Friday 15th August 2025
Blog Page 1578

Focus on… the Turl Street Arts Festival

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As we zoom ever nearer to 5th week, Turl Street, land of the Missing Bean,
Turl Street Kitchen and numerous shops as browsable as Diagon Alley
will soon be transformed into the site of the annual Turl Street Arts Festival. I met the festival’s president, Ashleigh Tilley, and its Secretary, Owen Donovan, in the lively hub of Queen’s Lane Coffee House – but even this seems a slight betrayal of those two friendly cafés on Turl Street.

The festival has been going on as far back as Tilley can remember, but the focus this year is on organising events which cover a whole range of ‘arty’ genres such as film, music and drama. Apart from the launch party at the Cellar on Thursday 7th February, there is everything from a live comedy night with a set by Rhys Maliphant from the Oxford Revue, to live poetry readings in the Missing Bean on the 14th (according to Owen this is “the best alternative
Valentine’s Day”, and they’ll even be putting candles on the tables.)

Another event which the committee are particularly excited about is the play You Maverick, written by Matt Parvin. The postgrad has written two plays for previous Turl Street festivals, including A Row of Parked Cars, which went on to have a re-run in the Burton Taylor. For audience members who have seen Parvin’s plays before, You Maverick is apparently much darker than the other two, which were more comedy-dramas – “although one did end with someone hanging themselves”, admits Donovan, so perhaps we need not fear anything too unrecognisably different from this highly successful playwright.

And how are the committee finding it? Stressful, obviously, but also highly enjoyable; “I think we’re going to be running around for a week – but I wouldn’t have it any other way!” says Tilley. You may well have heard vaguely
about the festival weeks ago when the committee began sending out emails to Oxford students asking for poetry submissions for their competition, culminating in the best ones (between 30 and 40, they think) being read aloud
and going into a printed anthology – another mammoth organisational feat. I ask how many entries they’ve had, and apparently it’s over 90, which suggests an encouraging amount of interest in the festival among students.

Ticket prices are all very reasonable. Whilst some events are free, others such as the live comedy night will be around £4, good value considering that the night will consist of seven acts and be “incredibly long” (though there’s no need to worry; the committee are scheduling in at least one interval, to
allow sufficient time to reach the front of the Jesus College Bar.)

The whole ethos of the festival is clearly a friendly one; many of the acts are coming for free for which the committee are incredibly grateful. “In an ideal world we’d have loads of money and be able to pay everyone,” says Donovan, but given that they aren’t particularly wealthy I find it even more admirable that the money being raised from the closing party in Exeter on 16th February is going to ExVac, the college’s own charity which funds holidays for children who for one reason or another are not usually able to
get away from home.

All in all 5th week promises to be a good one:they say college loyalty neverfalters but the appeal of living in Exeter, Jesus and Lincoln is clear to see.

Preview: The Last Tutorial

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Cherwell’s verdict: Hackneyed, heavy-handed hokum.

In an opening scene of The Last Tutorial, Esther, the play’s heroine, paces her dorm room, arguing with her friend Stuart.
“That’s hokum!” she cries.
“Who says hokum these days?” he deflects.
“I do!” she replies.

I might borrow the word to describe The Last Tutorial, a comedy written by Robert Holtom and directed by Matthew Shepherd that was in its second week of rehearsal when I got a sneak peek of a few of its scenes.

In it, Philly Howarth plays Esther Jones, an Oxford undergraduate convinced that her tutor did not kill himself as assumed but was in fact murdered, and sets out with Stu (Xander Brehm), a reluctant Watson to her overzealous
Sherlock, to investigate.

Hokum describes that which is stock, even hackneyed, and at times the play manages to be both. Eager to dislodge stereotypes, it appears unlikely to succeed. In one scene, Esther and Stu attend a cocktail party, hoping to glean some clues from Theo (Leo Suter) and Tamara (Alessandra Gage), two students whom Esther suspects know more than they let on. Stu sneers that he is less than eager to suffer the company of “the overprivileged conforming
to stereotype.”

