Culture

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Lighthouse Productions' 'Things I Know to Be True' had high expectations to meet. Put frankly, they nailed it.

Culture Charlie Bailey -

Well-educated, fairly bred, but without money: Gissing’s ‘Collected Short Stories’

Hassan Akram reviews the Collected Short Stories of George Gissing, edited and introduced by Pierre Coustillas.

Books Hassan Akram -

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

After their staging of Company at the Oxford Playhouse earlier this term, Fennec Fox Productions are set to return next week with a run of The Flick (2013) at the Burton Taylor Studio.

Culture Beatrix Arnold -

A deeply Singaporean play: In conversation with ‘Late Company’

OUMSSA Theatre makes their debut with Jordan Tannahill’s Late Company. While the text originated in Canada, OUMSSA Theatre’s take on it is nonetheless entrenched in Singaporean culture.

Culture Jessica Phillips -

Latest

How does an Oxford student read for fun?

No matter which book is in front of me, I’m almost always reading in twenty-second bursts, and I’m constantly thinking about what else I could be looking at if I only picked up my phone.

‘Funny, sad things’: In conversation with ‘GREYJOY’

The cast and crew of 'Greyjoy' discuss their upcoming production, a show with a sharply comic tone that grapples with weighty themes.

Family resemblance: Oxford’s twin cities

From prestigious university towns to ancient settlements, Oxford is twinned with seven cities around the world, spread across three continents.

A noble mind o’erthrown: ‘Hamlet’ at the National Theatre

This month, Hamlet returns to the stage in a new production soon to be released on National Theatre Live, following its staging last autumn.

Lighthouse Productions on ‘Lemons’

The team outlined the vision for their debut production: a political, surrealist piece of contemporary theatre.

In defence of the live-action remake

Live-action remakes, when viewed with an open mind, can be seen as cultural negotiations, as attempts to revitalise and pass down old stories to new eyes and ears.

‘Songs, skits, and a third thing beginning with S’: Jack McMinn in conversation

If there’s one thing I believe Oxford’s theatre scene is missing, it’s a button-down-shirt-wearing ex-zoology student with a penchant for writing songs about Pret A Manger.

The Oxford art calendar: Hilary 2026

Oxford’s frosty Hilary term is best spent looking at new exhibitions. This art calendar will guide you through some of the upcoming highlights.

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Damaging detachment: Reflections on the Booker Prize

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

The cost of ‘free’: How streaming undermines the value of music

Monthly subscriptions may seem affordable when compared to vinyl, but the cost quickly accumulates.

OUDS Wrapped 2025: A year of student drama

The best productions of 2025, recommended by committee members, OUDS enthusiasts, critics, and audience members.

Looking back to look forward: The films of 1976

The history of film is a cumulative record of what people have wanted to say, show, and create, not only for a contemporary audience, but for the future.

How a visual impairment changed the way I see art

How do you study art if you can’t see? In 2025, I was faced with this question, not out of curiosity, but because half my vision significantly deteriorated.

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with a never-ending stream of lists ranking 2025’s top releases. Cherwell,...

‘Dark, revealing, gripping’: In conversation with the cast of ‘JACK’

JACK, by Musketeer Productions, reimagines the cult story of the most notorious serial killer in British history. Shining a light particularly on the mistreatment...

‘The political is also political’: Ash Sarkar’s ‘Minority Rule’

Universities have often been seen as bastions of radicalism. Forgetting the fact that higher educational institutions, particularly ancient and elite ones in the Anglophone...

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s 2009 tragicomedy. The play follows a group of people of different...

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Culture

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Well-educated, fairly bred, but without money: Gissing’s ‘Collected Short Stories’

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

A deeply Singaporean play: In conversation with ‘Late Company’

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