Monday, May 5, 2025
Blog Page 1568

Modern Golden Opulence

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MODEL HANNAH NICHOLSON    

FASHION AND PHOTOGRAPHS AGATA WIELONDEK

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Leveson’s Lieutenant

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Walking into Robert Jay’s office gives the feeling, at first, of taking a step back in time: the rows of dusty law literature lining the shelves and the classical music emanating from some corner of the room set the scene suitably. This image, however, quickly disappears when I realise that the musical vehicle is, in fact, an iPad (a new app I’m told); and perched quaintly on top of the central fireplace is a cardboard cut-out mask of none other than Rupert Murdoch. Well, at least he has a sense of humour.

Inevitably, the interview starts by diving head first into the events that propelled Jay into the limelight – the Leveson inquiry. On balance, Jay’s reputation received a pretty good ride: he was hailed for his calm patience and extraordinary use of vocabulary (remember “propinquity” and “bailiwick” to name but a few), and came out the other side with an enhanced and largely positive public profile, which is more than can be said for the string of politicians, media moguls and celebrities sitting on the receiving end of Jay’s questioning.

Scrutinising the likes of Cameron and Murdoch must have been a pretty daunting task, I suggest. Not for Robert Jay. “We had a pretty good idea from the beginning who we might be calling to give evidence. That was determined quite a long time in advance.” Not even a hint of nerves, I probe, considering the high profile nature of the inquiry? No chance. “The big difference between anything I’d done before was the omnipresent television camera; that took time adapting to. The subject matter was a million times more interesting to the public, in every sense of the term, than [what I’d done in the past].”

With his yellow-rimmed glasses, eye-catching ties and video evidence of Jay mouthing, “this is such fun!” to one of his colleagues, is it fair to say that he revelled in the limelight; that he was encouraged by the high profile nature of the case? “I’m glad I did it, yes. But if I had known from the outset the amount of public interest it was to have, I think I would have hesitated a little bit more before throwing my hat in the ring. I wouldn’t say I’m a shy person, but quite discrete.” Not by some people’s standards, it would seem; there were accusations over the summer of headline-grabbing fantasy allegations that he was purportedly dishing out – particularly in relation to his opening submission for the political module. In Jay’s view, however, he was simply marking out his territory. “We’d heard from Rupert Murdoch by then and I felt that it was necessary to demonstrate that the inquiry was wide awake to all the possibilities, if I could put it in those terms.”

Remaining on that subject of attention-seeking, I pluck up the courage to query the origins of those yellow-rimmed specs. “My wife chose those – I’m still wearing them. I do as I’m told, on all matters stylistic.” And just in case any fashion-conscious young men were wondering, “all my ties come from the same fashion house in Italy – Missoni – my wife buys them, although I decide what matches.” Murdoch and co may well benefit with a little advice from Mrs Jay on how to keep Mr Jay on the straight and narrow.

After hours and hours of questioning, Jay must have a pretty good insight into the real personalities behind all these profiles. Did his views change as a result of the inquiry? “Well, yes. I think it’s fair to say that we all start off with an idea of a political figure, but you’d have to be fast asleep or not interested in coming to bed at all not to have an opinion about it.” But any further insight into what his opinions may be is masked by the autopilot switch back to legal objectiveness, “I think as one’s knowledge improves, as it did considerably, the opinion deepens. Exactly how my opinions have changed, however, would tell you what precisely I think of them.”

Despite a high public profile, the inquiry has had its fair share of critics. The Education Secretary, Michael Gove, claimed that the Leveson inquiry created a “chilling atmosphere” towards freedom of expression. Again, at this point, Jay’s legal instincts kick back into play before his real feelings can be expressed, “all I can say is that he’s entitled to that opinion. What I would say is that he would have to provide hard evidence on that. I would invite people to consider, in accepting that view, whether there really is hard evidence.” Jay is a frustrating interviewee; there are some undoubtedly strong opinions lingering just below the surface, but, like every good lawyer should be, he has withdrawn his emotions from the case, or if he hasn’t, he is at least very good at hiding them.

