Monday, May 12, 2025
Blog Page 1502

Alpaca and “excessive” garden party discussed at Magdalen

0

Sunday’s Magdalen JCR meeting saw the decision taken both to spend £2,500 on a garden party at Magdalen, and the failure of a motion to buy an alpaca as a “means of relaxation.”

The decision to spend £2,500 on a garden party at Magdalen, passed unanimously but was later hailed as “excessive.”

The party, to be held on 1st June, follows last year’s Diamond Jubilee Garden Party, described in the motion for this year’s event, as “a stonking success.” However last year the Diamond Jubilee Garden Party’s organiser, Hamish Hunter told Cherwell that “the rarity of the event” was why it was “generally thought that it was worth celebrating the landmark in style. There was recognition that the Diamond Jubilee was a very special event and the Magdalen JCR should join the national and college celebrations.”

This year the budget has been raised by £300 to £2,500 in order to try and “allow all members of the college to enjoy the highest quality garden party in Oxford at minimal battel costs.”

Magdalen fresher Jack Barber commented, “The party will provide a good opportunity for students of all years to come together and have a good time.”
However, Elisabeth Brierley, a Magdalen student said, “Although the garden party is a good idea, especially as Magdalen isn’t having a ball, spending £2,500 seems a bit excessive. Surely, they could spend half the money on the garden party and spend the other half on a more worthy cause, like a hardship fund.”

In the same meeting a motion to buy an alpaca failed when concerns were raised about the real amiability of these animals.

The motion noted that “many members of the JCR would appreciate having an animal to pet or generally spend time with as a means of relaxation.”
Eden Bailey, the proposer, commented on the failure of the motion, “Some members of the JCR had personal experience with alpacas which was not as positive as my research had suggested so I am not entirely gutted (like a fish) that the motion did not pass… I hope that [Magdalen JCR members] were not fabricating information in order to foil my humble attempt to support student well-being.”

She further said, “I fully intend to continue my quest to improve welfare of students through nature but my next attempt at doing so will be even more heavily supported by research. There is hope yet. Perhaps in the form of terrapins.”

Gender-segregated talk in Oxford causes controversy

0

A gender segregated talk on Monday caused concern among Oxford students.

The talk, entitled ‘Quran and Sunnah: The Final Revelation’ was held at the City Council-owned Asian Cultural centre. A poster circulated online read “Men and Women welcome – Fully Segregated”.

The talk was advertised online by the Interesting Talks in Oxford Facebook page. However, the advert caused concern among visitors to the Facebook group because of the  planned gender segregation of the event. Subsequently, the original poster withdrew the advert from the Facebook page. 

The Interesting Talks Oxford website is run by eight volunteers, six of whom are Oxford students. An ITO spokesperson said, “ITO does not condone or condemn the talks it lists on its website and calendar, but recognises that the content or arrangements of some talks may cause upset. We feel that it is important that all talks are listed so long as the information they provide is accurate and clear.”

DaruTawheed, a group which organises lectures and prayer groups for the Muslim community in Oxford, arranged the talk. A DaruTawheed spokesperson told Cherwell “The majority of our attendees feel that it is necessary to segregate between sexes because mixing between men and women is prohibited by Islamic legislation…due to our religious beliefs we won’t be able to offer this or offer partial segregation either.”

Earlier this year, a UCL society caused controversy by enforcing gender segregation during an “Islam or Atheism” debate. The Islamic group was subsequently banned by UCL’s governing body.

DaruTawheed is not a university-affiliated group, and the event did not take place on university premises.

Chiara Giovanni, a Magdalen student, commented, “I think it’s appropriate if everyone attending is absolutely fine with it, but I think as it’s not a prayer meeting but a seminar, full segregation is unnecessary.”

“Another key factor is how the segregation was enforced: side by side is fine, but relegating women to the back smacks very strongly of a gender hierarchy. As this is a rather niche event, I doubt the segregation will cause any problems and whether or not such division should be a factor of a social event at all is another question entirely”.

May the 4th not be with you, Tiddlywinkers!

