Monday, May 5, 2025
Blog Page 1569

Nailing it: the DIY mini-manicure

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1. File

  • Instead of sawing at your nails, file in a single direction. Start at the side of the nail and move towards the centre in long, smooth motions.
  • Never file your nails when they’re wet. This is when they’re at their softest and prone to breakage. Similarly, avoid metal nail files: they’re often too harsh and can damage nails. Opt instead for a glass file, or a basic soft emery board. Boots Salon Smooth Nail Files do the trick perfectly (£1.25 for two, boots.com).

 [mm-hide-text]%%IMG_ORIGINAL%%6643%%[/mm-hide-text]

image:lcbnaillacquer.com

2. Paint

  • Before applying any polish, soak a cotton pad in nail polish remover and do a quick sweep of your nails. This dehydrates the nail, removing any excess oil or dust from filing, to ensure your polish will really stick!
  • Always apply a base coat. Not only does this protect your nails, but prevents polish from staining them too. Essie do a really good base coat range. Try Essie’s All-In-One Base Coat (£8.99, boots.com).
  • Stick to the ‘three stroke’ rule. Wipe excess nail polish from the brush on the rim of the bottleneck before applying lacquer with three simple strokes: once down the nail centre, followed by once either side.

 [mm-hide-text]%%IMG_ORIGINAL%%6645%%[/mm-hide-text]

image:vogue uk

3. Finish

  • Use a Q-tip dipped in nail polish remover to clean up any imperfections.
  • Wait five minutes after painting before applying Seche Vite Fast Dry Top Coat (£10.95, asos.com).
  • Post-manicure – when polish has completely dried – add a dab of cuticle oil around the nail base: this will hydrate your cuticles and with long-term use improve the strength of your nails too. The cult classic CND Solar Oil is a must (£11.95, cultbeauty.co.uk). Draw a half-moon around the nail base, leave for a few minutes, and then rub it in using your fingers.

[mm-hide-text]%%IMG_ORIGINAL%%6646%%[/mm-hide-text]

image: healthfiend.com

Free Music of 2012

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Do you like free stuff? Do you like music? Well more and more great music is available for free on the internet (legally – tut tut you). Anyone familiar with music blogs will be able to tell you that the internet is awash with free remixes and DJ sets of every genre and sub-genre imaginable. But even more excitingly, there are a lot of free albums out there too. Now classifiable as big name acts, A$AP Rocky and the Weeknd made two of 2011’s best releases with their free albums, and in 2012 this trend showed no signs of stopping. For cash-strapped music fans, this is extremely welcome. So cast your eye over this selection of 2012’s finest musical freebies.

(Disclaimer: free stuff is definitely more common in hip-hop, R&B and electronic music, so if you’re still desperately waiting for the next Arctic Monkeys album to come along, this might not be for you)

 

Action Bronson with Party Supplies – Blue Chips

Action Bronson is not your typical rapper. Mind you, there aren’t that many typical rappers around anymore. But still it’s fair to say being a very overweight, heavily bearded, former gourmet chef of Albanian descent is enough to put him securely in the ‘not typical’ camp. I’m not exactly sure why Bronson gave up the chef gig, because he is obsessed with all things culinary. I mean properly obsessed, often instagramming photos that wouldn’t look out of place in the Observer Food Monthly.
On Blue Chips Action Bronson displays his killer Wu-Tang-esque lyrical style, frequently referencing his passion for gastronomy over the top of soulful sample based beats provided by Party Supplies. ‘Quattro fromage/Big plate look like a lobster collage/I’m on the art and the food scene/Fuck rap, laying back, eating poutine.’ Blue Chips is a delicious treat that no hip-hop fan should be without.

Download it here

 

Jeremih – Late Nights

I know what you’re thinking, the ‘Birthday Sex’ guy, really? Well yes actually. Admittedly the lyrical themes haven’t changed much, Late Nights ain’t about those Haribo-fuelled essay crises, if y’know what I mean. But then subtlety is not Jeremih’s strong point, with the pornographic video for ‘Go To The Mo’ being a clear case in point. Currently Jeremih is in something of a competitive environment, with forward looking R&B/pop being in no short supply. But with Late Nights, Jeremih is able to stand out through his combination of great pop songwriting, sexual subject matter, and interesting, modern production. A good example of this is the sparse down-tempo beat on ‘Fuck U All The Time’ which is built around mellow keys, hard hitting bass, and manipulated vocal samples, giving it an almost James Blake-esque sound. Forget the ‘mixtape’ trappings, Late Nights is a highly polished album, packed full of catchy and well produced R&B.

