I was so cruel, he’s just going to crawl away into a burrow and die. And I said well if your attachment to your career is so slender that it can just be demolished by one article perhaps you should be thinking about retiring. And that’s what set him off again.

Generally, Barber trusts her judgement of character, but this is not to say that she never reads someone wrong: “The one where I think I might have misjudged somebody is very early on, I wrote quite a hostile piece on Ben Elton. And quite a few people – I mean, enough people for me to believe them, said ‘oh but Ben Elton is just the kindest man in the world’…. and I thought oh, I did misjudge him, yes.”

Barber has worked for various different newspapers in her time, making her a true veteran of the British press (which she claims is the best in the world). So any qualms about working for the Sunday Times, a Murdoch publication? “Well I mean, post-Leveson obviously everyone has qualms about whatever paper they work for.” But Barber is quite reluctant to lay the blame with journalists themselves. “Where I did get shocked was the police’s very close relationship with the press.” in her time at the Sunday Express in the eighties she “spent a certain amount of time with the royal ratpack,” and was aware of a certain level of collusion with the police, but the revelation that the police had become far more involved with the press was a nasty surprise. However, defender of the press as she is, she readily admits that phone hacking has quite a history, though people were encouraged to believe that it was “a sort of rogue MI5.” Was it endemic? “Possibly, yes, all that time ago. Certainly I’m sure it started long before Leveson’s gone back to, as it were.”

Actually, she says, “I’ve always been a fan of Murdoch.” She admires him for breaking the power of the print unions (“they weren’t good unions, they were unions that were fighting for the rights of printers to sign their son in as Mickey Mouse”), which meant that “newspapers had freedom.” “And so I thought it was bold of him to do it, and then he made the Sun into a sort of exciting newspaper – so I think he’s been good generally.”

Rupert Murdoch is, incidentally, one of the people who has never agreed to be interviewed by the Demon Barber. So what is the future of journalism? “Yes well I don’t know, I mean it’s bad, definitely.” The move towards reading the news online may kill print media, but it’s more than that. Newspapers are cutting staff and paying journalists less, and “they’ve all wickedly I think used interns or work experience people to do what should be jobs” (a pain many aspiring young journalists will know well). “So I don’t quite see how it can come back from the brink.” On the other hand, she says, “I think there’ll always be jobs for journalists.” All is not lost: “as long as people read – and in a way I think the internet has been valuable from that point of view- they will want to have some idea of news, I hope. But it might not be newspapers.”

It is clear that Barber absolutely adores journalism – “it’s my profession, I’m very proud to be a journalist” – and has no plans to stop any time soon: “I want to keep going, as long as possible.” And so she should. She’s an intriguing woman – frank, quick-witted, honest – and yet the fact that she’s figured out the ‘narrative’ to her life, repeated so frequently to interviewers and in print, makes me wonder: have I got to the bottom of her at all? She of all people knows how to give a ‘good’ interview and send the interviewer away with a tape-recorder-full of exciting quotations.

Investigation: British students flock overseas

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Oxford faces growing competition from foreign universities, as figures show a steady increase in UK students opting to study abroad.

