Culture

New Oxford Windrush generation exhibit opens for Black History Month 

Amidst recent political tension provoked by the government’s refusal of slavery reparations to the Caribbean, this year Black History Month is celebrated uniquely in Oxford. The inaugural exhibition at...
Art Madison Garrett -

“There’s a play in that”: interview with ‘The Gang of Three’ playwright Robert Khan

It’s Budget Day as I sit in the foyer of the Oxford Playhouse. Down...
Culture Saul Grenfell -

‘Celebrity Traitors’ season two: Complex and compelling

Reality TV series The Traitors has returned with its celebrity version and has topped viewing charts for a second time. People are hooked on the show where logical reasoning and random chance are simultaneously at play, in a game full of drama, tension, and cliffhangers.
Culture Alice Rubli -

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history...
Art Miriam Hussain -
Latest

Shadows of Troy: Tragedies of the Trojan War reimagined

Shadows of Troy is a bold new adaptation of two giants of ancient theatre - Sophocles’ Ajax, and Euripides’ Iphigenia at Aulis. It presents the two...

Review: Taylor Swift’s ‘Miss Americana’

Taylor Swift’s last album, Reputation, was an unapologetically  aggressive response to the ‘drama’ that she had endured during nearly a decade in the...

Review: The Entertainer

"Stage Wrong’s performance draws us into the dysfunctional, haunted world of the Rice family and insightfully pulls apart their fractures." Alice Williams reviews The Entertainer at Keble O'Reilly.

Review: ‘American Dirt’

There was high expectation placed in American Dirt, what with Oprah Winfrey evangelising on Apple TV and a flood of celebrity endorsements on Twitter and...

Marika Hackman and queer sexuality in music

Bolshy, brazen and unapologetically sexual – in Oxford, the first group of people to spring to mind from this description is likely to be...

Violent Music – Acaster’s ‘Perfect Sound Whatever’

Perfect Sound Whatever is comedian James Acaster’s part-memoir, part-encyclopaedic recount of the records that made 2016 the Greatest Year for Music of All Time,...

What Light Through Yonder Theatre Breaks?

This week, we saw the death of theatre director Terry Hands, acclaimed for his founding of the Everyman in Liverpool among various other theatrical, notably Shakespearean, endeavours....

The Challenge of Maintaining a Legacy

January 2020 has brought with it the deaths of both Christopher Tolkien, son of J. R. R. Tolkien, and Stephen Joyce, grandson of James Joyce. The...

From Kampala With Love

At its Southern extremities, the River Nile flows from Lake Victoria into the plains of Uganda as the Victoria Nile. The city of Jinja...

Review: Present Laughter

Present Laughter, a 1942 play by Noël Coward, recounts the days leading up to the departure of Gary Essendine, an actor, for his tour in Africa....

Dior’s Phoney Feminism

In Dior’s recent haute couture show, models walked down a looping runway in a large building constructed to resemble a womb. Maria Grazia Chiuri, Dior’s artistic...

Review: Measure for Measure

In Measure for Measure, one of Shakespeare’s problem plays, Vienna is depicted as a city of vice and perdition, such that the situation seems...

Review: Wire’s ‘Mind Hive’

Wire are a band that don’t like nostalgia, unlike most mainstream cultural figures. So much so, that they have been known to take...

The music of Little Women

For the characters in Greta Gerwig’s recent film adaptation of Little Women (2019), music is an essential part of their lives. Beth (the third...

Heimat: a cinematic odyssey through 20th century German life

The controversy surrounding Taika Waititi’s recently Oscar nominated satire on Nazi Germany, JoJo Rabbit, demonstrates that dramatic portrayals of Hitler and the era of the Third...

Photo Editorial: Off-Duty Suiting

Fashion in the latter half of the 2010s was defined by the unprecedented cross-contamination of streetwear with the old luxury houses, of the casual...

Review: Frank Turner’s ‘Love, Ire & Song’

Frank Turner is an interesting character. Somehow famous enough to play Wembley and the Olympic opening ceremony, but not quite famous enough that...

Review: The Pillowman

Martin McDonagh’s jet black comedy is brought to life (and sentenced to a gruesome death) by Tom Fisher and his stellar cast. I coughed, continuously,...

The Place of Regional Theatre

The power of identity is arguably greater today than ever before. The stale, collective “British” identity is slowly being pervaded by the vibrant diversity...

Review: Merrily We Roll Along at the Oxford Playhouse

Merrily We Roll Along begins with a bang – the peak of Franklin Shepard’s career as a Hollywood producer while he relaxes (and then enters...
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