Download it here

 

Jackmaster – Tweak-A-Holic Mixes

Jackmaster describes his Tweak-A-Holic Mixes as “the soundtrack to your girlfriend’s next house party” and I’m not sure I can top that to be honest. Jackmaster seamlessly mixes together 80s pop, soulful R&B, grooving disco and slap bass funk to create an absolutely unstoppable body moving, booty shaking, toe tapping force. If you can’t get down and boogie to these mixes, you are officially dead. Expect to hear the likes of Madonna, Luther Vandross, Tina Turner, Prince, oh and a little bit of Phil Collins too. Trust me, just whack the Tweak-A-Holic Mixes on at your next pre-drinks/house party, and you will avoid all those arguments over who has control of Spotify.

Download them here 

 

Death Grips – NO LOVE DEEP WEB

Death Grips are not for the faint hearted. The experimental rap-rave-rock band makes music that is aggressive, abrasive and practically abusive to your ears. The artwork for NO LOVE DEEP WEB is a photo of an erect penis with the title written on it in marker pen. They gave their label the middle finger by releasing the album without their permission, initiating a hard fought legal dispute. So to sum up, Death Grips just generally don’t give a fuck about much. Nihilistic and transgressive lyrics are shouted psychotically over the top of dense electronic beats, which in their crescendo become a sheer wall of pounding bass, coarse synths and furious drumming. The end result is an inescapable atmosphere of paranoia and alienation. NO LOVE DEEP WEB is disorientating and intense and unrelenting but those are the things that make it so damn thrilling to listen to.

(the label seems to have taken down the initial download so your best bet is to just Google it)

 

Joey Bada$$ – 1999

17-year-old Brooklyn born rapper Joey Bada$$ must have hip-hop in his blood. On 1999, Joey revitalises and pays tribute to a classic style of hip-hop which he clearly loves. The production of the beats is excellent, with crisp drums and dusty samples coming together to create a distinctly old school sound.  It is this sound combined with Joey’s great lyrical talent which invites comparisons with fellow Brooklyn greats Nas, Jay-Z, and Biggie Smalls.  There are also some smooth jazzy elements to several tracks, reminiscent of NY rap group A Tribe Called Quest, something that only adds to the classic East Coast rap vibe. Just in case that’s not enticing enough for you, there are also a handful of beats from esteemed producers J Dilla and MF Doom as well. 1999 is a commanding debut and well worth checking out, expect to hear the name Joey Bada$$ a lot more in the future.

Download it here

 

Flying Lotus – Lovers Melt mix 3

Flying Lotus introduces the third instalment in his Lovers Melt series of mixes as “Another mix for your summer – some things you know -some things you may not –love”. On it FlyLo displays the same mind blowing eclecticism that is evident in his own music, a trippy melting pot of electronica, hip-hop, and jazz. The mixes take you through smooth soul jams to heavy dub reggae as well some fuzzed out psychrock. Turn it up and blast away those Hilary winter blues.

Download it here

 

Cassie – The Cassie Trilogy

Cassie is perhaps the biggest pop star you haven’t heard of. Her self-titled debut was released 7 years ago and there has been no follow up record since. However she has a dedicated fanbase, her most popular video on YouTube has over 15 million views, and she has received heaps of critical praise. The Cassie Trilogy is a neat compilation of unreleased Cassie gems, deliberately copying the format and design of The Weeknd’s own trilogy.  In terms of quantity of music The Cassie Trilogy is a bountiful offering, containing 66 songs in total. And it’s definitely not just quantity that is on offer,  there are some absolutely top notch tunes in here, from ‘Don’t Go Too Slow’ a catchy yet stripped down slow jam, to ‘Activate’, a driving piece of sexy electro-pop. Download this now, become an authority on her back catalogue and you will have a load of music cred when Cassie becomes the next Rihanna, because it’s only really a matter of time.