Interest from British students in US universities has risen dramatically during the last two years, as the College Board, the American association responsible for administering SATs, recorded a 16.4% increase in traffic to their website during the year 2010-11. British visitors represented a striking 95% of this increase.
The College Board told Cherwell that the number of UK students taking the SAT rose by 40% between 2007 and 2011, with a 15% jump reported over the past year.  
Of particular concern to Oxford is the sudden increase in British applications to Ivy League universities which appears to have taken place over the last two years. The US-UK Fulbright Commission, an international educational exchange programme, has reported that between 2010 and 2011 alone UK applications to Yale increased by 23%, applications to Harvard increased by 45%, and those to the University of Pennsylvania increased by 50%.
Oxford University has expressed worries about losing talented applicants to foreign institutions. A spokesperson this week pointed out Oxford’s comparative weakness with regards to funding at Oxford, 58% of new doctoral students entering in 2010 had scholarship funding, but at Master’s level, this drops to 18%. This compares favourably with the UK as a whole, but is nowhere near the funding levels offered by international peer institutions.”
In his most recent annual oration, Oxford’s Vice-Chancellor, Professor Andrew Hamilton, warned that financial issues were driving more and more bright UK students, especially graduates, to study abroad. He claimed, “There are sadly too many examples of Oxford losing bright graduate students to overseas universities because of the funding gap. It is the single biggest reason why those to whom we make offers turn us down.”
The phenomenon may also have been partly driven by outreach work from a number of US institutions. A spokesperson for Harvard commented, “Over the past half dozen years, the Harvard Club of the UK has been making a concerted effort to get the word out to UK students from all backgrounds and all educational sectors about admissions and financial aid possibilities.”
Nor are American universities the only threat to UK institutions. British students are also choosing to study in Europe, where the number of UK applications has seen a sharp upturn in recent years. Maastricht University in Holland, where it is possible to study entire degrees in English, is particularly keen to encourage UK applications: it recently sought entry to UCAS and labels itself “the most international university in the Netherlands”.
There are eight times more UK undergraduates studying at Maastricht than five years ago, and numbers are set to increase more dramatically. A spokesperson for the university told Cherwell, “We had 491 applications from British students for our coming academic year. In the same week last year we had 265 applications, so the number of applications to Studielink (the Dutch equivalent of UCAS) has almost doubled.”
Many British students who consider studying abroad cite the range and breadth of subjects that it is possible to study at overseas universities as a significant incentive. A second year student at the University of Pennsylvania who turned down an offer from Oxford gave his reasons for choosing the US over Britain, commenting, “It wasn’t an easy choice to leave the UK in order to study in the US, but for me, one of the major deciding factors in choosing America over British universities was the academic flexibility I would have access to.
“Even after choosing one of the broader courses in England, PPE, I would not have had the opportunity to fulfil all my academic interests as I do now: I still get to study economics and political philosophy, but I can also continue my study of maths, statistics and languages.”
Claire Gianotti, a visiting student from Brown currently studying at St Anne’s, also praised the breadth of subjects studied, arguing, “It makes for a very interdisciplinary atmosphere – a class would consist of students from all different background and disciplines. Once in a Comparative Literature class we were discussing stream of consciousness in Faulkner, and there were students majoring in the Cognitive and Neurological Sciences that had really interesting contributions to make, and everyone benefits from that kind of diversity.”
Hester Bartelsman, a first year at Amsterdam University College, made a similar observation about European universities, saying, “I love love love studying a broad range of subjects. I and many others at AUC don’t really know what we want to study after this, so it is also necessary to be able to choose the next step.”
Theresa Bullock, a first year at Maastricht, argued that her job prospects might be better than her counterparts at UK universities. She argued, “In Brussels, Maastricht graduates are well sought after, over those coming from good universities in the UK, and now many more employers both across Europe and internationally are looking for graduates with the qualities Maastricht graduates have.”
Financial concerns clearly play a large part in students’ decisions. European fees are typically much smaller than those for UK universities: in Germany there are no tuition fees at all, and even the highest fees for EU students studying in Holland are significantly less than £9,000. 
The huge endowments of many American universities, which dwarf those of British institutions (Harvard’s stands at around £20 billion compared to Oxford’s £3.8 billion), mean that more financial support is often available to gifted students. A Harvard spokesperson commented, “Given the university’s very strong financial aid program, most UK students from low and middle incomes will likely pay no more to send their students to Harvard than to a UK university, if you include meals and accommodation in addition to tuition fees.
“Harvard has a policy of ‘zero contribution’ from families with normal assets making $65,000 or less annually. Families with incomes up to $150,000 will pay from zero to 10 percent of their income, depending on individual family circumstances.”
Emily Jones, a first year British student studying at Amsterdam said that financial concerns influenced her decision to study abroad, stating, “I guess it started with my mum suggesting that I look at studying abroad because of the fee rise.”
Jones claimed that studying abroad is conducive to a superior undergraduate experience. She said,   “I feel more connected to the rest of Europe – I actually feel like I’ve matured a lot because of all the different opinions that I’m hearing all the time.”
She also noted that the social life was markedly different, adding, “I think there’s a lot less pressure here to go crazy and get stupid – people are a lot more relaxed. When I visit friends in England or compare it to going out in my home town people seem to be actually enjoying themselves rather than getting into fights or throwing up on the street.”
Oxford seems confident that it will survive increased foreign competition, with a spokesperson saying, “An Oxford degree remains exceptional value by any measure. It is one of the best educations available in the world. In the recent admissions round both UK and international applicants were as strong as ever.”

