Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Culture Beatrix Arnold -

Damaging detachment: Reflections on the Booker Prize

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

Books Charlie Bailey -

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Culture Nora Miles -

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

Art Beatrix Arnold -

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The HAPPIEST SEASON to be queer

With Christmas comes family and with family comes movies. It’s that time to cuddle up cosy on the sofa and watch yet another Reese...

"A delicate chain bobs around his neck (his neck being the whole length of his body, which is just one long neck really); he bought it after watching Normal Worms. Maybe if he looked like worm-Connell, he imagines, things would have been different. Maybe worm-Sharon wouldn’t have left him for worm-Darren."

I like what you like: lockdown albums and decision fatigue

"Lockdown has heightened our collective experience of album drops. In a time of physical separation, bonding over a shared auditory experience is a privilege we haven’t taken for granted."

Making Queer Cinema history: Victim (1961)

"‘Victim’ illuminates an important moment in the history of LGBTQ+ rights, primarily in normalising the existence of homosexuality and encouraging empathy."

Eagerly Anticipating: Sex Education Series 3

"I am desperately hoping Sex Education returns as planned in January – we don’t need any more bad news this year."

Between a rook and a hard place: Female ambition in The Queen’s Gambit

The Queen’s Gambit is refreshing because it offers a model of masculinity that is neither toxic nor fragile, but supportive and generous.

Review: V-Card

"an immersive play of laughter, vulnerability and truth"

Benchmark

"The pattern starts from you to there And, breathless, starts again with me."

You’ll See Him

"Rain cracks its whip Against the windows. The wielder: autumn. From the cottage in the cleft of the foothills You can see a flickering light, just out of sight And it stains the blackest night."

Soil: On Digging a Hole

"A worm has beaten me to the hole I’m digging; when I pull apart the soil, I find a slender punctuation mark in the mud. Its pink body threads through the dark clay."

Review: Gorillaz’ ‘Song Machine, Season One: Strange Timez’

2020 sees the release of the third Gorillaz album in four years. With previous efforts Humanz and The Now Now being somewhat lacklustre affairs,...

In conversation with Normal People Director, Lenny Abrahamson

“It’s about trusting the capacity of the actors, but also the ability that human beings have to read each other. We do it all the time, we put together very strong pictures of how people are from very little.”

Eat, Sleep, Create, Repeat: An Artistic Odyssey

"As an emotional writer of poetry, I’ll only ever put pen to paper in fits of extreme feeling, using it as an outlet when I feel that I cannot turn to anyone. It seems to be the closest I’ll get to the divine inspiration, with the Muse replaced by anger or loneliness." Maebh Howell takes us on an artistic Odyssey around the pressures of constant creativity.

Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

Damaging detachment: Reflections on the Booker Prize

In defence of the theatrical release

Falling out of Louvre

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