Download it here  

 

Ryan Hemsworth – Fact Mix 32

Ryan Hemsworth is an up and coming producer, riding the current wave of creative cross over between electronic music, hip-hop and R&B. Hemsworth stays clear of many of the clichés at the more aggressive end of the spectrum, instead blending beautifully lush and ethereal synths with vocals from hip-hop eccentrics such as Danny Brown and Lil B. His remixes are exceptional, with his takes on R&B tracks ‘Thinkin Bout You’ by Frank Ocean, ‘Boss’ by Tinashe and ‘773 Love’ by Jeremih all particularly stunning. Ryan Hemsworth has created something truly original, proving just how easily genres can be melted into one another in the Internet age of 2k12.

Download it here.

Review: Burial – Truant/Rough Sleeper

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★★☆☆☆
Two Stars

Ambient music is a bit difficult to review. It’s very difficult to listen to two soundscapes and say that one is fundamentally better than the other.

Many thanks to Burial, then, for providing me with the easiest EP of ambient music to review. It has two tracks, one of which is fundamentally and noticeably better than the other.

Truant is a dream. It sounds like the Bill Murray from Lost in Translation and the Robert Pattinson from Cosmopolis driving around in a movie directed by Nicolas Winding Refn, silently staring out the windows of their vehicles and just watching the neon lights stream past.

It feels like a journey, but not a particular journey, as if the music just fancies having a wander. The voices that interfere are fuzzy and indistinct, merely shapes on the windscreen. It’s involving stuff, and there are sections with real punch which appear from nowhere as required.

Rough Sleeper, on the other hand, is alternately listless and uninspired. It sounds less like a neo-noir drive through LA and more like a long, slow trip down a plughole in a club in Dundee. The muffled pump of something which can only be approximated as “beats”, under an ostentatious and uncharacteristic organ part and the cheesiest sax solo since the ’80s, conspire to render this disjointed, dispiriting mess almost unlistenable.

Whereas Truant was almost jubilant in its bleakness, Rough Sleeper merely feels defeatist. It may be named after insomnia, but it doesn’t need to feel like it too. Before this effort, Burial hadn’t released anything since 2007’s Untrue. It shows. The scene has moved on without him, and the new reality calls for intelligent, experimental music, not this. Listen to The Caretaker instead.

What’s new in 2013?

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There are some big questions to answer about music in 2013: will we finally uncover the saviour of British rock music? Will hype be lived up to? Will Liam Gallagher stop being such a moody bastard? Obviously one of these has a blindingly obvious answer, but the other two bear thinking about. With some exciting debut albums, 2013 has the potential to be a great year for music.

Palma Violets are one of the most exciting new bands around, and with their debut album out on 25th February as well as a tour of the US and a slot supporting Django Django, they are definitely a band to keep an eye on. Their acclaimed single ‘Best of Friends’ is unquestionably the first step on their holy quest to purge rock in fire and build it anew from the ashes in their own image. Also supporting Django Django are psychedelic happiness-mongers Peace, who will surely spend the year shaking up the world of music along with their Birmingham buddies, the irrepressible dream pop quartet, Swim Deep.

Four-piece alternative band Bastille is another band that is impossible to ignore. Their Other People’s Heartache mix tape series has delighted fans everywhere, and the end of their wildly successful winter 2012 tour was only a precursor to the Bad Blood tour, which will consist of a whopping 16 dates all over the UK (including a visit to Oxford’s O2 Academy on 22nd March).

Their frequently postponed debut album is now set to drop on 4th March, and given Dan Smith’s reputation as a perfectionist and the high quality of everything the band has released so far, we don’t think we’re going too far when we say it’s going to be the best sound made in human history. OK, maybe that’s a slight exaggeration, but it’ll definitely be debut of the year material.

The hype surrounding Haim, three sisters who have been described as Timbaland-meets-Fleetwood-Mac, refuses to go away, and with good reason. Their debut will be released in early 2013, and if it’s anywhere near as good as their wonderful Forever EP and the forceful and brilliant single ‘Don’t Save Me’ suggest that it will be, Haim will have made an indelible mark on the face of indie pop.

