Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
Art Miriam Hussain -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...
Culture Tilly Stanley -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -
Latest

Denis Villeneuve’s Dune

In 1984, shortly after the epic finale to the (original) Star Wars trilogy was in theatres, David Lynch’s Dune treated audiences to, in the...

Loaded Words

Where now those sentences, those syllables,Loaded like cannon balls on the field of Austerlitz?Full of the weight and confidenceAnd destructive power of centuriesOf thought,...

The Oxford Fashion Gala: A deep dive into design

The Oxford Fashion Gala was an incredible success from start to finish. Designers, models and fashion lovers gathered to share their creativity and passion...

The artist and the photographer: An analysis of Francis Goodman’s Film negatives

An unusual dynamic is consequently captured between the photographer and artist in the photograph of Lucian Freud.

We Walk Along

We walk along by the river, my hand in his, our arms of different lengths and his palms much bigger than mine. The sun...

The Orwell Tour review: ‘A unique and first-rate travelogue’

Within the last year there have been countless new books on George Orwell, but Oliver Lewis’s The Orwell Tour, just released in paperback, is...

The Drake and Kendrick Lamar saga

Since the rise of hip-hop in the 1990s, diss tracks (short for disrespect or disparage) have been a staple of the genre. These tracks...

Cherwell Introduces: Tongue

Joining me this week are the up-and-coming Oxford rock band, Tongue. After a gorgeously hot and sunny day, I had the pleasure of watching...

The Two Gentlemen of Verona review: ‘A hilarious modern take’

It was, then, a testament to this commitment that the performance was as good as it was. The production was a hilarious modern take on Shakespeare’s comedy, with several scenes updated, modified, or introduced entirely for this play.

A Future in the Light of Darkness review: Imagined engines of desire

Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to...

Taylor Swift’s The Tortured Poet’s Department: Who tortures the poet?

The most tortured love affair on Taylor Swift’s new album is her relationship with her audience. Following its release on April 19th, the album’s...

Christian Atheism by Slavoj Žižek review

‘And what did the twentieth century want with religion, already well worn and threadbare from its journey down the ages...What did we have to...

The Oxford Fashion Gala: A stellar display of talent

The evening of Wednesday 8th May brought a show that transcended the limitations of space and time in a beautiful portrayal of Oxford University’s...

Film around the world: Germany’s The Lives of Others

I’m sure that those of us who studied A-Level German back in the day (not so long ago, if you’re a first-year reading this)...

The Mermaid

The mermaid is dying, and no one cares.She does not belong here, here in the suburbsWhere council-mandated hedges block her from the sea.She does...

Freida Toranzo Jaeger’s Prophetic Glitter

Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the price we pay for our existence (2023), Open your heart...

Film around the world: Italy’s Suspiria

The first time I heard about Suspiria, I was nine and my babysitter was telling me I couldn’t watch it, shouldn’t even - that...

Sunak’s Samba with the fashion industry

In Rishi Sunak’s recent Downing Street Interview, his words and promises were certainly not the star of the show. Showing off his Adidas Sambas,...

The Human Body review: ‘A Socialist exploration of healthcare and romance’

I recently attended my first production at the Donmar (https://cherwell.org/2024/01/24/review-of-tennant-as-macbeth-an-auditory-experience/ - shameless self plug!) and fell in love with the energy of the space...

Ten Years to Save the West by Liz Truss review: Revenge of the lettuce

I have met Liz Truss only once. It was in Oxford Town Hall in November of last year and I had tried (without success)...
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