Sunday 26th April 2026

Culture

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of the spring equinox. This year, it falls on the 20th of March. For Oxonians, spring...

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Review: Hush – a cat and mouse fight to the death

Hush negotiates the established conventions of the home-invasion horror concerning female victimhood, writes Louise Howland

Review: Miles Ahead – this is no hagiography

Miles Ahead successfully connects the deeply flawed private man with his public persona, the greatest jazz musician of the twentieth century, writes Altair Brandon-Salmon

Rewind: Pravda

Alex Oscroft reflects on the significance of the 1912 publication of Pravda

Stop to record the moment

Ellie Duncan considers the reasons why it is such a human act to record our lives

The Exhibitionists

Mother Teresa is set to be canonized as a saint in the Roman Catholic Church in September this year, as announced by Pope Francis...

Sculpture To Die For

On a gloomy and macabre rainy day over the vacation, I found myself being led down into the basement studio and workspace of Polly...

A Beginner’s Guide to… The Mechanisms

The Mechanisms are utterly unique. Each of their albums feature sci-fi reimaginings of classic folklore, from Grimm’s fairy tales to Arthurian myth, perfectly capturing...

Ana and the Other: a split of the self

In his latest piece, David J. Hills imagines the presence of two versions of oneself

Preview: Orphans

Oscar Haines is moved by this bold production

Review: The Good Delusion

Antonio Gottardello finds this moral play fun but disappointingly shallow

“The music of our generation”

“I think the proudest moment of my music career was when my first royalties cheque came,” says Ozzy. “It was the same time that these bailiffs were knocking on my mum’s door..."

Review: We Are Scientists – Helter Seltzer

We Are Scientists know how to write a chorus. However, what makes Helter Seltzer, their fifth studio LP, quite so exciting is that their pop sensibilities have now been coupled with a synthy sheen.

Review – Animal Collective at the O2 Ritz

Song after song from the latest album was interspersed with judicious spatterings from the back catalogue – and when they actually brought these tracks out (such as the more Pop-like ‘Daily Routine’ from Merriweather Post Pavilion), the mood finally picked up; with people going from a semicatatonic sway to actual dancing.

Spotlight: Drama and identity

Alex Barasch notes a welcome development in Oxford’s theatre scene and beyond

Review: Eddie the Eagle – ‘he’s a laughing stock’

Eddie the Eagle is the same bland, fabricated underdog cliché we’ve seen time and again, writes Tom Barringer

Interview: Jessy Parker Humphreys

Alex Barasch talks to Jessy Parker Humphreys, one half of Not Your Nice Girl, about gender, drama and performance art in Plush

Nobody’s Fault But Zeppelin’s: When Influence becomes Plagiarism

Lorenzo Edwards-Jones gives no quarter to 'Stairway To Heaven' apologists following band's latest lawsuit

Review: Disorder – dull and boring

ONE STAR “Un, deux! … trois, quatre! Un, deux! … trois, quatre!” You'd be forgiven for thinking you're back in your first ever French lesson, mais non,...

Ringroad

'Aren't these things supposed to be killing us?' – contemplative new verse from Thomas Hornigold

Review: Parquet Courts – Human Performance

Lorenzo Edwards-Jones is pleasantly surprised by Parquet Courts' latest release

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