Oxford faces growing competition from foreign universities, as figures show a steady increase in UK students opting to study abroad.Interest from British students in US universities has risen dramatically during the last two years, as the College Board, the American association responsible for administering SATs, recorded a 16.4% increase in traffic to their website during the year 2010-11. British visitors represented a striking 95% of this increase.

The College Board told Cherwell that the number of UK students taking the SAT rose by 40% between 2007 and 2011, with a 15% jump reported over the past year.  Of particular concern to Oxford is the sudden increase in British applications to Ivy League universities which appears to have taken place over the last two years. The US-UK Fulbright Commission, an international educational exchange programme, has reported that between 2010 and 2011 alone UK applications to Yale increased by 23%, applications to Harvard increased by 45%, and those to the University of Pennsylvania increased by 50%.

Oxford University has expressed worries about losing talented applicants to foreign institutions. A spokesperson this week pointed out Oxford’s comparative weakness with regards to funding at Oxford, 58% of new doctoral students entering in 2010 had scholarship funding, but at Master’s level, this drops to 18%. This compares favourably with the UK as a whole, but is nowhere near the funding levels offered by international peer institutions.”

In his most recent annual oration, Oxford’s Vice-Chancellor, Professor Andrew Hamilton, warned that financial issues were driving more and more bright UK students, especially graduates, to study abroad. He claimed, “There are sadly too many examples of Oxford losing bright graduate students to overseas universities because of the funding gap. It is the single biggest reason why those to whom we make offers turn us down.”

The phenomenon may also have been partly driven by outreach work from a number of US institutions. A spokesperson for Harvard commented, “Over the past half dozen years, the Harvard Club of the UK has been making a concerted effort to get the word out to UK students from all backgrounds and all educational sectors about admissions and financial aid possibilities.”

Nor are American universities the only threat to UK institutions. British students are also choosing to study in Europe, where the number of UK applications has seen a sharp upturn in recent years. Maastricht University in Holland, where it is possible to study entire degrees in English, is particularly keen to encourage UK applications: it recently sought entry to UCAS and labels itself “the most international university in the Netherlands”.

There are eight times more UK undergraduates studying at Maastricht than five years ago, and numbers are set to increase more dramatically. A spokesperson for the university told Cherwell, “We had 491 applications from British students for our coming academic year. In the same week last year we had 265 applications, so the number of applications to Studielink (the Dutch equivalent of UCAS) has almost doubled.”

Many British students who consider studying abroad cite the range and breadth of subjects that it is possible to study at overseas universities as a significant incentive. A second year student at the University of Pennsylvania who turned down an offer from Oxford gave his reasons for choosing the US over Britain, commenting, “It wasn’t an easy choice to leave the UK in order to study in the US, but for me, one of the major deciding factors in choosing America over British universities was the academic flexibility I would have access to.“Even after choosing one of the broader courses in England, PPE, I would not have had the opportunity to fulfil all my academic interests as I do now: I still get to study economics and political philosophy, but I can also continue my study of maths, statistics and languages.”

Claire Gianotti, a visiting student from Brown currently studying at St Anne’s, also praised the breadth of subjects studied, arguing, “It makes for a very interdisciplinary atmosphere – a class would consist of students from all different background and disciplines. Once in a Comparative Literature class we were discussing stream of consciousness in Faulkner, and there were students majoring in the Cognitive and Neurological Sciences that had really interesting contributions to make, and everyone benefits from that kind of diversity.”