We round off the interview discussing the many obstacles facing students today who are attempting to pursue a career in law. “Unfortunately the bar now is extremely competitive, more than it was when I started.” He’s quick to add, however, that it was pretty difficult in his day too, lest we ever thought otherwise. “Ultimately today you need a first class honours degree from a top university, which is extremely tough. Or it’s having particular gifts of personality and charisma which most people don’t have, it has to be said.” And as for the allure of the Magic Circle and city solicitor’s firms? “The bar in my opinion is a far more interesting and fulfilling life than becoming a solicitor, which is fairly dull and of little public benefit.” Touché.

Three’s not a crowd

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The morning after I visited his Newbury home, Ian Mucklejohn was making sure his children were ready for their first day back at school. Some couples choose not to have one child on the basis that it is too much hard work; Ian has raised three boys by himself for 12 years.

Having been a carer his whole life – when he was eight, his father was involved in an accident that left him with dementia – it seemed only natural that Ian would want to have children of his own. However, in between caring duties and running his business ‘Vacational Studies’, starting a family had to be put on hold. When he got to the stage where he felt he was ready, Ian was missing one vital component – a partner. Vital, however, it was not. He explains, “I didn’t want to assess dates as potential mothers. That seemed wrong, so I found another way.”

British law is not conducive to the concept of surrogate mothers (they are able to claim custody of the baby they are carrying), so Ian turned to the US. Once the genetic mother was picked, four of her eggs were implanted in the chosen surrogate. Doctors warned Ian that the process is a tricky one and often doesn’t work. Lo and behold, a whopping three of the eggs took and Ian was informed that Tina, the surrogate, was “very pregnant”. After initial amused confusion over what on earth ‘very pregnant’ could mean, the truth dawned and Ian never looked back. After an inevitably difficult multiple birth, Ian Mucklejohn became the proud father of triplet boys – Piers, Ian and Lars. “Beginner’s luck,” he laughs.

When asked if he felt the screening process had been any stricter because he was a man, surprisingly he answered in the negative (with the exception of getting the boys British citizenship). It’s a shame this didn’t last.

Upon arrival back into the country, it soon became clear that Ian would not be able to bring up his children quietly as he had hoped to. Someone – “to this day I don’t know who” – had thought it wise to alert the Daily Mail to the situation. In typical form, they hounded the new father and initiated what became a wider attack on the concept of purposeful single parenthood, and in particular that of a father. Interest in the story grew; audience-participation phone lines asked questions that amounted to (as Mucklejohn put it) “should my children even be allowed to exist?”, and the BBC’s own Anne Atkins asked Ian to his face if he believed his lifestyle choice made the children ‘disabled’.

I asked if he felt less antagonised nowadays and he explained thankfully, “I don’t get [media hostility] anymore. They’ve seen that I’ve done it – the good job that I’ve done in raising the children is palpable so they have nothing to say anymore.”

One area when talking about surrogacy and egg or sperm donation that tends to elicit intrigue is whether or not the children should meet their biological parent. Ian, having chosen to be completely honest with his children from the get-go, decided that a meeting would be a good idea. From what Ian tells me of that meeting and others since, he has been fortunate enough to avoid a potential tricky situation.

Before choosing a mother for his child(ren), Ian was told to pick carefully, looking not only at desirable physical features but to consider their reasons for donation. Melissa, the donor he chose, saw the process as simply passing on perfectly good genetic information without having to go through the usual steps of having and raising children herself – a lifestyle which she was not interested in herself.

When she eventually met the triplets, however, no one could be certain that maternal feelings wouldn’t emerge and make the situation heart-wrenchingly difficult. Fortunately, no drama occurred. Ian recounts, “I introduced them, it was fine and then they talked about football. After we’d met, Melissa asked if I wanted to keep in touch. I said ‘if that’s alright with you’ and she said it was – if ever we visited America we should drop by, and whenever she was in Europe she would.” As their father has always been open with them about their upbringing, the boys are remarkably unfazed by the situation. They do ask about their mother occasionally and Ian answers with the truth. “Does our mother love us?” “She doesn’t know you – but if she did, she definitely would.”  

In the absence of a mother figure Ian fulfils both traditional functions: “I’m caring – I give them cuddles, which they still want unlike many boys their age, but I also fill the role of disciplinarian.” He recounts a time when one of the boys’ friends held his hand to feel affection because he hardly ever got to see his own parents. This to me highlights the hypocrisy of arguments against alternative family set-ups: for every unusual lifestyle that results in a difficult childhood, there are so many nuclear arrangements that are, to say the least, far from perfect.