“Stop jumping to conclusions,” Esther chides him. “It’s very unphilosophical.” However, Stu hits the nail on the head. Tamara fits the “American sorority girl” stereotype of his prediction tediously well. Theo, an Eton-educated psychology major, is unexpectedly sympathetic but no more unique. When Tamara drawls that something is “hilarious – literally hilarious”, she is much like the script: funny, but heavy-handed.

To its credit, The Last Tutorial makes no claim to subtlety. It pokes fun at Inspector Morse, the quirky detective of the book and television series set in Oxford, and student life in equal measures. Those who are unfamiliar with the
show can still enjoy the inside jokes derived from the latter.

Whether these can sustain the play for its running time of an hour and twenty minutes remains to be seen. If not, however, I suspect the cast is strong enough to make it bearable: they held my attention far more than the mystery that Esther sets out to solve does.

A birthday stripped bare

Last week I turned 21. Whooooo. Go me!

I really don’t mean to come across as shallow and materialistic but I’m all about the presents, so I got pretty excited when I was told that I was in for a treat.

“Oooooh… I LOVE surprises!”

The great thing about friends is that they have this knack of knowing exactly what you want.  It must have been a really easy decision for them…

“So, what do you reckon we should get the girl-with-the-personal-space-issues?”

“Uh… I don’t know, a male stripper maybe?”

Great idea.

I probably should have seen it coming when the mastermind behind this operation bought me a calendar of ‘Bronzed Aussie Boys’ for Christmas.  Sounds great, right?  Trust me when I tell you that the photographer walked along the beach picking out the most oiled-up, horrific short-wearing creeps Australia has to offer – and people tend to not believe my spiel about irony when they see it which is odd.

Sorry, I diverged. Let’s get back to the… uh… point. Did I mention they ordered me a STRIPPER?

His stage name is Nick Sexecute (he could probably work on that if I’m honest) and, according to the contract, full-blown nudity was not supposed to be on the cards.  I’d quite like to have a look at this so-called contract though because I feel that the small-print may have been slightly over-looked.  Either that or he should probably get his Tarzan-esque loincloth repaired.

It took me quite a while to even realise it was all happening; I was still gormlessly asking, “Why’s Joe dressed up?” when it struck me that ‘Joe’ was looking a little older and more sinister than usual.  Please don’t take this the wrong way, Joe, but I’m actually so relieved it didn’t turn out to be you – I think a dance like that from you would have really tested our friendship.

The FULL show would not have been an issue had he not kicked things off by dry-humping my face – quite literally a mind-fuck. Weirdly enough though, the only two things I could really think about throughout the ordeal were that he should probably get different shoes (nobody loves a stripper in black Nikes), and ‘Oh my god, I’m friends with my mum on Facebook…’

But don’t worry Mum; it’s all completely legit.  He even has a book to his name; it’s called ‘Roadwarrior: Confessions of a Male Stripper’ (Only two left in stock on Amazon so get on that.) And if my little show was anything to go by, ‘Confessions’ is a very apt description of it.

What was my solace in this time of hardship, I hear you ask?  Definitely the signed poster; there’s a picture of him (naked and in all his glory, obviously) with a caption below that reads:

‘Expand Your Mind – Study Something HARD’

I guess this is Oxford after all.

Headmaster claims public school students are disadvantaged

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THE Oxbridge admissions process discriminates against candidates from public schools in favour of state-educated applicants, according to Dr Anthony Seldon, Headmaster of the prestigious Wellington College.

Dr Seldon has described the “hostility” against students from schools such as his as “the hatred that dare not speak its name”.

The Oxford University Press Office told Cherwell, “Dr Seldon is quoted as  saying that this year he had 62 pupils clever enough to get an interview at
Oxbridge, but he expected ‘only 20’ to be offered places – that’s a success  rate of over 30 per cent. Compare that to the overall success rates for all applicants (below 20 per cent) and independent school applicants (under 25 per cent).”