Hester Bartelsman, a first year at Amsterdam University College, made a similar observation about European universities, saying, “I love love love studying a broad range of subjects. I and many others at AUC don’t really know what we want to study after this, so it is also necessary to be able to choose the next step.”Theresa Bullock, a first year at Maastricht, argued that her job prospects might be better than her counterparts at UK universities. She argued, “In Brussels, Maastricht graduates are well sought after, over those coming from good universities in the UK, and now many more employers both across Europe and internationally are looking for graduates with the qualities Maastricht graduates have.”

Financial concerns clearly play a large part in students’ decisions. European fees are typically much smaller than those for UK universities: in Germany there are no tuition fees at all, and even the highest fees for EU students studying in Holland are significantly less than £9,000. The huge endowments of many American universities, which dwarf those of British institutions (Harvard’s stands at around £20 billion compared to Oxford’s £3.8 billion), mean that more financial support is often available to gifted students.

 

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A Harvard spokesperson commented, “Given the university’s very strong financial aid program, most UK students from low and middle incomes will likely pay no more to send their students to Harvard than to a UK university, if you include meals and accommodation in addition to tuition fees.“Harvard has a policy of ‘zero contribution’ from families with normal assets making $65,000 or less annually. Families with incomes up to $150,000 will pay from zero to 10 percent of their income, depending on individual family circumstances.”Emily Jones, a first year British student studying at Amsterdam said that financial concerns influenced her decision to study abroad, stating, “I guess it started with my mum suggesting that I look at studying abroad because of the fee rise.”

Jones claimed that studying abroad is conducive to a superior undergraduate experience. She said,   “I feel more connected to the rest of Europe – I actually feel like I’ve matured a lot because of all the different opinions that I’m hearing all the time.”She also noted that the social life was markedly different, adding, “I think there’s a lot less pressure here to go crazy and get stupid – people are a lot more relaxed. When I visit friends in England or compare it to going out in my home town people seem to be actually enjoying themselves rather than getting into fights or throwing up on the street.”

Oxford seems confident that it will survive increased foreign competition, with a spokesperson saying, “An Oxford degree remains exceptional value by any measure. It is one of the best educations available in the world. In the recent admissions round both UK and international applicants were as strong as ever.”

A Bluffers’ Guide to: Arthur Miller

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Isn’t he the bloke who banged Marilyn Monroe?
The very same – in fact they were married for five years after Miller divorced his first wife for the blonde bombshell. He was also married to photographer Inge Morath, andat the end of his life was seeing 34 year old minimalist painter Agnes Barley, who was ordered off the premises hours after his death because his sister didn’t approve of the 55 year age gap.

Sounds like a hell-raiser.
Yes, but he was also quite a good playwright! Like Pulitzer Prize for Drama-winning good. The very early stuff’s pretty forgettable, but he found a successful niche in his biting criticisms of the American Dream.

How’d that go down?
It being 1950s Cold War America, not brilliantly, and he found himself hauled before the Un-American Activities Committee. When he refused to give the names of politically involved friends in 1957, Miller was found guilty of being in contempt of Congress, sentenced to a fine, jailed for a month, and blacklisted by the US government (who had never been great fans of him anyway).

Didn’t he write something about witches?
Yes – The Crucible (you might have studied it for GCSE) is a vivid allegory of McCarthyism, and his most-read play, largely thanks to the British curriculum. It uses the allegory of the Salem witch trials to attack the US government’s hunt for alleged communist sympathisers during the Cold War. Deep.

What else?
Along the way, he’s become a national treasure, against all odds, and is rated one of the greatest playwrights of the 20th century. We’re huge fans.

Tickle your fancy? Seek out these theatrical treasures:
All My Sons
Death of a Salesman
The Crucible
A View from the Bridge

What’s On TT12: Waiting In The Wings

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Week 2
A new adaptation of the classic novel, Laclos’ Dangerous Liaisons, and the only student production to grace the Playhouse this term; it promises, if nothing else, to be a spectacularly flamboyant and very lucrative show, from a notorious production team.