0

The Oxford University Tiddlywinks team faced a devastating defeat against Cambridge in the Varsity matchm on May 4th. The final score stood at 106 to 6. Eight pairs played four matches, but unfortunately the Oxford side did not manage to win a single one.

This defeat came as something of a shock to the Oxford Tiddlywinks team who had previously told Cherwell that “years of hard work have gone into this…undoubtedly the most prestigious Varsity competition.” Crawford Jamieson, an Oxford team member, offered a possible explanation for their defeat “The team suffered from some finger injuries. I myself forgot about how nail varnish can affect play.”

The effect proved most disastrous. Joe Price commented “What has been most devastating about the loss is that my family has disowned me. In my opinion their [Cambridge’s] win was a load of wink.”

Some have moved beyond mere bitterness towards their foes, to going off the sport altogether. Sonia Morland had a post-match epiphany: “So we lost quite badly, but at least taking part was fun- oh no wait- it wasn’t, turns out Tiddlywinks is a deadly dull sport”.

Certain members of the team are now said to be preparing to send a letter to Oxford University’s Vice-Chancellor, apologising for their defeat. They are blaming the loss on lack of funding for the sport by the University. Indeed, the quarter-blues the team claimed this year is not recognised by the official blues committee. The general apathy from the rest of the University is echoed in the statement of Nieaogeumbh Burns, a first-year student at New College: “I still don’t care about Tiddlywinks.”

The event was hosted at Exeter College, and the two teams together went for a pub lunch that day. The Cambridge University Tiddlywinks Club (CUTwC), in existence since 1955, likes to emphasise its boozing traditions, their official song is:

“The Tiddlywinks mats are soaked in port,                                                     And so are those who play the sport                                                      Tomato juice and such like drinks,                                                            Aren’t good enough for Tiddlywinks,                                                               And when we have won the cup,                                                                   It takes us weeks to sober up.”

It is a contrast to Oxford’s more traditional song, which begins:                 “And did those winks, in ancient time                                                              In yellow, red, blue and green.”

One Oxford team member commented when asked about the victory “It’salso worth noting that the Cambridge team actually cared.”

The 2011 Varsity match (where the final score stood 99-13 to Cambridge) led to the resignation of the Oxford captain, Daniel Lessing, due to pressure from the rest of the team. 

It remains to be seen what impact this year’s defeat will have on team dynamics.

Labour campaigners criticised at Jesus

0

At Jesus College there have been complaints over the number of posters for Labour, during last week’s local election campaign. Students alleged that the poster dwarfed those of any other political party, and they were later removed.

During last year’s local council elections the local Labour candidate was invited into Jesus College to canvass votes room to room, a fact which “certainly annoyed a lot of people”, according to JCR President Andrew Rogers.

Rogers told Cherwell, “The role of the JCR is to be political, without being partisan.

“If you weren’t going to vote, or if you wanted to vote for someone else, you don’t want to think that your JCR is entirely pro-Labour.”

It was eventually agreed by the JCR committee that an equal number of posters, and a full list of candidates should be placed in the JCR and all of the college’s residential buildings.

Images of Jesus College’s conservatory windows, covered in Labour posters, were shared on the Facebook campaign page of University Park’s candidate Joe Ottaway.

The Hole Truth

0

New research by Oxford University is trying to demonstrate how the mathematics underpinning Darwinian natural selection can be used to further our knowledge about black holes and the origins of the universe.

The Oxford-based team, which includes evolutionary theorist, Andy Gardner, and theoretical physicist, Joseph Conlon, have been working on a paper which builds on the ‘cosmological natural selection hypothesis’ – a theory first advanced in the 1990s which uses the mechanics of natural selection to explain the apparent ‘fine-tuning’ of the universe’s basic parameters.

Cosmological natural selection proposes that new universes are actually born inside black holes. This means that a ‘multiverse’ of many possible universes could be shaped by a process similar to natural selection so that successive generations of universes evolve to become better at making black holes.

Speaking to Cherwell, lead author Dr Gardner explained the significance of the
research: “The Standard Model of physics has 30 parameters, and the values of these parameters seem to be entirely arbitrary, but cosmologists have suggested that if they were even slightly different then the universe would not be able to support life.”