With all the great new stuff around, it would be easy to forget those whom we’ve already appreciated, but 2013 will also see a wide variety of beloved artists releasing again. Oh, and I think some band called The Stone Roses have re-formed or something…

Postgraduate funding crisis worsens

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BRITISH UNIVERSITIES have recently raised concerns about the lack of funding for postgraduate degrees. Just as undergraduate students have had to face rises in the cost of their degrees, postgraduate fees have also risen by 11% this year.

The Vice-Chancellor of Southampton University, Professor Don Nutbeam, argued, “The changes to the funding of undergraduate education and the subsequent rise in undergraduate fees in England will inevitably lead to a rise in postgraduate fees.”

Universities such as Cardiff, Queen Mary and Exeter have spoken out about the issue, worried that increases in fees and a fall in the number of research grants and scholarships will mean fewer students will consider postgraduate study in the future. From 2010- 2011 the number of postgraduate students fell by 8,000.

Oxford University advises students to expect postgraduate degree fees to go up every year. However, scholarships are often available, with 62 per cent of graduate research students and 17 per cent of students on taught master’s degrees receiving full scholarship funding.

A spokesperson for the University told Cherwell, “Oxford University believes strongly that better provision for postgraduate funding is necessary to attract the best postgraduate students regardless of personal means – lack of funding is a barrier to widening access and puts the UK at a competitive disadvantage compared to many of our international peers.”

OUSU is also concerned about access to postgraduate funding. Chris Gray, OUSU Graduate Officer told Cherwell, “The ongoing crisis in access to postgraduate education in the UK is preventing a large number of potential students, including some of the brightest candidates, from enrolling.

“This problem needs a national solution as a further degree provides a huge career ad­vantage for those who are wealthy enough to purchase one.

“This inequality will only intensify when those British students now paying £9,000 come to finish their undergraduate degrees, and are unwilling to burden themselves with even more debt.

“We all know people who have been unable to afford to continue their education due to high fees and the lack of funding. OUSU has been campaigning for years for increased postgraduate funding in Oxford, and last term the University responded with a new £100m campaign.”

The £100m campaign was an­nounced at the annual oration to the University in October by the Vice-Chancellor, Professor Hamilton. The money raised will go towards improving funding for postgraduate degrees.

The Vice-Chancellor focused on the issue of access to postgraduate study during his oration. He stated, “The health of the UK’s research base depends critically on the supply of talented graduates.

“Research students in particular are the engine of groundbreaking experimentation, and just as they are drawn to working here with leading academics, so too are we able to re­cruit the best academics because of the quality of Oxford’s research stu­dents.”

He also cautioned about the effect of declining graduate study, com­menting, “In addition, and no less valuably, they enhance the intellec­tual life of the collegiate University, and they provide a considerable pro­portion of the next generation of aca­demic leadership both in the UK and internationally.”

Professor Nutbeam also expressed concern for the future. He claimed that without addressing the issues concerning postgraduate funding, “we will not meet the evolving future needs of our advanced economy.”

Oxford students have expressed concern about the issues surround­ing postgraduate funding. Eve Worth, a graduate student at Brasenose, told Cherwell, “My parents can’t help me with money so this is a big issue for me. I think it is especially a big prob­lem in the humanities. It is much harder to get funded for a master’s in humanities than a PhD, and it is much harder to get funded for any­thing in humanities than social sci­ences or science: I have not met a sin­gle humanities master’s student with funding at Oxford.”

She continued, “I am thinking of going to Australia or America to do my PhD because of the funding is­sues – and I am not the only first-class honours graduate I know consider­ing this option. The UK is losing good students because of this funding de­bacle.”

Balliol student Rosanna Holds­worth also commented, “I’m think­ing about postgraduate study. I’m waiting to see if the funding situa­tion improves but it could be an issue for me in the future.”

Currently 50 per cent of all mas­ter’s degrees in the UK are undertak­en by overseas students, who often pay considerably more than home students.

Griffin protest outside Oxford Union

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OVER 50 PROTESTERS turned out against BNP chairman and MEP Nick Griffin last night. An invitation to Mr Griffin to speak at the Union debate was rescinded on Monday, but Mr Grif­fin later tweeted, “If I get back from parliament I’ll go anyway. As a life member of the Cam­bridge Union I have reciprocal membership.”

