Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

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Field Music move on to mature indie in their new album

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Preview: Amour

The International Rameau Ensemble brings French Baroque to Oxford on 6th February

Spooky Sets and Stuffed Cats: Ben Travers’ Aldwych Farces

Jack Bradfield looks at the neglected playwright Ben Travers in the run up to the appearance of 'Thark' next week

Spotlight: lip service to modernity

Matt Roberts is frustrated by gimmicks and hashtags from a director who should know better

Constellations: Preview

Richard Birch hopes the stars align for this compelling adaptation

The Union’s Holy Trinity

A look ahead to the three stellar speakers at the Union next week

The Bible — an overlooked literary skeleton key

Harriette Drew explains why we need scripture to understand literature

Is This Art? My Carpet

With the definition of art increasingly unclear, the Cherwell Art and Books team are on a mission to decide what art is. This week Naomi Gee takes on her carpet

Poetry Bites – HT 1

This week Athol Williams thinks about theories

Berlin, Bowie, and the wall

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Culture

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

In More, Pulp aren’t just trading on nostalgia – they’re fresh

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