Monday 23rd March 2026

Culture

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by the Merseyside-based violinist Samuel Oliver-Sherry, a current third year music student at St Anne’s College....
Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.
Culture Hattie Simpson -

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.
Culture Ruaridh McEwen -

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.
Books Manya Singh -
Latest

Love, Lust and Angst

With ruthless contempt for form, clarity, elegance, wholeness, and realism, he paints with intuitive strength of talent the most subtle visions of the soul.” So Arne...

Review: A View from the Bridge – ‘dramatic, gripping and surprisingly funny’

This latest revival of the Arthur Miller classic copes well with its challenging text (and challenging accent).

Preview: The Witch of Edmonton – ‘promises a sufficiently sinister experience’

Hoof and Horn Productions' take on The Witch of Edmonton heads to the BT Studio in Seventh Week

Staging Invisibility

The writer of Week Seven's Hustlers at the BT discusses the concept of the hustler and diversity in theatre

Sensual Absence in Jim Jarmusch

"If there is one thing Stranger than Paradise and Down by Law teach about Jarmusch, it is that he does a disservice to himself every time he makes a film in technicolour"

Boards, Beats and Bros: Mid90s Review

"Following the traditional narrative arc of the coming-of-age tale, the film follows Stevie as he rides out the highs and lows of adolescence, and learns important life lessons along the way."

Sensuality In Strauss’ ‘Salome’

"Salome’s kiss is undoubtedly an extreme example, a sensual climax of an obscene kind, but musically important nonetheless, and a moment that illuminates its preceding pages of music."

Frequencies and what they do to you

A primer to the niche field of "sound art"

Philosophy in the Bookshop – Nigel Warburton in Conversation with Naomi Wolf

Naomi Wolf talks of book blunder and her ties to Oxford.

An Artificial Low

Reviewing Ottessa Moshfegh's 'My Year of Rest and Relaxation' (Jonathan Cape, 2018)

Menial Heroics

Reviewing Sayaka Murata's 'Convenience Store Woman' (Granta, 2019)

Review: The Tempest – ‘exploit the comic potential in Shakespeare’s verse’

RJ Productions present an enjoyable rendition of Shakespeare’s last solo-authored play, whose strongest points lie in its subtler elements

Review: Ordinary Days – ‘brings the score to life in quite an extraordinary way’

A rom-com premise gives way to a brilliant musical at the BT, with endearing and relatable performances

Review: My Mother Runs in Zig-Zags – ‘incredibly refreshing and ambitious’

An all-BAME cast and crew production, My Mother Runs in Zig-Zags powerfully explores civil war, intergenerational trauma and the diasporic experience

Review: The First Last – ‘an unmitigated triumph’

Student playwright Matt Kenyon's hilarious comedy about unplanned fatherhood is on at the BT Studio until Saturday

Preview: A View from the Bridge – a fresh take on the Miller classic

Practically Peter Productions bring the Arthur Miller classic set in 1950s Brooklyn to the Pilch in Sixth Week.

Should comedy have an expiration date?

In a politically correct society, we look at whether it is right to remove offensive jokes from comedies written before our time

Review: Amadeus – University College Players ‘have more than risen to the challenge’

With outstanding performances and excellent musical accompaniment, University College Players do justice to Peter Shaffer's Amadeus

Review: The Roaring Girl – ‘a ground-breaking proto-feminist piece of theatre’

With cross-dressing, feminist themes and a feisty soundtrack, The Roaring Girl proves a fifth week delight

Review: Lemons Lemons Lemons Lemons Lemons – ‘complex but never cumbersome’

With a compelling performance and effective use of lighting and music, Dromadaire Productions encourages us to consider the importance of communication
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