Dr Seldon’s accusations came in the same week as the release of new data on university admissions, which showed that applicants from independent schools to Russell Group universities are achieving a success rate of over 75 per cent.

For Oxford, the rate of entry was three in ten for privately educated candidates, higher than the overall acceptance rate. In total the figures show that 42.5 per cent of UK university offers went to independently schooled candidates.

Such figures support comments made last Saturday in an open letter by Sir Peter Lampl, Chair of the Sutton Trust. He argued, “Despite improvements in access for state school students over the last 15 years, over four in ten Oxbridge students still come from schools attended by just seven per cent of the population”. 

One second-year PPEist commented, “When you consider that private school applicants overwhelmingly secure A and A* grades – a requisite condition for Oxbridge entry – the dominance of public school types begins to make more sense. The injustice lies not in Oxbridge selection procedure, but in the state education system’s failure to meet private sector standards.”

OUSU: We want more money

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Common room representatives, assembled as the Council of the Student Union, have passed a motion to write to the Vice-Chancellor expressing dissatisfaction with OUSU’s funding.

Currently, OUSU and the Common Rooms jointly receive around £50 per student, which is provided by the University in the form of an annual block grant. Of this, OUSU itself is allocated £17.50. In comparison, the average student union in the Russell Group, with a similarly sized student body, receives around £80 per head.

The motion, which passed unanimously last week, states, “Underfunding of OUSU prevents it from doing the job that its members and constituent common rooms expect of it, especially with respect to the implementation of electoral promises and the communication of its current activities and services to its 22,000-strong membership.”

OUSU Council therefore resolved to “express its complete dissatisfaction with the current level of block grant, relative both to OUSU’s own institutional needs and other Russell Group student unions” and to “express its deep concern over the unsustainability of OUSU’s current activities and services under a budget suffering a real-terms cut.”

In Trinity 2012, OUSU called on the University to remedy the situation and increase funding. Early indications, however, appear to suggest that the OUSU budget will instead face a real-terms cut for 2013-4.

St Hilda’s JCR has passed a motion in support of OUSU, which aimed to  address OUSU’s lack of recognition. 

OUSU President David J. Townsend said, “There is no good reason why OUSU is underfunded compared to other major UK universities. There was genuine concern amongst Common Room Presidents that a cut to OUSU’s budget next year would diminish OUSU’s ability to achieve things in the future. It’s great to see that St Hilda’s JCR has passed a motion in support: anything that can be done to get the message to the level of the individual student is important. What we’re talking about is proper financial resources for OUSU to do what Oxford students legitimately demand of it.”

Alex Bartram, Balliol JCR President, stated, “The University has a responsibility to provide the resources to make its student union viable and at the moment it doesn’t. This is demonstrated in the lacklustre support for OUSU amongst students, despite the hard work done by its officers and frequent lobbying successes.”

Michael Young, a second-year at Brasenose, expressed opposition to the motion: “Using the Russell Group as a comparison is silly, given that because of the student Common Rooms in Oxford, OUSU does not do as much as other Student Unions. Furthermore, rather than ask for more money, OUSU should look at where it spends existing funds and perhaps consider cutting the generous salaries paid to its officers.”

A University spokesperson said, “Given constraints on resources, the size of the grant allocated to OUSU has to be considered in line with funding levels elsewhere in the University. The University continues to look for ways to address these long-standing issues with OUSU.

We welcome the strides OUSU has made since becoming an independent charity and we look forward to continuing our close and productive
working relationship with them in future.”

A Theory of Justice broadens its horizons

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After five successive sold-out performances at the Keble O’Reilly theatre the team behind A Theory of Justice: The Musical are setting their sights beyond Oxford.

Ramin Sabi, one of the writers and producers of the show, which advertised itself as “an all-singing, all-dancing romp through 2,500 years of political philosophy”, claimed that “this was the fastest selling show in Oxford theatre history.” Sabi is the founder and director of DEM Productions, which produced ATOJTM.

