Saturday 17th January 2026

Culture

Damaging detachment: Reflections on the Booker Prize 

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

The cost of ‘free’: How streaming undermines the value of music

Monthly subscriptions may seem affordable when compared to vinyl, but the cost quickly accumulates.

The Farewell Review

Seemingly all of us either have or yearn for an affectionate but caustically witty grandmother such as Nai Nai (Zhao Shuzhen), the endearing matriarch...

Who’s afraid of Derrida?

This article is a complaint to my academic discipline, English literature. It is, not to overstate the matter, one of my great loves, but...

Metamorphosis, Money, and Moldovan ice cream

It’s probably unsurprising that while The Guardian hails Ian McEwan’s latest novella as a “comic triumph”, it is dismissed by The Telegraph as “an...

Novelty Music is Real Music

To call the summer of 2018 memorable would probably be an understatement: there was the heatwave, the subsequent hours spent in beer gardens, and, perhaps most...

Boyfriend vs. Genghis Khan

Back in February of this year, Ariana Grande seemed on top of the world, or at least the music industry. With the release of an...

Philip Glass Ensemble – satisfying constancy

Clare: On the 30th October, Philip Glass and the Philip Glass Ensemble performed Music with Changing Parts. Due to illness, Glass himself was unable to...

Review: Stranger, Baby

Berry's poetry collection on loss, mourning, and the sea is beautifully brought to life at the Burton Taylor studio.

Review: Spring Awakening

The Oxford Playhouse's Michaelmas Musical proves an ambitious, vibrant and exiting feat.

Review: Things I Know to be True

This powerful family drama packs an punch at the Pilch.

Review: Yerma

Lorca's "tragic poem" is brought to life with subtlety and skill by Angel In The House Productions

Do actions speak louder than words?

Daniya Jawwad explores how certain classic plays prioritise physicality.

Review: Section Two

Phoebe Hennell reviews Tom Gould's new play 'Section Two'

Review: Life of Galileo

Didactic elements of Brecht's biographical play are highlighted by Velvet Vest Productions.

From Istanbul to Oxford

The exhibition highlights coffee’s sociable origins embedded within a culture of meeting to talk and read. Although sadly underplayed, the most insightful element of the display is the recognition of the culture clash.

Ai Weiwei: Roots

Ai Weiwei’s 'Roots' exhibition at the Lisson Gallery in London may seem rather abstract upon first glance yet it provokes reflection on a range of issues from the 'uprootedness' of the refugee crisis to government corruption and civil disobedience.

Location, Location, Location

The map says this is where it should be, there’s even a small picture of it next to the room number. And yet it’s wrong. Despite the number of hours, late night shifts and spreadsheet compilations, that went into finding the perfect location for the object within the museum, standing in front of that glass case still feels out-of-place.

Remembering Toledo

Upon arriving in Oaxaca, you’re immediately struck by its rebellious and artistic character: the multi-coloured walls boast bold and political street art, small lithograph workshops pepper the streets and after school young children hawk their drawings on the main street.

Preview: Life Of Galileo

Ben Beese preview's Life of Galileo

Review: Hannah Gadsby’s ‘Douglas’

An utter stand up masterpiece, and showcase of a truly gifted mind.

Review: The Three Sisters

Small Fry Theatre's take on Chekhov's classic impresses at the Burton Taylor Studio.

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