Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

Latest

‘The Two Noble Kinsmen’ reviewed

One of the finest traditions of Oxford drama is the summer garden play. Freeing the frenetic energy of the dramatic societies from the limited...

Life on Earth: Art as armour in Mandel’s ‘Station Eleven’

The novel demonstrates how speculative fiction is a genre ultimately concerned with the relationship between the environment and the individual, between Earth and humanity.

Who gets to speak? The rise of the male podcast epidemic

I couldn’t help but notice, however, that one of the reasons for my disillusionment with the genre was likely the glaring gender imbalance, often when it came to the most successful, well-known podcasts.

The Devil is Sponsored by Dior: ‘The Devil Wears Prada 2’ in review

In the world of The Devil Wears Prada 2, there is one thing that could have never existed: The Devil Wears Prada.

Hidden Gems: ‘The Storytellers’ at Worcester College

From the first moments, The Storytellers feels unusually thoughtful, generous, and alive.

Toni Servillo shines in thoughtful assisted dying drama: ‘La Grazia’ in review

Does Big Tobacco sponsor Paolo Sorrentino’s films? Almost certainly not, but their money would be worse spent elsewhere.

Galliano for the masses (on the Zara sale rack)

The fashion world is mourning the loss of John Galliano. Not a literal death, but something closer to a fall from grace.

‘Oleanna’: An imperfect but gripping watch

Boulevard Productions’ Oleanna leaves something to be desired, but what it lacks in production value it more than compensates for in audacity; so much so that David Mamet would be proud

Internet Babies: Students of Subculture

There’s a certain kind of artist that I keep coming back to lately: artists who seem to know exactly what I want to hear...

May Morning

Smudged mascara and the curling of coffee steam. Small yawns and the shuffling of boots. Tangled hair plaited by the same girl from first-year,...

Sunday

That Sunday could arrive first-class, Wrapped in tissue and stickers with minimalist logo. Sent anonymously (from a fan?). It will be a crisp, sunblushed Sunday. The first in...

Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure

Buckley swept this year’s award season for her performance as Agnes in Hamnet, Chloé Zhao’s adaptation of the Maggie O’Farrell book of the same name.

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.

Something wicked this way comes: ‘Macbeth’ previewed

Arriving at Somerville College in its full summer pomp, Stanley Toyne and Cameron Spruce, the codirectors of Cross Keys Productions’ Macbeth, walked over with...

G for Georgian? LGBTQ+ representation in historical fiction

It is undeniable that LGBTQ+ representation in the media has become more positive in recent years.

‘Technologies of capture’: Ben Lerner’s ‘Transcription’ Reviewed

The book opens with the unnamed narrator travelling to interview his academic mentor and 90-year-old intellectual superstar, Thomas, for a magazine.

Oxford, and the ongoing appeal of the literary canon

I remember my tutor asking us if we thought our literature options were broad enough at the end of an Italian tutorial last term.

Peacocks

Their grounds abut a large colonial on Staten Island: Five or six of them Swaggering along verdant lawns, Brick walkways, man-made ponds – Such bravado. What pretty boys! Pets...

All in a day’s Work.txt: Metatheatre’s extremes

I first heard about Work.txt when I was asked by a friend (or coworker?) if I was free Saturday night. And this was a gilt-edged proposition I just couldn’t turn down.

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat...

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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