The play won critical acclaim, including five stars from Cherwell, and a ringing endorsement from the Open University’s Nigel Warburton, who called the production “brilliant:  hilarious, witty, and profound – well-plotted too, with acute philosophical asides.” He admitted “crying with laughter for most of two hours.”
 
Eylon Aslan-Levy, another writer and producer, said he was “hopeful” that the play could be taken elsewhere, including Edinburgh and Cambridge. “We have received interest from people all over the world,” Levy told Cherwell, “including from places as far afield as Australia and Canada,” who are interested in doing the play themselves.
 
The producers declined to comment on rumours that the BBC want to do a televised adaption of the play, other than to confirm that the organization had expressed “potential interest” in the project.

Oriel votes to fly LGBT flag

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A motion proposing that the LGBT flag should be flown in celebration of LGBT History Month was approved on Monday night by Oriel JCR.

The motion, which passed unanimously, called for the rainbow flag to be flown for one week. The motion stated that “This would be in order to help publicise Oriel’s welcoming environment for members and applicants of all diverse sexualities”, and is to be followed by a “Queerbop” to be held on Friday of 8th Week.

Natasha Bassett, Oriel JCR President, commented, “The motion to fly the LGBT flag was passed last night with a large majority, so as to show support for LGBT History Month, to show support for the LGBTQ community at large, and specifically within Oriel, and to celebrate diversity and equality.”

However, she added, “It’s not for certain that it will fly, seeing as this will have to go through college”.

Justin King-Lacriox, who has proposed a similar, parallel motion to be considered by Oriel MCR on Sunday of 6th Week, told Cherwell that “while today’s UK is among the most progressive nations in the world in terms of LGBT rights, many nations across the world remain unsafe for LGBT people – particularly those in the former British Empire. For this reason among many, an institution as well-known, well-respected, and iconically British as the University of Oxford making such a strong statement of opinion can have profound effects on the international stage.”

Simone Webb, LGBTQ Society President, was supportive of the Oriel motion. “I think it’s really great to see symbols of LGBTQ identity and history flying anywhere to increase our presence and people’s awareness, and particularly from buildings associated with an institution such as Oxford, which has a (probably unfair) reputation for conservatism.”

Whether or not to display the LGBT flag has previously been a contentious issue at Oxford colleges. Last year, St Anne’s College refused to fly the flag despite a motion being passed in the JCR. St Anne’s claimed that it was unable to comply with the JCR’s request because it was against college policy. St Hugh’s will not be flying the flag this year either, following a controversial online survey last summer in which more than one student compared the flag to a swastika.

LGBT History Month takes place every February and aims to “celebrate the lives and achievements of the LGBT community”. This year’s celebrations will be dedicated to “Maths, Science and Engineering” and will include events and  meetings across the country.

Katie Collliver, OUSU Vice-President for Welfare and Equal Opportunities, commented, “Raising the rainbow flag during February is a simple gesture that colleges can make to show that they support their LGBTQ students and take their issues seriously.

“It was great to see so many common rooms work with their colleges to fly the flag last year to celebrate the contribution that LGBTQ students and staff have made, and will make, to their community. I hope that colleges choose to celebrate LGBTQ History Month with similar enthusiasm this year.”

Tom Oakley of Hertford College told Cherwell, “I really hate that stupid flag on an aesthetic level, but flying it might strike joy into the heart of at least one person so I suppose it can’t be a bad thing.”

Academics concerned by online access to research papers

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Academic groups have raised concern about plans to make research freely available online.

The government announced plans to make all publically funded research available online free of charge from 2014, following recommendations from the Finch report, released in 2012.

The report, undertaken by Dame Janet Finch, a sociologist, reported that opening up access, “will mean that more people and organisations in the UK have access to more of the published findings of research than ever before. More research will be accessible immediately upon publication, and free at the point of use”.