“For example, if the cosmological constant was very slightly higher or lower, then the universe would either have very quickly collapsed in on itself or else very quickly undergone a heat death, before stars and galaxies had a chance to form. Cosmological natural selection leads to the idea of the universe being adapted to produce black holes, and in order to have black holes you need stars, so that is one possible explanation for the apparent fine-tuning.”

The paper itself proposes that Price’s theorem – a basic equation from the science of evolutionary genetics – can capture the process of cosmological natural selection and explain how the universe seems ‘designed’ for the purpose of making black holes in the same way that a fish can appear ‘designed’ to swim or a bird can appear ‘designed’ to fly.

Speaking about his motivation for conducting the research, Dr Gardner said: “I’m an evolutionary biologist, and I’m interested in the fundamentals of how selection gives rise to adaptive design, so it was interesting to explore how the logic of Darwinism plays out in a non-biological medium. The idea that cosmological natural selection has led to the universe being designed to produce black holes had not previously been expressed in a way that evolutionary biologists would consider mathematically proper, and so this is
what the paper is doing.”

One second-year Hertford physicist commented on the research, saying
that: “Cosmological natural selection is a highly speculative topic.” Adding that: “Still, we should always be open about which avenues of investigation we decide to pursue. Some of our greatest discoveries in physics were only made after pushing a concept to its logical extreme.”

A report of the research is due to be published in the online journal Complexity
later this year.

Fire at Worcester

0

A fire broke out in a student’s room at Worcester College early last Saturday, 4 May, causing extensive damage to the room and forcing the evacuation of the building for 90 minutes. 

The incident took place at 7.30 in the morning in the Ruskin building. A second  year student, who wishes to remain anonymous, was using her hairdryer when it caught fire. In panic, she dropped the flaming hairdryer onto her bed, which then also caught fire.  

Students from the Ruskin building were evacuated for 90 minutes. Upon their return, a pervasive smell of smoke is said to have lingered. The student’s room where the fire began was “completely soot-coated” and her mattress was reduced to just its springs. No other rooms suffered damage.

It remains unclear when, or if, the student will be able to move back into her room this term, and how much of her possessions are recoverable.  

While most students evacuated Ruskin quickly, one student took five minutes to emerge “in a dressing gown reading a book” assumedly thinking that it was a false alarm. He was subsequently told off by the porters. 

The Ruskin building is one of Worcester‘s newer accommodation blocks, having been built in 2007.  

Worcester College did not respond to requests for comment. 

Wadham "zero-tolerance" rule defeats opposition

0

An attempt to repeal Wadham’s recent “zero tolerance” motion concerning sexual harassment failed in the Wadham Student Union. Proposed by Luke Buckley and seconded by Charlotte Goodman, the new motion failed by 51 votes to 38.

The original motion encourages the Wadham SU to “To implement a Zero Tolerance policy for all bops, Wadstock and Queerfest.” The policy will entail suspected perpetrators of sexual harassment or assault being immediately ejected from the premises by security staff. In addition to this, a record will be kept of any alleged perpetrator who has been ejected and this will then be sent to college harassment officers.

The motion also specified that the “Zero Tolerance” policy must be advertised at the events and in relevant handbooks. The policy stated that “ignorance of this policy will not be considered a valid defence” and “there are no exceptions to these rules.” This initial motion passed with approximately two thirds of the student vote.

Speaking out against this policy, Luke Buckley proposed a motion to revoke the previously implemented “Zero Tolerance” policy on sexual harassment. His new motion noted that “sexual harassment is a complex and endemic problem” and that “no-one should have to suffer sexual harassment”.

However, it also argued that “the stigma, shame and humiliation associated with a wrongful accusation would be seriously damaging to the psychological, emotional and social wellbeing of the wrongfully accused” and “would be impossible to avoid given the nature of forceful removal.” The motion added, “even if an accusation was publically…revoked, shit sticks.”

Had it passed, Buckley’s motion would have mandated the SU to “open up a period of consultation to review the efficacy of college policy.” This consultation would include the college sexual harassment officers, the SU women’s officers, the welfare officers, the SU president, and any other interested parties. In addition, the motion would have mandated the SU to “consider running a student-led and discussion based sexual harassment workshop at least once a year.”

