Culture

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat derivative and the neon signs...

Art Willow Jopp -

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...

Film Siena Tracey -

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

Latest

Oxford in ten objects

Annabel James follows a BBC initiative celebrating the local history.

Top 10: Drama Finalists

Cherwell picks out ten stars of the future from this year's finalists

Review: A Chaste Maid in Cheapside

The Edward's Boys bring Cheapside into Somerville chapel

Feature: The Next Dimension

Rebecca Treece dons her 3D specs and stares into the future

Feature: Best out of show – 2010

Benjamin Kirby sifts through the blunders and oversights of the Oscars

Photo Blog: Magic Seven

Our final photo blog this Hilary Term, but don't forget to send all your fantastic vacation snaps to [email protected]!

No spills and no thrills

Jenny Winders is bored to distraction by the latest release from the Cussler production line

Putting the pits into Pitt Rivers

Our Exhibitions Editor finds that size matters when it comes to 'world savine' voodoo dolls.

Review: Bent

A poignant script, interesting staging and the odd song make this one to watch

Review: Blood Wedding

A bloody ambitious effort, says Vanessa Lehner

Review: ‘Love’ by Angels and Airwaves

Not quite worth the hype, says Sam Pilgrim

Sound of the Underground

Christian Bridge talks to The Sunshine Underground

Preview: The Revenger’s Tragedy

Treachery, lust and murder in the Exeter chapel

First Night Review: Little Shop of Horrors

Let down by a talented but under-rehearsed cast

First Night Review: Samson Agonistes

Merton Chapel provides the perfect backdrop for this atmospheric production

First Night Review: The Oxford Revue

The Oxford Revue fails to deliver the sun, sea and sauciness promised.

Feature: Amateur Cinematics

Nick Pierce celebrates student filmmaking

Underrated

Films that didn't get the attention they deserved...this week, The Fall

Review: The Last Station

Expect to see this hitting the BBC on repeat in future, don't expect our reviewer to be watching

Review: Extraordinary Measures

It doesn't quite measure up

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Culture

What I learned from Tracey Emin about regeneration

In sickness, health, and wrongdoing: ‘The Drama’ in review

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

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