The boys themselves are fantastic. Possibly because of Ian’s directness in answering, they are highly inquisitive and unafraid to speak their minds. Polite, intelligent and young-looking for their age (they definitely still fall under the ‘cute kids’ umbrella), they don’t want to go back to school, but for very different reasons. Piers likes to choose what he learns about and in his own way – he is probably the only person I’ve ever heard to get into a religious conversation and learn about another’s culture from someone thousands of miles away via the medium of the games console headset. Ian Junior doesn’t like the strictness and having to sit down all day – he’d rather be looking for wild animals. Lars knows that he is very lucky to be where he is and to be doing what he is doing, but finds the whole school experience spoiled by the fact that the others in his class do not share his appreciation and take their position for granted.

This highlights the fact that, although the three have been brought up together and in the same way, their personalities have developed in distinct directions.

Regarding their relationships with each other, Ian can find the boys’ internal rivalries trying. The bottom line is that they all compete for daddy’s affections. Every question is a messily-hidden way of asking “who’s your favourite?” Two of the boys bought Ian chocolate for Christmas, and immediately needed to know whether he preferred the Lindt or the Ferrero Rocher. This has led to Ian’s resolution never to compare. Anything. The children, with their bent for competition, love the CBBC programme The Slammer; Ian finds the concept of comparing a mime to a juggler and deciding who should win frankly absurd, on the grounds that “they’re just different; they both have different good and bad points.”

However, the strain of having only one parent became very apparent when Ian was diagnosed with skin cancer. For the first time thinking about what would happen to the boys without him became a reality. A friend offered herself as guardian should the worst happen, potential arrangements were made, and Ian’s mind was more at ease. Fortunately his brush with the disease is now seemingly over. All through the procedure, he told the boys the truth, albeit in diluted form, as he seems to with every area of life which they ask about.

Ian’s experiences have compelled him to share these messages with others. After writing a book about his initial experiences of the hectic blur that was bringing up three infants, purely because he found it interesting, he decided to have it published to convey his side of the story after the furore caused by conservative tabloids. And Then There Were Three became the first of what Ian expects to be several books. The second, A Dad For All Seasons, has been very recently published and is full of anecdotes and quotes that put the Outnumbered kids to shame. “Sometimes we’ll be having a conversation and one of the boys says something so funny that I have to start writing it down,” Ian tells me. “The boys know what I’m doing now and start asking, ‘is that going to be in the book?’” In the future, Ian hopes to continue writing. A collaboration with Esther Rantzen on abuse is in the pipeline, and he is tempted by a foray into fiction; however, with golden material at his dinner table every day, the boys provide plenty to write about for now.

Admittedly this successful scenario cost a huge amount of money to bring to fruition, money that Ian is not short of. He proudly shows me the 1959 Cadillac he has on display in one of the sitting rooms of his phenomenally gorgeous house. Whilst admiring the car, I look up to see two iconic Roy Liechtenstein pictures; he points to the clearly handwritten signatures in the bottom corners. It is true that having a child in the way Ian chose is highly exclusive (he estimated to the press at the time that the process cost £50,000) but this should in no way cast a shadow on the Mucklejohn family, as some have tried to do. If anything, Ian’s case (and that of men with similar stories) should be a stepping stone towards making alternative procedures to start a family more accessible to those on more modest salaries.

Ultimately, I was delighted to have the opportunity to conduct this interview as I hoped it would show that non-nuclear family set-ups have the same results as ‘typical’ ones. The Mucklejohns did not disappoint. Piers, Ian and Lars are bright and happy young children who have a father who has given them so much time, love and affection. It puts most other families to shame.

Ian is sure that many men will have been put off having children by themselves because of how he was initially treated by the media, men who were more prepared to commit to fatherhood than the many ‘regular’ parents who may have only had their kids by accident. This is a travesty. We should embrace the different ways of becoming a parent and encourage those who want to have children to do so. The common theme binding the successful raising of families is not a mummy and daddy, but something far more abstract. As Ian himself said, “the Beatles got it right – all you need is love.”

