Tuesday 3rd March 2026

Culture

The Hollywood blockbuster and what it says about us

Why do ‘dad films’, once popular and even good, not seem to have the relevance they used to?
Culture Lydia Armstrong -

Confronting the future of art: ‘Responding to AI’ at Christ Church

‘Responding to AI’ an exhibition curated by Aniq Shamshi and Alice King, confronted the question of how artists perceive artificial intelligence directly.
Art Emma Heagney -

Lighthouse Productions on ‘Things I Know To Be True’

Fresh from the success of their debut production, Lighthouse Productions are set to deliver their second show: Andrew Bovell’s Things I Know to Be True (2016).
Culture Abigail Lakeland -

A masterclass in devising: ‘Noether’

This original play tells the story of the mathematician Emmy Noether and her struggles with the misogyny of her male peers against the backdrop of the rising Nazi state.
Culture Jessica Phillips -
Latest

The Oxford art calendar: Hilary 2026

Oxford’s frosty Hilary term is best spent looking at new exhibitions. This art calendar will guide you through some of the upcoming highlights.

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Damaging detachment: Reflections on the Booker Prize 

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

The cost of ‘free’: How streaming undermines the value of music

Monthly subscriptions may seem affordable when compared to vinyl, but the cost quickly accumulates.

OUDS Wrapped 2025: A year of student drama

The best productions of 2025, recommended by committee members, OUDS enthusiasts, critics, and audience members.

Looking back to look forward: The films of 1976

The history of film is a cumulative record of what people have wanted to say, show, and create, not only for a contemporary audience, but for the future.

How a visual impairment changed the way I see art

How do you study art if you can’t see? In 2025, I was faced with this question, not out of curiosity, but because half my vision significantly deteriorated.

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with a never-ending stream of lists ranking 2025’s top releases. Cherwell,...

‘Dark, revealing, gripping’: In conversation with the cast of ‘JACK’

JACK, by Musketeer Productions, reimagines the cult story of the most notorious serial killer in British history. Shining a light particularly on the mistreatment...

‘The political is also political’: Ash Sarkar’s ‘Minority Rule’

Universities have often been seen as bastions of radicalism. Forgetting the fact that higher educational institutions, particularly ancient and elite ones in the Anglophone...

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s 2009 tragicomedy.  The play follows a group of people of different...

‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025

When I wandered into Tingewick Hall on a cold, dark evening in seventh week, I was utterly unprepared for the madness that awaited me...

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong version of the classic text, impressive in its ability to...

‘Lux’ by Rosalía review: A breath of fresh air

'The Latin title ‘Lux’ perfectly embodies the concept and overall aesthetic of divine femininity, as well as the multilingual aspects that run throughout the work. With complex and meaningful lyrics written in 13 languages, and split into four movements, the record is a breath of fresh air for the pop scene'.

Illuminating American conservatism: William F Buckley’s biography, reviewed

The ornate, Latinate vocabulary. The debates peppered with witticisms. The patrician air, the untraceable accent, the playful glint in his eyes.  William F. Buckley was...

The Magdalene Songs: Giving a singing voice to victims

★★★★★ Trigger warning: abuse Modern slavery, abuse, and human rights violations are not something you would usually expect to be tackled in an evening of classical...

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’ 

Seabass Theatre has carved out a niche for itself producing original takes on canonical texts, most memorably last year’s plant-inspired Hamlet staged at the...

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and Billy Hearld. It begins in what seems to be simplicity:...
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