Union officials confirmed that they would not have acted to keep Mr Griffin out, had he come to Thursday’s debate. However, Griffin did not come, claiming on Twitter, “Unfortu­nately delay from freezing fog in central France means I’m too late to drop in on the debate. An­other time maybe ;)”

The Oxford branch of Unite Against Fascism (UAF) organised the protest, chanting “Oxford Union hear us shout, homophobes and fascists out.” Various groups were present, with one campaigner claiming that students from Ox­ford, Oxford Brookes and Ruskin College were there, as well as trade unionists and townspeo­ple.

Mr Griffin was originally invited to speak in opposition to the motion ‘This House Would be Glad to Have Gay Parents’, although Union officials claim that the invitation was sent by a rogue member of Secretary’s Committee, now facing “disciplinary action”, without approval from “the President or any other senior mem­ber of the Union committee.”

A press release from the Union also stated: “The Oxford Union does not wish to be associ­ated with the BNP in any way whatsoever. We strongly disagree with their views.”

Ian McKendrick, Secretary of Oxford UAF, said, “We were told that Nick Griffin had been invited, so we stepped up to the mark. We’re against any platform for fascists; it only incites people who support them to come out onto the streets, which is very dangerous. We’re not pre­pared to dick around, so we thought it would be better to err on the side of caution and have some kind of presence to challenge him.” He claimed that if Griffin were to turn up, “We’ll try to physically prevent him from entering.”

Of Griffin’s previous appearance at the Union in 2007, McKendrick said, “I think they learnt last time round how strongly people felt about this. It was 1500 people here; you couldn’t move. It was a massive turnout.”

Nick Evans, a PhD student at Wadham, ac­cused Griffin of “hurling homophobic hate speech”. He said, “When a fascist gets up on a platform, it’s not just a question of free speech; it’s a question of the fact that their organisa­tion will use that platform to encourage vio­lence against LGBT, minorities, and trade un­ionists.”

Sam Hollick, Green councillor for Holywell ward, said, “I’m not protesting against free­dom of speech. I think Nick Griffin has plenty of opportunities himself to publicise his own views. It is wrong for the Oxford Union to try and give a platform to someone who has such a fringe and offensive view.”

The Union was forced to draft in two replace­ment speakers after Scott Lively, controversial­ly linked to the anti-gay movement in Uganda, and Winston McKenzie, the UKIP spokesperson who described same-sex adoption as “child abuse”, pulled out of Thursday’s debate at the last minute.

An IMPressive Show

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In the sweaty, overcrowded, but buzzing upstairs of the Wheatsheaf pub, seven people have just come bounding on to the stage in black attire, jumping around to ‘Let’s Get It Started In Here’. It could only mean one thing, that’s right, it’s Monday night, 8pm, and Oxford’s acclaimed improvised comedy troupe, The Oxford Imps, have come to provide an expectant crowd with two hours of laughs. This is no mean feat by anyone’s standards, but considering past achievements include selling out at the Edinburgh Fringe Festival, it’s no surprise that the audience laughed the whole two hours.

A lot of people in Oxford think they are funny, and some are, but more often than not jokes, sorry, banter, will tend to veer towards gags which only speakers fluent in the wondrous Oxford tongue will understand. Whilst much hilarity can indeed be found in Oxfordy in-jokes, an over indulgence in them can make the already tight Oxford bubble into something of a social noose back home. The Imps therefore choose to stay away from the “Blues humour” which can be as limiting as it is grating. Limited is not a word that could ever be attributed to a troupe which opens its arms wide to the audience for suggestions to guide the subject of each new scene.   

After the show, the general response of the audience was, as one first year Maths student put it, that the Imps are “pretty awesome”. However, amongst those new to the Imps, there was also a sense of disbelief that they come up with it all on the spot. Well, having sat in on one of their rehearsals I can confirm that their legitimacy. Unlike some of the stand-up that can be seen around Oxford, or indeed on TV panel shows, the Imps’ funny factor is anchored in them working as a cohesive group, playing off each other rather than trying to play each other, or the audience, down. The night I saw them, one of the best scenes began life as the suggestion of “Russian sheds” from the audience, featuring a brilliant moment where two performers playing a pair of Russians discovered Homebase for the first time. Perhaps you had to be there. But that is the beauty of the Imps; when you pay your £3.50 at the door you know that you be will sitting down, or perhaps standing –it really does get packed – for some comedy that has never been seen or will ever be seen again. You couldn’t write it, and they didn’t.