Research papers will be made available to universities, companies and individuals from anywhere in the world. Previously readers had to pay to access research papers but under the new scheme, the cost would fall on universities, who will have to make a fee every time they wanted to publish work from their researchers. 

Chris Grey, OUSU Graduate Officer, told Cherwell, “There are some strong arguments in support of the principle of Open Access. It does, after all, seem a bit perverse that the taxpayer funds thousands of researchers only to have to pay high journal subscription fees to read the results. However the pace at which the Government is attempting to implement these changes, and the lack of consultation with the academic world, is troubling.

“There are a lot of unintended consequences that need to be considered very carefully, and it looks like the current plans will actually end up costing Universities a lot of money, money that could be spent on teaching and funding for students. Our priority right now though is to make sure that any extra charges incurred by graduate students and young researchers who are trying to publish will be covered by the University.”

A number of academic groups and societies, such as the Royal Historical Society, the Political Studies Association and the Council for the Defence of British Universities, have spoken out about the changes the Government are planning to implement.

Howard Hotson, a fellow of St Anne’s College, Oxford who sits on the steering council for the Council for the Defence of British Universities told Cherwell, “Open access is an attractive goal in principle, but the transition to it needs to be handled with patience and care.  Scholarly communication has been based largely on the printed word for over 500 years, and on printed scholarly journals for over 300.

“Relative to print, open access scholarly publication on the internet only began to look feasible the day before yesterday, so it is unsurprising that, despite its attractions, serious difficulties with its implementation remain for many disciplines. A one-size-fits-all solution, driven forward by the artificial timetable of the Research Excellence Framework, to be imposed nationally virtually overnight after minimal consultation, will have massive undesirable unintended consequences. What is needed is patient, prudent, incremental change, not more ill-considered radicalism.”

Under the scheme, universities may have more control over selecting what research will be published.

A spokesperson for Oxford University said, “Funders in many areas are already working towards open access policies and models, and we will continue to work with them to find the best way forward. We look forward to a wider discussion across the collegiate University about the potential impact different open access models may have in the many and varied research fields supported at Oxford and are keen to ensure that any changes are sustainable and are not at the expense of ensuring that our research outputs are of the highest quality.

“We are committed to ensuring that the fruits of our research are widely accessible, and the University is already very active in disseminating research for the benefit of the international research community and society.”

Some Oxford Students were also concerned about the effect on reviewing research. Rebecca Fynn, a student at Balliol College, told Cherwell, “I think it’s a great idea to try and make academic history more accessible but I would be worried about bias in the system. I think there should still be independent assessment or else it could be really unfair towards minority interests or controversial opinions.”

Queen’s urges Andrew Smith MP to support marriage equality

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Queen’s College JCR voted unanimously in favour of a motion supporting marriage equality in light of the second reading of the same-sex marriage bill that was passed with a majority of 225 in the House of Commons on Tuesday.

The motion, proposed by Jane Cahill, Queen’s College JCR President, and
seconded by Ashley Francis-Roy, the college’s LGBTQ rep, mandated Francis-Roy to write to Andrew Smith, Labour MP for Oxford East.

The JCR urged him to vote in favour of the marriage (same-sex couples) bill, which was subject to a free vote by MPs. There were no speeches in  opposition to the motion at the JCR meeting on Sunday and it was thus
passed unanimously.

The motion claimed, “Andrew Smith MP has been ambivalent recently about how he will vote on marriage equality, as he is concerned about religious freedom.” Smith’s constituency encompasses 29 Oxford colleges, including Balliol, Merton and St Catherine’s, which also petitioned Smith to support the
proposals on equal marriage. A letter from Merton gathered 90 signatures and a petition from 150 St Catz students was also sent.

However, in a statement, Smith commented, “My view is that in all but name Britain already has gay marriage through the institution of civil partnerships, which I thought was a very important and civilised step forward, and which confers very largely the same rights and responsibilities. I don’t see any  strong case for denying the opportunity to call this a marriage.”

