Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Blindness is performed entirely via sound, forgoing expectations of a traditional stage set and impressing the audience with its skillful immersion. The play is...
As someone who is half Japanese, I’ve become accustomed to reading literature in different languages. Some books I’ve enjoyed so much that I’ve read...
If he was trying to build tension then Jamie Lloyd does it well, because I couldn't wait for the play to start. By the time I found my seat I was practically shaking with excitement (and a slight twinge of fear for what was in store).