If You Liked… An Awesome Wave by Alt-J

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Last year Alt-J stormed onto the music scene, winning fans, critical acclaim and The Mercury Prize, a pretty good year by anyone’s standards. As a product of their moody ethereal music and high-pitched singing Alt-J have been compared by many to Radiohead, however I feel that a far more accurate comparison would be with Leeds-based band Wild Beasts.

Wild Beasts have much in common with Alt-J. They write moody atmospheric pieces, often with sinister lyrics but always with catchy melodies. In Hayden Thorpe they have a front man whose voice you’re either going to love or hate. But, above all, they too are a great British band making uncompromising music to the delight of their fans. Wild Beasts, like Alt-J, make albums and not songs.

Wild Beasts were nominated for 2009’s Mercury Prize with their second album, Two Dancers, which saw them refine their sound from their often over-theatrical debut album Limbo, Panto. Fans of Alt-J will probably find a greater affinity with Two Dancers than either of Wild Beasts’ other two albums because it is easily the darkest of the three. For example, it features ‘All the King’s Men’, a song which is apparently about arranged marriages among the upper classes and refers to young girls as ‘birthing machines’.

Wild Beasts followed Two Dancers in 2011 with their third album Smother. Smother is arguably slightly poppier than either of their previous efforts but nevertheless refuses to compromise on their artistic vision. In an interview with Cherwell last year, Hayden Thorpe railed against the limited range of music played on BBC Radio One, saying that it was still the desire of the band to achieve a number one. The balance between trying to reach lots of people and remaining true to your own musical ethos was obviously something which Thorpe found frustrating.

With the success of Alt-J perhaps this problem is already being corrected. If you were one of the people who rewarded Alt-J’s musical vision by going out and buying/ downloading their album, then there is a pretty good chance that you’ll like Wild Beasts too. 

Have You Met…? – Port Isla

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Norwich. Once the second largest city in England, nowadays apparently famous for its cathedral and the manufacture of mustard (thank you Google). With Radio One ‘big dog’ Tim Westwood and Hear’Say singer-turned-classical pianist Myleene Klass fighting it out for the title of ‘most exciting export’ in recent years, one thing the city isn’t really known for is its music scene. Let’s hope Port Isla can change that in 2013.

Formed two years ago by music students at Norwich’s UEA, the four-piece favour upbeat folk-rock songs much in the vein of Fleet Foxes, had Fleet Foxes been raised on the East Coast of Britain rather than the West Coast of the USA. Whilst the two bands may have much in common musically, lyrically Port Isla are far removed, referencing Arthur Ransome and maritime imagery in a way that somehow seems very British. Recent track Alexandra’s lament for lost love couples chiming guitars with impressive close-harmony vocals, whilst the thumping drums of Swallows and Amazons demonstrate that they know their way round a good beat.

Following in the footsteps of another four-piece they list among their inspirations, the band travelled to Hamburg this summer, though performing at the Reeperbahn festival was perhaps a less debauched experience than the seedy clubs of St Pauli would have been in the early sixties. Port Isla really are a treat witnessed live, with frontman Will Bloomfield’s soaring vocals solidly supported by tight instrumentals played with an energy and enthusiasm that gives their songs an anthemic quality. Hoping to build recent success, the band are planning on touring extensively this year, with a tour of university cities in the pipeline.

One sure-fire favourite at these upcoming gigs will be their recently-released debut single Sinking Ship, available for free on the band’s website, with its howling vocals, thumping piano chords and frantic handclaps. The band sing that they’d ‘rather be a gunman than a captain on a sinking ship’, but judging by the strength of their songs and live performances, I don’t foresee them struggling to stay afloat.

Inspired by the catwalk: Baroque

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image: vogue.co.uk

1. This dress is a beautiful twist on the LBD with all-over embellishment and a detailed strappy back that’ll be sure to turn heads, but remain wearable at parties for years to come. Pair with heels and a simple clutch for a sexy, yet effortless, look. (Topshop, £60, was £120)

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image: topshop.co.uk

2. This is the perfect dress if you can’t quite stretch to the designer pieces but want to remain on trend! (Topshop, £20)

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image: topshop.co.uk

3. For those feeling more daring as we enter the new year, take advantage of both the velvet and lace trends with this decadent purple bralet. Add high-waisted leather shorts and a kimono jacket. (Miss Selfridge, £22)