The same-sex marriage bill passed through the House of Commons on Tuesday and saw MPs including Mr Smith vote in favour of the same-sex marriage bill by 400 votes to 175. The bill was subject to a free vote, although over half of Conservative MPs voted against the government.

Jane Cahill told Cherwell, “I’m very proud that we voted to defend the rights of our LGBTQ community. It’s important we express a view because these members are an important part of our community, and we want Mr Smith to know that his constituents, far from being against the bill, or even ambivalent about it, are strongly supportive of a ‘yes’ vote from our MP.”

OUSU Vice-President for Welfare and Equal Opportunities Katie Colliver commented, “Questions of equality affect everyone, whether or not you are a student. I think it is absolutely right that Queen’s JCR has taken a stand on equal marriage and I hope that other JCRs will follow their lead.”

Elizabeth Sherlock, a second-year classicist at Queen’s, told Cherwell, “Queen’s JCR’s decision to support and stand by its LGBT members made me incredibly proud to be a member of Queen’s! Any statement a college can make in favour of equality is valuable.” However, OUSU’s LGBTQ campaign had concerns about the bill, commenting, “We feel that equal marriage is a significant and necessary step forward, bringing us closer to equality and providing more religious freedom for LGBT and pro-LGBT people of faith.

“We feel that although aspects of the bill are inadequate, for example it forces transgender people to annul civil partnerships in order to transition, the bill must be passed to facilitate further progress.”

Smith resolved to continue considering the implications of the bill, stating, “I shall look to see how [the bill’s] inequalities and inconsistencies can best be
addressed. I will reflect further on all the issues raised in the light of the views constituents are putting to me, and the wider public debate.”

Hertford students undertake Chicken Challenge

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A group of intrepid third-years at Hertford College this term completed what they dubbed the ‘Chicken Challenge’, to establish whether they would be able to eat a chicken a day for a whole week.

The boys were confident in their ability to complete the challenge, with Japanologist Lawson Lancaster stating, “I occasionally eat the ready cooked whole chicken from Tesco after going to the gym some days so I didn’t think it would be that difficult.”

However, third-year medic Patrick Burke noted that only three of the original four participants made it to the end of the challenge, saying, “It was a shame that Jamie Beacom [an original member of the team] lost his head and chickened out. But the rest of us were – unlike our gastronomic exploits –game, and we got to the other side of the metaphorical road.”

Burke fully embraced the spirit of the challenge, telling Cherwell, “When people heard of our ideas to begin with, there was a resounding cry of ‘what the cluck?’. Maybe it wasn’t the breast idea. But with no poultry effort, and with the help of our friends egging us on, the idea really took (barbecue) wings.”

In order to complete the challenge, the boys consumed roast chicken in a variety of ways, incorporating curries, houmous, sandwiches, oranges and barbecue sauce.

Mathematician Dave Cheek noted, “Patrick was one of the more flamboyant challengers, putting a variety of fruit up each chickens’ arse.”

Despite the excess of chicken, Lancaster proclaimed his continued love of the meat. “I love chicken, we have a special romance. The chicken challenge was like going away with your partner on a holiday where you spend every waking moment with them, and you have a few arguments but once you get home you want to see them again the next day.”

Indeed, he ate chicken for dinner the day after the challenge was complete.

However, Burke also sounded a note of caution. Though he dubbed the challenge “memorable” and “entertaining,” he pointed out the negative effects of subsisting on whole chickens for a week: “I think the challenge was a bit of a silly thing to do really. It was quite expensive, time consuming and definitely bad for our health.

“A constant smell of chicken surrounded me and I was quite ill and drained for most of the week. Cooking, preparing and eating chicken takes all day long. You don’t get very much done on a chicken day.”

The challenge also offered the opportunity for philosophical reflection. In his video diary, Burke opines, “I can’t help but think about life. Isn’t life just like the chicken challenge? Some people might say, ‘Isn’t what you’re doing pointless? Why are you doing that?’ And to them I say, that may be true. But I’m going to do it anyway.”