Pakistan Society criticised for Galloway talk

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GEORGE GALLOWAY faced a small protest by the Oxford Feminist Network when he arrived last Friday to give a talk to the Oxford University Pakistan Society.

The talk, which focused on the Arab Spring, was entitled “The Middle East in Turmoil: Causes and Consequences”. It was held at St Antony’s College and approximately 40 people attended.

OFN protested at the pedestrian entrance to St Antony’s on Winchester Road, whereas Galloway entered the college through the vehicular entrance on Bevington Road. The protest was sparked by Galloway’s controversial comments over the summer, in which he said Julian Assange would at most be guilty of “bad sexual etiquette” rather than rape, since the two women involved were “already in the sex game”.

A spokesperson for the OFN said, “Responses from passers-by and those going into the talk ranged from ambivalence to support,” They continued. “Faced by direct, polite questioning about his ability to differentiate consent and rape and asking him to define ‘the sex game’, Galloway hid under his hat and refused even to acknowledge our presence.”

Galloway’s Chief of Staff, Rob Hoveman, denied that this was the case, “There was no questioning of George by the Oxford Feminist Network because he had no contact with them.” Hoveman also denied that there were as many as half a dozen protesters, claiming, “There were two, and then, I think, a third woman by an entrance of St Antony’s that George didn’t enter by. It’s not quite what I would call a picket.”

The University Pakistan Society had planned to hold a conference, with Mirwaiz Umer Farooq, a Kashmiri political leader, as their keynote speaker. However, there were delays in granting him a visa, so the conference was cancelled and the decision was made to replace it with an address by George Galloway. Galloway spoke about Tunisia and the election of an Islamist party there, Egypt, and the question of Syria in the context of a history of Western imperialism.

Hoveman claimed, “The meeting was very successful and lasted for an hour and a half. Everyone who was there enjoyed it; that was the impression from the applause. The talk finished at 12.30pm but numerous people wanted to continue the discussion informally afterwards.”

Questions were only allowed on the subject of the Middle East. President of OU Pakistan Society Rinchan Mirza confirmed, “Galloway was only here to talk about the Middle East. We briefed him beforehand, and I would moderate any questions on any other topics,” Nevertheless, Hoveman said, “George made it clear to the organisers of the meeting that he was willing to answer questions on any topic from anybody.”

The address was open to everybody. OFN did not attend the talk itself but nevertheless voiced their support for the topic of the Pakistani Society’s talk. The same OFN spokesperson stated, “With the upcoming protest about Assange’s video link speech at the Union, OFN is clear that there is never an excuse for propagating rape myths.

Galloway’s claims that consent is not needed for every sex act is not only dangerous but plain wrong. We would encourage Mr Galloway to make clear that he was wrong, that he does understand the law on consent, and that he is truly sorry for his previous comments.”

Hoveman said of Galloway’s controversial remarks: “The Oxford Feminist Network seemed to be chanting ‘no means no’, which George fully agrees with. He has responded to misunderstandings about his comments on Julian Assange ad nauseam over the past few months.”

Because of Galloway’s comments regarding Julian Assange, the National Union of Students recently banned George Galloway from NUS events and affiliated student unions, such as OUSU. However, the ban does not have to be heeded by individual university societies, since they are not individually affiliated with the NUS.

Galloway has frequently courted controversy over his political career, initially as a member of the Labour Party, but now as member of Respect. He is currently MP for Bradford West, a seat he won in a 2012 by-election.

Nailing it: the DIY mini-manicure

0

[mm-hide-text]%%IMG%%6644%%[/mm-hide-text]

image: Vogue.uk

1. File

  • Instead of sawing at your nails, file in a single direction. Start at the side of the nail and move towards the centre in long, smooth motions.
  • Never file your nails when they’re wet. This is when they’re at their softest and prone to breakage. Similarly, avoid metal nail files: they’re often too harsh and can damage nails. Opt instead for a glass file, or a basic soft emery board. Boots Salon Smooth Nail Files do the trick perfectly (£1.25 for two, boots.com).