Also on: Two Gentlemen of Verona (Christ Church Gardens), Principles of Murder (Somerville)

Week 3
Brasenose Arts Festival, the yearly offering of artistic talent, includes three plays: A Doll’s House, Blithe Spirit, and Who’s Afraid of Virginia Woolf?, all on at Brasenose, among other treats. Also of note is The Soldier’s Tale (LMH Simpkins Lee Theatre), a combination of contemporary dance and spoken word, with a score by Igor Stravinsky.

Also on: Court (Burton Taylor Studio), Tamings (Keble O’Reilly), The Tempest (Magdalen Gardens)

Week 4
A piece of promising new writing, Killing Hitler (Keble O’Reilly) traces the story of Adam von Trott from Oxford to the plot to assassinate Hitler.

Also on: The Rain Starts A-Fallin’ and Cowboy Mouth (Burton Taylor Studio), The Importance of Being Earnest (Exeter)

Week 5
The first OUDS Shakespeare Festival will be a series of plays, poetry and readings performed in the gardens of Oxford. If you’re not plagued by exams (or even if you are), take in some of the Bard’s finest with a glass of Pimms in the summer sun.

Also on: Bug and Fear (Burton Taylor Studio), Proof (Keble O’Reilly), Neville’s Island (St Peter’s Gardens)

Week 6
Rattigan’s The Deep Blue Sea at the Burton Taylor will offer respite from the Shakespeare onslaught. Meanwhile, the BardFest saves the best till last: the woefully underperformed Love’s Labour’s Lost is on in the Christ Church gardens. Expect dancing, music, and much mirth.

Also on: Closer (Keble O’Reilly), After the Dance (LMH)

Week 7
A new adaptation of Austen stock romance Pride and Prejudice in the Christ Church Cathedral gardens will have Darcy fans swooning.

Also On: Edward II (Corpus Christi), Contractions (Burton Taylor Studio)

Week 8
Arabian Nights may be drenching the Burton Taylor in sand in a new take on immersive theatre, but they won’t be able to hold a candle to the legend of the Oxford Revue and Friends, the ‘friends’ being the Cambridge Footlights and the Durham Revue, in a one night show that will undoubtedly sell out the Playhouse.

Also on: Nocturne (Turl Street Kitchen)

A Bluffers’ Guide to: Harold Pinter

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Who, what, when and where? A 20th Century (1930 – 2008) English playwright who grew up in London. His writing career spanned over 40 years; from his first play The Room (no relation to the film) in 1957 to Celebration, in 2000.

What are the plays like? They’ve been described as ‘‘comedies of menace’’; often trapping unrealistic characters in naturalistic settings. They engage in dialogue but reveal more with their silences than with their words. Known for being original and disturbing – not so much the elephant in the room as “the weasel under the cocktail cabinet”, which Pinter more simply put as “what I write is what I write”.

So, is he any good? Depends what you’re into. He was good enough to receive the Nobel
Prize in Literature, the Légion d’honneur, and perhaps most importantly, his own adjective:
Pinteresque (which he himself despised). Mostly we remember him for the pauses, and the
infidelity. Particularly the pauses.

Tickle your fancy? Seek out these theatrical treasures:

The Birthday Party
Betrayal
The Hothouse
Mountain Language

Don’t know your Shaffer from your Shaw? Can’t tell your Marlowe from your Miller? Is the world of the stage all Greek to you? Fear no more – Cherwell Stage is here to offer a weekly guide for the theatrically illiterate so you can bluff your way through any thespian shindig, and finally learn how to ingratiate yourself to your theatre-going friends.

Procrastination Destination: The Botanic Gardens

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Don’t be put off by the scientific name (although the promise of rich botanic information is certainly a plus if that’s what you’re into): the Botanic Gardens are perhaps the quietest place, outside of the libraries, in the whole of Oxford. In a tranquil oasis in the middle of this most hectic of cities, you can almost hear your own heartbeat thumping as you wander between the immaculate flower beds. As the plants grow peacefully you can enjoy the tourist-free quiet and ruminate poetically to your heart’s content. Another plus is that entry is free for Oxford students (although I did land myself in a predicament when asked if I was one by replying tentatively ‘Yes, I think so’, and promptly being lampooned by the highly satirical assistant), and a free map of the gardens is included for the less intrepid and more tepid explorers.

