Culture

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat derivative and the neon signs...

Art Willow Jopp -

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...

Film Siena Tracey -

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

Latest

Oxford Literary Festival: Will Hutton

Hutton's rallying cry to the left was powerfully argued, but perhaps wasted on the literary festival audience, says Izzy Boggild-Jones

Oxford Literary Festival: Andrew Rawnsley

The political journalist talks about the book that's making all the headlines, 'The End of the Party'

Oxford Literary Festival: Patti Smith

The Godmother of Punk gives probably the coolest talk of the festival, says Izzy Boggild Jones

Moore-ishly good

Katrina Kwan is impressed by the Tate Britain's exhibition on Henry Moore.

Oxford Literary Festival: Robert Winston

Nicky Henderson reviews 'Reinventing the wheel', a talk by the public's boffin of choice.

15 years since: The Bends

Beau Woodbury looks at the impact of Radiohead's breakthrough album

Online review: Alice in Wonderland

Great cast, great characters...a shame about the plot

Online review: The Blind Side

More like the bland side of cinema, says Sophie Adelman

Feature: Beyond Bourne

Matt Damon and Paul Greengrass discuss their latest film, Green Zone

Online review: Green Zone

Much more than Bourne in Baghdad

Online review: The Princess and the Frog

Luke Partridge gets nostalgic over hand-drawn animation

A guide to the good, the bad and the Nazi

Fay Lomas meets Hitler's South American fan club in a provocative new translation of Roberto Bolaño

More than just elephant dung

Emily Hawes meets monkey apostles, philandering golfers and an icon of police racism in a new Ofili retrospective

Profile: Student Bands

Ro-to-the-land/The Great Gartini and PRDCTV

Preview: Stoning Mary

Louisa-Claire Dunnigan on a terrifying 'what if' world

Live at Comma Club

Music Editor Alistair Smout heads down to Cellar to check out the best student acts

Preview: Villainy

Richard O'Brien finds out why the good guys always win when it comes to Oxford's light entertainers

Preview: The Duchess of Malfi

A poor production fails to live up to Webster's tragic masterpiece

Interview: The Spring Offensive

James Maloney chats to The Spring Offensive about the band leading the Oxford scene

Preview: Knives in Hens

Rob Holtom on the last BT play of the term

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Culture

What I learned from Tracey Emin about regeneration

In sickness, health, and wrongdoing: ‘The Drama’ in review

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

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