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 image: missselfridge.com

4. This beautiful black satin clutch is heavily embellished with sequins and large beading giving the perfect rock-chic contrast between ruggedness and elegance. (Accessorize, £45)

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image: accessorize.com

 

5. This gold snake ring will be an adorable addition to your wardrobe and complement your style all through 2013. As unique as it is cute, this stunning piece screams vintage fun. (Topshop, £8.50)

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image:topshop.co.uk

Nailing it: the DIY mini-manicure

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1. File

  • Instead of sawing at your nails, file in a single direction. Start at the side of the nail and move towards the centre in long, smooth motions.
  • Never file your nails when they’re wet. This is when they’re at their softest and prone to breakage. Similarly, avoid metal nail files: they’re often too harsh and can damage nails. Opt instead for a glass file, or a basic soft emery board. Boots Salon Smooth Nail Files do the trick perfectly (£1.25 for two, boots.com).

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image:lcbnaillacquer.com

2. Paint

  • Before applying any polish, soak a cotton pad in nail polish remover and do a quick sweep of your nails. This dehydrates the nail, removing any excess oil or dust from filing, to ensure your polish will really stick!
  • Always apply a base coat. Not only does this protect your nails, but prevents polish from staining them too. Essie do a really good base coat range. Try Essie’s All-In-One Base Coat (£8.99, boots.com).
  • Stick to the ‘three stroke’ rule. Wipe excess nail polish from the brush on the rim of the bottleneck before applying lacquer with three simple strokes: once down the nail centre, followed by once either side.

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image:vogue uk

3. Finish

  • Use a Q-tip dipped in nail polish remover to clean up any imperfections.
  • Wait five minutes after painting before applying Seche Vite Fast Dry Top Coat (£10.95, asos.com).
  • Post-manicure – when polish has completely dried – add a dab of cuticle oil around the nail base: this will hydrate your cuticles and with long-term use improve the strength of your nails too. The cult classic CND Solar Oil is a must (£11.95, cultbeauty.co.uk). Draw a half-moon around the nail base, leave for a few minutes, and then rub it in using your fingers.

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image: healthfiend.com

Free Music of 2012

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Do you like free stuff? Do you like music? Well more and more great music is available for free on the internet (legally – tut tut you). Anyone familiar with music blogs will be able to tell you that the internet is awash with free remixes and DJ sets of every genre and sub-genre imaginable. But even more excitingly, there are a lot of free albums out there too. Now classifiable as big name acts, A$AP Rocky and the Weeknd made two of 2011’s best releases with their free albums, and in 2012 this trend showed no signs of stopping. For cash-strapped music fans, this is extremely welcome. So cast your eye over this selection of 2012’s finest musical freebies.

(Disclaimer: free stuff is definitely more common in hip-hop, R&B and electronic music, so if you’re still desperately waiting for the next Arctic Monkeys album to come along, this might not be for you)

 

Action Bronson with Party Supplies – Blue Chips

Action Bronson is not your typical rapper. Mind you, there aren’t that many typical rappers around anymore. But still it’s fair to say being a very overweight, heavily bearded, former gourmet chef of Albanian descent is enough to put him securely in the ‘not typical’ camp. I’m not exactly sure why Bronson gave up the chef gig, because he is obsessed with all things culinary. I mean properly obsessed, often instagramming photos that wouldn’t look out of place in the Observer Food Monthly.
On Blue Chips Action Bronson displays his killer Wu-Tang-esque lyrical style, frequently referencing his passion for gastronomy over the top of soulful sample based beats provided by Party Supplies. ‘Quattro fromage/Big plate look like a lobster collage/I’m on the art and the food scene/Fuck rap, laying back, eating poutine.’ Blue Chips is a delicious treat that no hip-hop fan should be without.

Download it here

 

Jeremih – Late Nights

I know what you’re thinking, the ‘Birthday Sex’ guy, really? Well yes actually. Admittedly the lyrical themes haven’t changed much, Late Nights ain’t about those Haribo-fuelled essay crises, if y’know what I mean. But then subtlety is not Jeremih’s strong point, with the pornographic video for ‘Go To The Mo’ being a clear case in point. Currently Jeremih is in something of a competitive environment, with forward looking R&B/pop being in no short supply. But with Late Nights, Jeremih is able to stand out through his combination of great pop songwriting, sexual subject matter, and interesting, modern production. A good example of this is the sparse down-tempo beat on ‘Fuck U All The Time’ which is built around mellow keys, hard hitting bass, and manipulated vocal samples, giving it an almost James Blake-esque sound. Forget the ‘mixtape’ trappings, Late Nights is a highly polished album, packed full of catchy and well produced R&B.