These are the oldest gardens in Great Britain, with a 380 year history. Indeed, from the outside the architecture seems almost like any other college. What really makes the Botanic Gardens stand out from other impressive green spaces in Oxford is the abundance of plants that are useful for medicinal and scientific purposes. This means that you can crib up on your flower knowledge and use it to impress your sweetheart. And it’s not all science: the gardens also have a rich literary history. Lyra, star of Phillip Pullman’s bestselling His Dark Materials tril- ogy, visited it in the first novel, and Pullman himself is rumoured to have had his moment of inspiration when reading Blake on one of the benches.

It’s worth noting that seasonal changes can make a big difference in the Botanic Gardens. In winter it can be a dark and gloomy place, the clouds looming over unimpressive beds and the cold wind sweeping up the expanses in the centre (the warm greenhouses are of course available all year round but might prove a bit sticky for a long term stay). But as summer rolls in the flowers blossom and the Botanic Gardens whisper to you invitingly. With the trees in bloom and the flower beds sprouting, it’s the perfect place to search for inspiration and feel awed by the majesty of Mother Nature. The only potential peril that faces visitors to the gardens is the risk of feeling rather insignificant in the presence of nature at its most glorious. But be bold! Fight this fear and remember that you too can have a part to play, however small, in this Edenic place. Bring a blanket and your most pretentious book, lie down and soak up the atmosphere.

The Best of Britain

Edinburgh

Edinburgh, Scotland – known for its kilts, its weather and everyone’s favourite Highland monster, this is a country which should be on the travel bucket list of any self-respecting UK citizen. You do live in the same sovereign state, after all. And what better way to experience a flavour of this high-altitude country, than to visit the capital city? Edinburgh remains the only place we have seen sell a haggis, curry and sushi in the same shop, a worthy feat for a city beginning to compete against London for diversity. It has a castle to rival Hogwarts (to appease your inner twelve year old), several flashy museums, and a striking landscape which really does have to be seen to be believed.

One thing the out of pocket student needs to consider when planning a trip to Edinburgh is the offensive price tag many hotels adopt come August. The reason? August in Edinburgh is engulfed by its notorious Fringe Festival, which if you didn’t already know, is the largest arts festival in the world and a showcase for up-and-coming dance, drama and comedy. Although undoubtedly the city will be overrun with melodramatic thespians of all varieties, this is the time to go for any student in search of culture and a giggle.

Hostels are your best bet to avoid a distressing credit card bill come September, and are ideal if you plan to travel with a group to. Edinburgh Smart City Hostel boasts itself as ‘redefining’ the traditional hostel experience with its modern atmosphere and cheap, cheap prices. It offers a combination of private or shared dorms, every room possessing an en suite, allowing you to avoid those awkward corridor trips to the shower that hostels are usually so lousy with. The 24 hour reception and no curfew policy grants the tourist more time to explore the ins and outs of the capital, with the knowledge help is at hand if required. As expected, private rooms are considerably pricier than shared dorms, with pric- es ranging from £26 to £36 per night for a dorm room in August, and private rooms ranging from £132 to £204. Equipped with a fully licensed bar, restaurant, and Wii console, Smart City has a young, fresh vibe which makes it the ultimate urban retreat.

 

The Lake District

There’s a lot to love about the Lake District. Where else would you find the world’s first usable pencil, the Batmobile and the highest mountain in England (Scafell Pike) all within driving distance? Suck on THAT, mainland Europe. Cumbria has a variety of attractions to satisfy a wide range of people, including, sur- prisingly enough, one or two lakes. Of the twenty ‘major lakes’, Lake Wastwater and Lake Windermere are probably the most well-known, being the longest and deepest in England respectively. Wet, wild and windy, the Lakes are really worth seeing at least once in your life, and they boast a wide array of great walks and mountain bike trails along which to enjoy them.

