Culture

Olafur Eliasson’s “In real life”, which is on until 5th January 2020, is a truly must-see exhibition at the Tate Modern. All forty of this Danish-Islandic...

Lia Mice is someone important. The experimental pop creator and film score composer combines dreamy vocals, and otherworldly sonics to create a kind of...

Representations of violence and torture used to be an integral part of enforcing the social order - but in a world of uncensored live streams and graphic media content, has our attitude to atrocity really progressed - or does it remain an unacknowledged dark obsession of mankind?

With social media platforms, we are now closer than ever before to celebrities and influencers. But has this changed the way we perceive them? George Rushton explores the celebrity/fan relationships across the ages.

What does it take to put on a show at Fringe? With the finish line in sight, Missing Cat discuss the joys and travails of their project: a raw and visceral rendition of Woyzeck.

An exploration of Taylor Swift, and the role that musicians should have in politics

It’s easy to be intimidated by poetry. Often it withholds as much as it gives, leaves obscure as much as it reveals. So why read poetry?

The standards of beauty in the media are goalposts that are constantly being shifted by cultural currents in history. But are trends in literature and film of #bodypositivity and self-love doing enough? Georgia Watkins investigates.

Morrissey has been cancelled. The Guardian asked the Mancunian crooner “what happened” on Twitter after his records were banned from Britain’s oldest record store....

Why the cracking, authentic sound of a record will always beat digital music

In the cosy nook of an Oxford hostelry is where Georgie Botham and Joe Davies brainstormed into existence ‘How To Use A Washing Machine’. Little did they know, in Oxford in 2018, that their newly penned and composed musical would also then progress to a national tour. Imogen Harter-Jones interviews them to find out about their experience.

Mattie O'Donovan speaks with Stephen Slater, the chief archival producer for Apollo 11, a new, critically lauded documentary on the first moon landing.

Colette Webber critiques Hereditary director Ari Aster's new offering Midsommar, a contemporary take on the folk horror sub genre.

"Pasolini uses the language and imagery of obscenity in order to shock, but if not shocked, we would only be indifferent."

"A pitch-perfect teenage (read: awkward) romance with great action, all anchored by solid performances from the ever-maturing cast."

The Hayward Gallery's huge curation 'Kiss my Genders' attempts to unite over thirty artists from the LGBTQ+ community in a celebration of gender identity and fluidity. Charlotte Hall gathers her impressions of the exhibitions - how effective is it at breaking down stereotypes and prejudice?

In defence of the Greggs-serving, sunglasses-wearing, Scottish singer.

"Love Island doesn’t just expose its contestants to the vitriol of the public, it actively encourages it."

The narrative of resistance and domination in relationships has been the recourse of storytellers since pre-Christian times, with the same lurid, visceral quality evident in Greek myth as in the modern trend of disturbingly violent porn. Yet these primal, animalistic tropes of female subjugation now exist in a ‘civilised’ society, whose vernacular is one of #TimesUp, sex positivity and high-street feminism.

'treads a fine line between a deeply personal memoir [...] and an academic exploration'