Download it here

 

Jackmaster – Tweak-A-Holic Mixes

Jackmaster describes his Tweak-A-Holic Mixes as “the soundtrack to your girlfriend’s next house party” and I’m not sure I can top that to be honest. Jackmaster seamlessly mixes together 80s pop, soulful R&B, grooving disco and slap bass funk to create an absolutely unstoppable body moving, booty shaking, toe tapping force. If you can’t get down and boogie to these mixes, you are officially dead. Expect to hear the likes of Madonna, Luther Vandross, Tina Turner, Prince, oh and a little bit of Phil Collins too. Trust me, just whack the Tweak-A-Holic Mixes on at your next pre-drinks/house party, and you will avoid all those arguments over who has control of Spotify.

Download them here 

 

Death Grips – NO LOVE DEEP WEB

Death Grips are not for the faint hearted. The experimental rap-rave-rock band makes music that is aggressive, abrasive and practically abusive to your ears. The artwork for NO LOVE DEEP WEB is a photo of an erect penis with the title written on it in marker pen. They gave their label the middle finger by releasing the album without their permission, initiating a hard fought legal dispute. So to sum up, Death Grips just generally don’t give a fuck about much. Nihilistic and transgressive lyrics are shouted psychotically over the top of dense electronic beats, which in their crescendo become a sheer wall of pounding bass, coarse synths and furious drumming. The end result is an inescapable atmosphere of paranoia and alienation. NO LOVE DEEP WEB is disorientating and intense and unrelenting but those are the things that make it so damn thrilling to listen to.

(the label seems to have taken down the initial download so your best bet is to just Google it)

 

Joey Bada$$ – 1999

17-year-old Brooklyn born rapper Joey Bada$$ must have hip-hop in his blood. On 1999, Joey revitalises and pays tribute to a classic style of hip-hop which he clearly loves. The production of the beats is excellent, with crisp drums and dusty samples coming together to create a distinctly old school sound.  It is this sound combined with Joey’s great lyrical talent which invites comparisons with fellow Brooklyn greats Nas, Jay-Z, and Biggie Smalls.  There are also some smooth jazzy elements to several tracks, reminiscent of NY rap group A Tribe Called Quest, something that only adds to the classic East Coast rap vibe. Just in case that’s not enticing enough for you, there are also a handful of beats from esteemed producers J Dilla and MF Doom as well. 1999 is a commanding debut and well worth checking out, expect to hear the name Joey Bada$$ a lot more in the future.

Download it here

 

Flying Lotus – Lovers Melt mix 3

Flying Lotus introduces the third instalment in his Lovers Melt series of mixes as “Another mix for your summer – some things you know -some things you may not –love”. On it FlyLo displays the same mind blowing eclecticism that is evident in his own music, a trippy melting pot of electronica, hip-hop, and jazz. The mixes take you through smooth soul jams to heavy dub reggae as well some fuzzed out psychrock. Turn it up and blast away those Hilary winter blues.

Download it here

 

Cassie – The Cassie Trilogy

Cassie is perhaps the biggest pop star you haven’t heard of. Her self-titled debut was released 7 years ago and there has been no follow up record since. However she has a dedicated fanbase, her most popular video on YouTube has over 15 million views, and she has received heaps of critical praise. The Cassie Trilogy is a neat compilation of unreleased Cassie gems, deliberately copying the format and design of The Weeknd’s own trilogy.  In terms of quantity of music The Cassie Trilogy is a bountiful offering, containing 66 songs in total. And it’s definitely not just quantity that is on offer,  there are some absolutely top notch tunes in here, from ‘Don’t Go Too Slow’ a catchy yet stripped down slow jam, to ‘Activate’, a driving piece of sexy electro-pop. Download this now, become an authority on her back catalogue and you will have a load of music cred when Cassie becomes the next Rihanna, because it’s only really a matter of time.