Be prepared to bring your waterproofs though – the Lake District is officially the dampest place in England, and to be honest if you’re not prepared for a little wind and rain it may not be for you. Still, if the outside gets too much you can partake of the wide range of indoor ac-tivities that Cumbria has to offer. The Lakeland Motor Museum can be surprisingly fun thanks to the large collection of iconic Film and TV vehicles, and you can’t really go wrong with the Keswick Pencil Museum. For those with a more literary bent, it’s just a hop, skip and jump to ‘The World of Beatrix Potter’, based in the writer’s old home and offering an array of stories and autobiographical tidbits. Alternatively, the Lake District offers a unique opportunity to ponce around pretending to be Wordsworth and company, inspired by the natural beauty of your surroundings.

No, it’s not the most exciting holiday destination in the world, and if you’re more for beaches than tea rooms then you might not have a huge amount of fun; but if you love the great outdoors and fancy sampling a little English character then there’s nowhere better.

 

St David’s, Wales

Croeso i Gymru: the road sign capable of generating such a deep feeling of patriotism. Sadly, when the television advert comes to an end, the short-lived concept of going to Wales on your summer holiday instead of jetting off to Antigua, is just that; short-lived. However, with 2012 being the year of ‘Jubilymic’ celebrations, it’s unsurprising that the new Rupert Grint, Judy Dench and Steven Fry campaign is doing wonders for the revival of the Great British holiday.

Having spent many a childhood summer vacation in the beautiful city of St David’s, on the south-west coast of Wales, it perhaps wouldn’t be top of my list for Magaluf substitutes. In spite of this, the Welsh city is an idyllic holiday location for anyone with an appreciation for art, beautiful landscapes and wildlife, looking for a budget getaway.

As part of the Pembrokshire Coast National Park, St David’s is renowned for its stunning coastal views and abundance of wildlife, including seals, dolphins and even puffins at certain times of the year. To make the most of this, there are numerous coastal boat ride tours, one of which is very fittingly named ‘Aquaphobia” (NB: not advisable for those who dislike high speeds/windswept hair). The stunning ‘whitesands’ beach also provides low-cost entertainment from rampant rock-pooling (yes, I was the kid who wouldn’t leave the beach until every rockpool had been excavated for crabs) to superb surfing for those looking to channel their inner hippy.

The City is also famous for its artwork and ceramics, and therefore one cannot possibly miss the opportunity to craft a vase (or caricature of your best mate’s face) with one’s bare hands, using a traditional potter’s wheel. Another popular excursion is the local cheese manufacturing farm, Caerfei Farm, where an educational journey through the cheese making process is nicely rounded off with a cheese tasting session. And, in keeping with the Welsh stereotype, it’s probably worth mentioning that the sheep-milk cheese is a best seller.

 

Devon

Camping, it’s a marmite thing. For some, driving off into the sticks and setting up base camp just isn’t their cup of tea, but for others this is the closest they can get to living the Indiana Jones dream. Love it or hate it though, you can’t fault the affordability of such a holiday, a holiday where the main expense is paying for a plot of land to pitch your (borrowed) tent upon. Booking a campsite as a student can be a fiddly proposition, many campsite managers putting their feet firmly down when they realise there’s more than two of you to terrorise the neighbours. Luckily for you then, we have found the perfect campsite which accepts large bookings of ungrads, and is set against the backdrop of idyllic Devon too, bonus.

Roadford Lake in Lifton, Devon isn’t just any campsite. No, Roadford Lake in Lifton, Devon is the M&S of campsites everywhere, boosting panoramic views, a thriving activity centre and, as the name so helpfully suggests, a 740 acre lake which makes Worcester’s look like a mere puddle. With a standard pitch costing just £15 per day for two people, and extra adults at a steal of £5.50, a group of skint students could easily set up camp here without feeling guilty about their bank balance.

