It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.
Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.
Promoting her latest album on Twitter, Lady Gaga told fans:
“listen from beginning to end, no need to shuffle, this is my true story.”
Indeed, Chromatica...
The final instalment of Hilary Mantel’s Cromwell trilogy finds her writing with more lyricism and force than ever before, and cements her prestige as...
Notes on a Conditional Form, the fourth studio album
by The 1975, has created its own chaotic history even before its release. The
band’s latest record...
The ancient Greeks were so moved by music that
in their mythological conception, the father of songs, Orpheus, could move even
the rocks. In less fanciful...
Like many of us quietly fascinated with Matty Healy’s
prolific output, I recently put in a shift to listen through The 1975’s
sprawling new album Notes...
Imagining a world where reproductive technology has evolved to popularise prosthetic wombs, Helen Sedgwick’s ‘The Growing Season’ toes the line between utopia and dystopia...