Culture

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat derivative and the neon signs...

Art Willow Jopp -

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...

Film Siena Tracey -

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

Latest

Online review: Micmacs

Enjoyable film with a couple of incongruous scenes

Oxford Union Ball: From Russia with Love

Last Friday's James Bond themed Union Ball was double 0 Heaven...

Oxford University Orchestra (Benjamin Wallfisch)

Our classical music reviwer was impressed at the Sheldonian Theatre on 19th February

Photo Blog: Part VI

A sideways glance at life in Oxford...

Moments snatched in a life of touch and go

James Wright follows Jan Morris' new book 'Contact!' across a whole lifetime and half the known world

Landy’s ‘Art Bin’. Trash or Treat?

Sam Pilgrim ponders whether chucking away works of art can genuinely be considered, erm, art

Review: IMPerium

Elizabeth Biggs finds the Imps far from imperious

Review: Three Sisters

Perhaps take a rain check(ov)

Review: Samson Agonistes

Atmospheric surroundings pardon the flaws in this production

Review: Heligoland

Worth waiting seven years for? Probably, says Jane-Marie Saldanha

Review: ‘To The Rest of the World’ by Trail

James Andrewes is largley unimpressed by this unoriginal effort

15 years since

In our regular column, we take a look at the impact of Maxinquaye by Tricky

In praise of Evensong

James Maloney examines one of Oxford's great musical institutions

Ayck-born for the stage

Olivia Hanson talks to the playwright about his life's "fortunate series of events"

Haiti benefit concert: watch online from 20th February onwards

Berliner Philharmoniker (Sir Simon Rattle/Mitsuko Uchida)

Courtney Love speaks at the Union

The controversial Courtney Love talks depression, commericalism and dealing with life after Cobain

First Night Review: The Invention of Love

An ambitious but flawed production.

First Night Review: Blithe Spirit

Rozina Bashir on the first night of Coward's supernatural farce

Win tickets to see Jean-Pierre Jeunet’s MICMACS

A unique opportunity for Cherwell readers

Review: The Lovely Bones

Sophie Adelman picks over the bones of a lacklustre adaptation

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Culture

What I learned from Tracey Emin about regeneration

In sickness, health, and wrongdoing: ‘The Drama’ in review

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

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