Wednesday 29th April 2026

Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite Brecht as the pioneer of...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Review: My Mother Runs in Zig-Zags – ‘incredibly refreshing and ambitious’

An all-BAME cast and crew production, My Mother Runs in Zig-Zags powerfully explores civil war, intergenerational trauma and the diasporic experience

Review: The First Last – ‘an unmitigated triumph’

Student playwright Matt Kenyon's hilarious comedy about unplanned fatherhood is on at the BT Studio until Saturday

Preview: A View from the Bridge – a fresh take on the Miller classic

Practically Peter Productions bring the Arthur Miller classic set in 1950s Brooklyn to the Pilch in Sixth Week.

Should comedy have an expiration date?

In a politically correct society, we look at whether it is right to remove offensive jokes from comedies written before our time

Review: Amadeus – University College Players ‘have more than risen to the challenge’

With outstanding performances and excellent musical accompaniment, University College Players do justice to Peter Shaffer's Amadeus

Review: The Roaring Girl – ‘a ground-breaking proto-feminist piece of theatre’

With cross-dressing, feminist themes and a feisty soundtrack, The Roaring Girl proves a fifth week delight

Review: Lemons Lemons Lemons Lemons Lemons – ‘complex but never cumbersome’

With a compelling performance and effective use of lighting and music, Dromadaire Productions encourages us to consider the importance of communication

Being under the spell of Harry Potter

An overview of the outrageous content of the Fangasm podcast

The exploitation of musicians’ emotional struggles

"The general reaction to musicians’ pains is a testament to the humanity of our age."

9 to 5 and Feminism

Dolly Parton's iconic film is a feminist powerhouse

Reclaiming the Moment

A review of Lavinia Greenlaw's 'The Built Moment' (Faber and Faber, 2019)

The Funny/Not Funny Exercise

A review of David Sedaris' 'Calypso' (Little, Brown, 2018)

Review: The Reunion(?) – ‘a subversive new take on the classic murder mystery’

The Oxford Revue's latest show builds up to a brilliant punchline

The Art of Money

How extravagance makes a statement

Review: Your Little Play – ‘a tragic storyline which by now seems all too familiar’

Nightjar Theatre's production tackles themes that are particularly pertinent to our time

How has the internet shaped modern poetry?

When you type “poetry” into the YouTube search bar, an unexpected number of the results that come up are not what we...

More than Pixels

The internet has changed the way we experience art

Shakespeare Done to Death?

In the wake of the Emma Rice 'scandal' at the Globe, we examine why we keep treading old boards.

Review: Allotment – ‘as if the audience is intruding upon the sisters’ realm’

MuckyOven Productions present an intriguing play about gardening, sisterhood and the passing of time.

Review: Twelfth Night – ‘dispels the myth that Shakespeare isn’t funny’

Brasenose Arts Week puts a contemporary spin on Shakespeare's Twelfth Night

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