“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Beautiful, sprightly music plays as the two protagonists of Pierrot Le Fou (1965), Ferdinand and Marianne, cruise around in the countryside in a stolen...
The Ballad of Songbirds and Snakes offers an origin story for everyone’s favourite evil-but-unequivocally-stylish dictator, President Snow. For the uninitiated, his achievements in the...
Video may have killed the radio star, but Jazz Hands Productions’ radio play A Midsummer Night’s Dream aims towards resurrection, encouraging audiences to “escape...
In search of a distraction in the gloom of mid-April, I sorted through my bookshelves, where half-read prelims texts obscured teen fiction and discarded...
Promoting her latest album on Twitter, Lady Gaga told fans:
“listen from beginning to end, no need to shuffle, this is my true story.”
Indeed, Chromatica...
The final instalment of Hilary Mantel’s Cromwell trilogy finds her writing with more lyricism and force than ever before, and cements her prestige as...
Notes on a Conditional Form, the fourth studio album
by The 1975, has created its own chaotic history even before its release. The
band’s latest record...
The ancient Greeks were so moved by music that
in their mythological conception, the father of songs, Orpheus, could move even
the rocks. In less fanciful...
Like many of us quietly fascinated with Matty Healy’s
prolific output, I recently put in a shift to listen through The 1975’s
sprawling new album Notes...
Imagining a world where reproductive technology has evolved to popularise prosthetic wombs, Helen Sedgwick’s ‘The Growing Season’ toes the line between utopia and dystopia...