A holiday perfect for the deadbeat student, Roadford offers an oasis of calm to unwind in away from the scare of collections or the several vac essays you’ve still got to do. You could easily spend a week here doing absolutely nothing, but if you’re the kind of person who must be doing something at all times, the Outdoor and Active Centre will keep your hands busy. Offering quite the impressive range of traditional water activities, in- cluding: angling, sailing, windsurfing, rowing, canoeing and kayaking, the centre caters for all abilities, whether water novice or seasoned sailor. And if you can handle more, why not try ‘WOWBALLS,’ where you too can experience the Jesus inspired feeling of walking on water. Just be sure to book soon, potential voyager, what with its location close to the coastline, pitches are filling up fast.

Oxford club in zebra furore

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Organisers of Carbon club night ‘Zoo’ have cancelled controversial plans to showcase a “real life zebra” at their Mayday party following pressure from animal rights groups and local people.

A statement on their Facebook page yesterday announced, “Due to problems with…Animal Rights opposition we are no longer allowed the Zebra for the evening. Please note that it was never in our intentions to cause any distress to the Zebra, it was to be enclosed in a large pen OUTSIDE of the smoking area.”

Following the cancellation, PETA, The People for the Ethical Treatment of Animals Foundation, commented, “We’re delighted to hear that the club has decided against having a zebra at its venue after receiving complaints from local people.

“We commend the club for turning its back on this ill-conceived plan and are very grateful to the people of Oxford who have expressed their objection – it’s a wonderful example of the power that individuals have to make a positive difference in their community.”

Upon learning of the intended plan prior to its cancellation, RSPCA Oxfordshire commented, “The idea is appalling.” They added, “Organizers of this event should be reported to the RSPCA and the venue should be boycotted by all those concerned for animal welfare. The only thing that could be done to ensure that no distress is caused to the animal would be for the idea to be quashed.”

When initially contacted for comment earlier this week, PETA told Cherwell, “With high-tech animatronics and video deejays, there can be no justification for subjecting animals to the stress of travel, confinement, confusing conditions, bright lights and loud and scary noise. We hope Oxford students will see this stunt for what it is – a shameless ploy to sell tickets to an event on a competitive party night – and choose to support other local clubs that don’t exploit animals.” Carbon nightclub declined to respond to such criticisms.

The national RSPCA stated that it is “not against the use of animals for any form of entertainment unless distress or suffering is likely to be caused.” In this case, however, the RSPCA stated it was “concerned that the safety and welfare of the zebra, or any other animal they may use, may be unnecessarily compromised for the purpose of entertainment,” and advised that the organisers sought expert advice about the welfare of animals used for entertainment.

Several students have expressed their disbelief at the scheme, with one third year student commenting, “I think this a ridiculous and insane idea.”

The Facebook group for the event advertised the night as “Guaranteed to be the biggest Mayday party in Oxford” with “something the Oxford clubbing scene has never seen before – a REAL LIFE ZEBRA!!”

On the Facebook event page, the news that a live zebra was coming to Carbon was greeted by 27 likes, with one attendee commenting “genius!” and another stating it was going to be “epic.” Not everyone was so positive, however, with another posting, “Genius? I don’t think so. What a step backward for animal rights. How disappointing. A zebra will be transported, kept in a confined space and exposed to massive stress, how on earth is being responsible for animal cruelty something to be proud of?”

Another posted, “This is absolutely abhorrent. How can these people use any animal in the name of entertainment? Have you got no respect or compassion for a creature that will be utterly stressed out of its mind. WHY? Is this poor Zebra really going to add to the nights ‘entertainment’? PLEASE think again – I don’t think having a zebra or any creature is going to add to the night out.”

The organisers initially responded to the post by stating that it would be “outside” and “in its own pen” with “plenty of space.”

The decision to withdraw plans for a zebra prompted mixed reactions. Second year Jane Northfield commented, “This has ruined my Mayday. I was really looking forward to seeing the zebra, and in fact, it was the main reason I chose to go. It really would have been special. It’s now going to be like Itchy Feet without the music.”

However, Brookes student Eddy Allison stated, “Don’t worry ladies, the animal issue is sorted, I’ll be bringing a snake with me.”