Download it here  

 

Ryan Hemsworth – Fact Mix 32

Ryan Hemsworth is an up and coming producer, riding the current wave of creative cross over between electronic music, hip-hop and R&B. Hemsworth stays clear of many of the clichés at the more aggressive end of the spectrum, instead blending beautifully lush and ethereal synths with vocals from hip-hop eccentrics such as Danny Brown and Lil B. His remixes are exceptional, with his takes on R&B tracks ‘Thinkin Bout You’ by Frank Ocean, ‘Boss’ by Tinashe and ‘773 Love’ by Jeremih all particularly stunning. Ryan Hemsworth has created something truly original, proving just how easily genres can be melted into one another in the Internet age of 2k12.

Download it here.

Review: Burial – Truant/Rough Sleeper

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★★☆☆☆
Two Stars

Ambient music is a bit difficult to review. It’s very difficult to listen to two soundscapes and say that one is fundamentally better than the other.

Many thanks to Burial, then, for providing me with the easiest EP of ambient music to review. It has two tracks, one of which is fundamentally and noticeably better than the other.

Truant is a dream. It sounds like the Bill Murray from Lost in Translation and the Robert Pattinson from Cosmopolis driving around in a movie directed by Nicolas Winding Refn, silently staring out the windows of their vehicles and just watching the neon lights stream past.

It feels like a journey, but not a particular journey, as if the music just fancies having a wander. The voices that interfere are fuzzy and indistinct, merely shapes on the windscreen. It’s involving stuff, and there are sections with real punch which appear from nowhere as required.

Rough Sleeper, on the other hand, is alternately listless and uninspired. It sounds less like a neo-noir drive through LA and more like a long, slow trip down a plughole in a club in Dundee. The muffled pump of something which can only be approximated as “beats”, under an ostentatious and uncharacteristic organ part and the cheesiest sax solo since the ’80s, conspire to render this disjointed, dispiriting mess almost unlistenable.

Whereas Truant was almost jubilant in its bleakness, Rough Sleeper merely feels defeatist. It may be named after insomnia, but it doesn’t need to feel like it too. Before this effort, Burial hadn’t released anything since 2007’s Untrue. It shows. The scene has moved on without him, and the new reality calls for intelligent, experimental music, not this. Listen to The Caretaker instead.

What’s new in 2013?

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There are some big questions to answer about music in 2013: will we finally uncover the saviour of British rock music? Will hype be lived up to? Will Liam Gallagher stop being such a moody bastard? Obviously one of these has a blindingly obvious answer, but the other two bear thinking about. With some exciting debut albums, 2013 has the potential to be a great year for music.

Palma Violets are one of the most exciting new bands around, and with their debut album out on 25th February as well as a tour of the US and a slot supporting Django Django, they are definitely a band to keep an eye on. Their acclaimed single ‘Best of Friends’ is unquestionably the first step on their holy quest to purge rock in fire and build it anew from the ashes in their own image. Also supporting Django Django are psychedelic happiness-mongers Peace, who will surely spend the year shaking up the world of music along with their Birmingham buddies, the irrepressible dream pop quartet, Swim Deep.

Four-piece alternative band Bastille is another band that is impossible to ignore. Their Other People’s Heartache mix tape series has delighted fans everywhere, and the end of their wildly successful winter 2012 tour was only a precursor to the Bad Blood tour, which will consist of a whopping 16 dates all over the UK (including a visit to Oxford’s O2 Academy on 22nd March).

Their frequently postponed debut album is now set to drop on 4th March, and given Dan Smith’s reputation as a perfectionist and the high quality of everything the band has released so far, we don’t think we’re going too far when we say it’s going to be the best sound made in human history. OK, maybe that’s a slight exaggeration, but it’ll definitely be debut of the year material.

The hype surrounding Haim, three sisters who have been described as Timbaland-meets-Fleetwood-Mac, refuses to go away, and with good reason. Their debut will be released in early 2013, and if it’s anywhere near as good as their wonderful Forever EP and the forceful and brilliant single ‘Don’t Save Me’ suggest that it will be, Haim will have made an indelible mark on the face of indie pop.

With all the great new stuff around, it would be easy to forget those whom we’ve already appreciated, but 2013 will also see a wide variety of beloved artists releasing again. Oh, and I think some band called The Stone Roses have re-formed or something…