Buckley, a DPhil student in Criminology, said his research concerns “the tragic failure of zero-tolerance policies and the transnational movement of left-wing resistance that has met them around the globe. Empirical studies…find almost unanimously that the combative, exclusionary and punitive nature of zero tolerance policies often exacerbate the very problems which it was intended to alleviate. My point is…that these policies will make the situation worse, rather than better.” 

Buckley told Cherwell, “We have a conscientious student body that want to make the college environment safe and enjoyable for everyone. That is an honourable intention. But the road to hell is paved with good intentions. I think it sends out the wrong message completely. For a start, by having this policy, it almost suggests that we haven’t been able to work through this problem by dialogue and discussion.”

He said the policy would make people feel “nervous or unsure about what constitutes an “unwanted’ advance or not.

“By immediately excluding people no matter what the circumstances you breed a culture of resentment and recrimination.”

Buckley also claimed that the vote was “hijacked” by a group of Wadham feminists who used Facebook as a means of galvanising support for the original motion. Several feminist groups have recently been founded in colleges, including the “Raising Consciousness” group at Magdalen, and the “St Anne’s Feminist Discussion Group”.

Sarah Pine and Maeve Scullion originally proposed the “Zero-Tolerance” Motion on 21st April.

Scullion told Cherwell, “Since the motion was passed (back in 1st Week), members of the SU have been working with the College – including the Warden, Sir Ken Macdonald QC – to rewrite the motion so that the policy will be workable practically and contain no terminology that can be misconstrued.”

Pine stated, “The motion came from recognising the extremely high levels of sexual assault and harassment. This isn’t an Oxford-specific problem, but it affects students here as much as it does anyone else. Zero tolerance is a tool which students can use to tackle harassment and assault. OUSU consent workshops, information campaigns and feminist organising play the role of awareness raising instead.”

Jack Kelleher, a student at Wadham, spoke in favour of Buckley’s motion and the revocation of the initial “Zero-Tolerance” Motion. He said, “There was a general misunderstanding at the meeting of what a zero-tolerance policy actually is…A zero-tolerance attitude, which of course we should maintain towards sexual or any other form of harassment, is not the same thing as a zero-tolerance policy.

“The name masks what is actually a policy denying the accused the right to defend themselves. Such a policy is anti-democratic, authoritarian and, as it transpires, illegal.”

He continued, “It is far more damaging for an institution which identifies with the left wing to impose an authoritarian measure like the zero-tolerance policy than it is to repeal such a measure. We would be cast as immature, reactionary and tribalistic young know-it-alls without any sort of grasp on the complexities of such a deeply sensitive and important issue, and this would not be a fair reflection of the college at all.”

The Paradox Of Life And Art

0

Can we ever moralise about art? Yves Klein’s 1960 film ‘Anthropometry of the Blue Era’ shows a bourgeois audience happily paying to watch naked women slather themselves in blue paint and roll on a canvas in the name of art. This film, part of the Tate Modern’s recent exhibition ‘A Big Splash’, is a distressing example of the pleasure we take in watching the exploitation of others. It was only later when I realised that seeing the film made me just as culpable of voyeurism, and, seemingly, in no place to judge.

In art, we now consider the depiction of abhorrent behaviour not just acceptable, but intriguing. It is a subversive way of accessing a certain state of mind. We thrive on the discomfort we take from seeing distressing images and distance ourselves from the negative implications of our reactions by asserting that the art is fictive. It is when art and life become intertwined that this relationship becomes more complex. This tension is exploited by Francois Ozon in his film, Dans la Maison, which confuses the boundaries between fiction and reality. The main characters are put at a similar distance from the action as the audience. Looking on, they become so obsessed with the story, that they stop caring about whether it is real or fictitious. The film exemplifies the closeness between life and art, exposing how we constantly rely on subjectivity to create an idea of truth, which Ozon emphasises in one scene which is ‘rewritten’ three times in quick succession.
This is one way of exposing how we unconsciously treat other people as literary constructs governed by our own projections. The internet allows us to ‘stalk’ every aspect of someone’s life from afar. We constantly form our opinions about someone before we even meet them.

