Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

Latest

Rewind: Let It Be

Sam Purnell reflects on the release of The Beatles’ final studio album

Representing The Impossible

Cinema will never be able to represent the horrors of the Holocaust, but Son of Saul offers a sensitive try, writes Jem Bartholomew

Review: the OBA Easter Projects

Louise Howland dissects Sunday’s OBA student film screening, praising their indie feminist zeal

Review: Pripyat

Alex Barasch is impressed by both the performers and playwright of this important piece of new writing

The two parts of a poet’s whole

Emily Beswick explores the duality of the self in Sarah Howe’s collection of poems, Loop of Jade

Rewind: Jean Rhys

Samantha Phey looks back on the anniversary of the death of Jean Rhys

“I was a part of him, nothing more”

Simran Uppal finds inspiration in the recollection of his grandfather’s stories about Jalandhar, India

Review: Le Petit Prince

Alex Barasch is charmed by this adaptation of Saint-Exupéry’s classic novel

Common People, an Uncommon Stage

Ellen Peirson-Hagger discusses the diversity of Oxford music at Common People Festival

Spotlight: Hip-Hop Histories

Alex Barasch appreciates the unlikely union of Shakespeare and hip-hop

What’s going on in Abu Dhabi?

Richard Birch stops to consider his surroundings in a place of unadulterated senselessness

Review: the End of the Affair

Benn Sheridan finds just a bit too much God in this lesser known love story by Graham Greene

Backstage: Doctor Faustus

Alex Barasch talks to Cai Jauncey about direction and design

Preview: Me & Mike

Surya Bowyer is impressed to find a play that stands out amidst Oxford's otherwise mediocre new writing

Live review: We Are Scientists

Calum Bradshaw queued, laughed, and moshed at Bristol Bierkeller

“David Cameron, you wanker!”

Ellen Peirson-Hagger discusses fandom and arts funding with Wolf Alice’s Joff and Joel

A Beginner’s Guide to… Kikagaku Moyo

Richard Birch explores the curious output of Kikagaku Moyo

The changing times of pop music

Thomas Athey examines the commercialisation of creativity

Review: Eye In The Sky – a warning about the costs of war

Apart from the climax, Rickman’s final film doesn’t have much ‘thrill’ for a thriller, writes Alistair Badenoch

‘You’ve not read this article?’

Markus Beeken lashes out against literary snobbery

1...157158159...349 Page 158 of 349

Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

The road to reckoning: ‘The Slip’ reviewed

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

Follow us

Support Student Journalism

Explore

Follow us

More