 [mm-hide-text]%%IMG_ORIGINAL%%6643%%[/mm-hide-text]

image:lcbnaillacquer.com

2. Paint

  • Before applying any polish, soak a cotton pad in nail polish remover and do a quick sweep of your nails. This dehydrates the nail, removing any excess oil or dust from filing, to ensure your polish will really stick!
  • Always apply a base coat. Not only does this protect your nails, but prevents polish from staining them too. Essie do a really good base coat range. Try Essie’s All-In-One Base Coat (£8.99, boots.com).
  • Stick to the ‘three stroke’ rule. Wipe excess nail polish from the brush on the rim of the bottleneck before applying lacquer with three simple strokes: once down the nail centre, followed by once either side.

 [mm-hide-text]%%IMG_ORIGINAL%%6645%%[/mm-hide-text]

image:vogue uk

3. Finish

  • Use a Q-tip dipped in nail polish remover to clean up any imperfections.
  • Wait five minutes after painting before applying Seche Vite Fast Dry Top Coat (£10.95, asos.com).
  • Post-manicure – when polish has completely dried – add a dab of cuticle oil around the nail base: this will hydrate your cuticles and with long-term use improve the strength of your nails too. The cult classic CND Solar Oil is a must (£11.95, cultbeauty.co.uk). Draw a half-moon around the nail base, leave for a few minutes, and then rub it in using your fingers.

[mm-hide-text]%%IMG_ORIGINAL%%6646%%[/mm-hide-text]

image: healthfiend.com

 

Geo-tagged tweets map where football fans live

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RESEARCHERS AT the Oxford Internet Institute have been exploring what geotagged tweets can reveal about the offline world. The research has led them to create a Twitter map to try and un­derstand the link between the club football fans support and the places where they live.

The data included all geocoded tweets men­tioning any of the Premier League football teams and their associated hashtags, (for exam­ple #MUFC) that were sent between 18th August and 19th December 2012. The tweets were then matched to postal codes in order to map a fairly detailed geography of results.

The data shows that contrary to popular be­lief Manchester City is not the “real” local team and that Mancunians support both the city team and Manchester United. Only a few parts of Greater Manchester showed significantly more tweets mentioning Manchester City over their local rivals.

The team at the Oxford Institute for Internet were also able to map the Merseyside rivalry be­tween Liverpool and Everton. The twitter map shows that while Liverpool is slightly more pop­ular in the postcode that is home to both team’s stadiums, there is no clear divide in the rest of the region.

Examining the map in more detail, and look­ing at specific postcodes, the researchers were able to see which teams are most mentioned there. Interestingly, Oxford academics men­tioned Manchester City more than any other team.

On the Oxford Internet Institute website the team of researchers commented, “There is no doubt that using Tweets as a proxy for fandom is messy and not always reliable. But, the data does give us a rough sense of who is interested in – or at least talking about – what, and where they are doing it from.” The authors added, “It allows to begin to counter myths, for example that Mancunians don’t support Manchester United, develop new insights about places that we don’t necessarily have good data about, and most importantly, have some guesses as to which team the Queen might support.”

Previously the research has focused on geo-located tweets about floods and earthquakes. They also tracked racist comments during Oba­ma’s election in order to see what mapping the data would reveal. Whilst the researchers were measuring tweets rather than people, it was es­tablished that there are some fairly strong clus­tering of hate tweets centred in southeastern US states. These states had a much higher rate than the national average.

In an article for the Guardian’s Data Blog, the authors of the research concluded, “the unfor­tunate fact is that most states are not immune from this kind of activity. Racist behaviour, par­ticularly directed at African Americans in the US, is all too easy to find both offline and in in­formation space.”

One of the researchers, Dr Mark Graham com­mented, “This method could be used for much wider purposes: possibly, in times of crisis we could see what was being said on the social me­dia site about hurricanes or riots to see what was actually happening ‘offline’ in certain areas of the country. This is exploratory work into the digital shadows we create, and the full poten­tial of its applications has yet to be realised.”