Art helps us understand aspects of our lives, but it is important that a distance is maintained between fantasy and reality. The Tate recently removed Graham Ovenden’s artwork from public view, after he was charged with acts of indecency. This has provoked a debate between art critics. Should it be the Tate’s role to censor art on the basis of the morality of the artist? The conviction of Ovendon may make his paintings of naked young girls rather sinister, but does it mean that they lose their artistic merit? We watch Woody Allen movies and appreciate their genius in full knowledge of the fact that he married the daughter he adopted, despite being thirty seven years older than her. Should our attitude to art be any different?

The difference is that Ovenden’s work is now considered so alarming because it apparently acts as a sanctified presentation and justification of his misdeeds in life through art. In the case of Ovenden, declaring the work as ‘fictive’ does not hold; his observation of young girls, no matter how skilled his artwork is, is too evocative of his crimes to allow for any appreciation of artistic merit.

Even though we should not base our moral judgement of art explicitly on the morals that we apply to life, we should remain conscious of them, and aware of any irreconcilable contradictions.

Review: The Oxford Revue & Friends

0

It is not the chummy benevolence of ‘friend­ship’ which triumphs at this production. The stage bathes in a poignant whiff of rivalry. A rapid turnover of scenes and constant alterna­tion between the Oxford Revue, Durham Revue and Cambridge Footlights forces the audience to draw direct comparisons between them. 

Naz Osmanoglu satisfies his job as host well enough: his additions include merry gibes at the fresher libido and his own ethnicity. A feeling of familiarity crests during a brief foray into Mac­Intyre-style gruff and although the stand-up is unoriginal in itself, his genial energy makes for a cosy performance. 

The first hour gained the audience’s approval in a sluggish and piecemeal way. A lack of chem­istry between cast members in larger scenes saw the Durham Revue crawling slowly away from the starting line, wounded by a trite reference to ‘Voldemort’ and a tiresome ‘Santa-isn’t-real’ routine. A whimsical gag named ‘Boris’ is suc­cessful, but the script stops short of pushing it away from the brink. A quick-witted exchange between an expressionless duo was the most popular Durham effort, but this was thanks to the script rather than the unchallenging deliv­ery.

Cambridge Footlights began with an uncrea­tive stab at the racism of the elderly, but an im­provement came with their second attempt. Taylor’s spry discourse featured a brilliantly im­provised interaction with the audience (“some­one is clapping my masturbatory habits…”), drumming up a well-deserved response.

Reprieve from the rigidity of group scenes was delivered with gusto by the Oxford Revue. Dowie’s plucky delivery of a not-wholly-inspiring ‘minge’ line is to be applauded. But her cheeky skill is superseded by the more subtle concentra­tion of David Meredith, who is able to command the whole theatre’s attention with a small, delib­erate movement.

The Durham troupe gained traction as we moved into the second half of the show, but they were eclipsed by the real struggle for pre-eminence between the Oxford Revue and Cam­bridge Footlights. A balance was struck: the spir­ited and agile performance of the Revue meant they banked the trophy for best delivery, but Footlights triumphed in terms of script. They reached their zenith with a hilarious anthropo­morphisation of chess.

 A word of praise to finish: some of us have come to expect tedious taunts at ‘the bourgeois mentality’ or boring renditions of #UniLife as part and parcel of student comedy, but Oxford Re­vue & Friends is fresher than that. More impres­sively, there is a welcome lack of the self-congrat­ulatory arrogance that has been known to grace student stages. This is an earnest competition.

THREE STARS

Review: ‘The Emperor’s Tomb’ by Joseph Roth

The fate of the Austro-Hungarian Empire has much to tell us about modern politics, and Joseph Roth’s The Emperor’s Tomb has much to say to people at our stage in life. It is the perfect quick read in a busy exam term.
 
Joseph Roth – successful journalist, novelistic zeitgeist capturer, Jewish exile from Hitler’s Germany, alcoholic – is best known for the Radetzky March, published in 1932, a sweeping chronicle of the last decades of the old Habsburg realm, a multi-ethnic state hopelessly unable to cope with rising nationalism and its own aristocratic sclerosis, and finally destroyed by the catastrophe of World War One. Trying desperately to reprise the success of this work as he approached his own premature end, Roth scribbled furiously to create a sequel. The result was The Emperor’s Tomba novel short, unpolished, and raw, now available in a new translation by Michael Hoffman.
 
It chronicles the life of a member of the Trotta clan, a relative of the central characters in the Radetzky March, as he is dragged from the aristocratic ease of his life just before the Great War. Less dedicated students will be able to sympathise with his style of life at the novel’s opening: “to calm my anxious mother, I was enrolled as a student of laws. I did no studying”; “I lived into the night; the days were for sleeping.” His dissolute friends adopt a modish cynicism, despising religion, and affecting disdain for every form of earnestness, especially love. They treat the women with whom they indulge in casual liaisons like “something you accidentally forgot, like umbrellas, or on purpose, like boring parcels you didn’t go back for.”
 
In just 183 pages we follow him through both the war and twenty years of post-war disillusionment right up until the 1938 Anschluss with Germany, his finances and relationships floundering desperately, his beloved homeland vanished. Hoffman is an insanely good translator, steering clear of the literal flatness of so much translated work, and peppering his account with words like ‘whippersnapper’ and ‘geezer’. Here, however, he doesn’t have such opportunity to create beautiful English renderings of the sort of gorgeously overflowing, near prose-poetry found in the Radetzky March. This is a novel written in a hurry. There is a jungle guerilla disdain for all slow expositions and 19th Century languor. Where one chapter ends: “In another week he would be with us…” the opening of the next jump cuts straight to, “And in another week, he arrived.”
 
The directness of the approach, and Roth’s use of the first person, is not always successful. For every passage of striking psychological insight, there is another which seems like a flat description of emotions to which the reader does not have ready access, made all the more problematic by the riotous speed with which a carnival of characters, events and emotional states flit across the page. Where in the Radetzky March Roth expertly builds up the potency of select images and ideas (not least the march music itself) throughout the work, here one feels as if Joan Miró had grabbed the authorial brush and daubed crude images all over the novel, as when one reads that death is “crossing his bony hands” over a scene for the umpteenth time.
 
An imperfect novel then, certainly, but the economy of means is more often than not simply breathtaking. Roth, ever the journalistic sketcher, can create a character reveling in memorable idiosyncrasy via a few choice observations, as with Trotta’s father-in-law, an initially prosperous hat manufacturer, his handshake like “paddling around in some hopeless pastry dough”. When Trotta mourns the death of Jacques, an elderly servant (a name given added resonance by the highly symbolic demise of another servant Jacques in the Radetzky March), he cries “he’s dying” to his new wife; “he’s old” she replies entirely unflustered. No smaller fragment could hint at so great a breach between two people. And there is much dry, desperate humour in these vignettes as well, not least in the final chapter when a jackbooted fascist enters a café to announce the Anschluss which spells the final death of Trotta’s world. Trotta’s first impression is that this apostle of Nazi triumph looks like he has come up out of the toilets.
 
In a Europe unsure if it can live together, and a United Kingdom asking whether its usefulness has expired, the death of Europe’s greatest modern multi-national state is especially compelling ground to re-visit. The empire was “something, greater, wider, more spacious and all-encompassing than just a fatherland”, brought to an end by a war that was a world war not because “the whole world was involved in it, but rather because as a result of it we lost a whole world, our world.” The country Trotta returns to after the war is something smaller and meaner than the old Habsburg land. His relatives cannot now easily travel as they used to across central Europe, the Empire fragmented into different states. The ruin is not only abstractly political, but vigorously present in everyday life, as (presciently) horses are minced for meat in the ruined economy, Trotta’s wealth disintegrates, and his mother slowly dies. As a dominant Germany demolishes the final vestiges of old Austria, the only place for Trotta in this bewildering new world is to pay his respects at the Emperor’s Tomb. Readers looking for historical precedents for our modern dilemmas would be well served by doing likewise.