Monday 7th July 2025

Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Review: Choir of Young Believers – Grasque

Ellen Peirson-Hagger is touched by the sensitivity in Choir of Young Believers' new album

This World Lousy: this musical not

Sophie Jordan on the innovative musical's ambiguities

How beneficial is music streaming?

Natalia Bus succumbs to the inevitability of online music

Spotlight: Why Monochrome?

Matt Roberts is tired of black and white

Better-meta-theatre

Richard Birch previews 'Rosencrantz and Guildenstern are Dead'

"I am back to save the universe"

Daniel Curtis investigates whether 2016 will be the year of Radiohead's comeback

Preview: Hyperdrive (Imps)

Matt Roberts is excited for improv and tech

Review: What I learned from Johnny Bevan

Naomi Gee gets political with Luke Wright

Review: Noose

Beckie Rutherford is severely unimpressed by the BT's latest offering

Review: Heavy Petting

Matt Roberts loves it when the Revue pets him heavily

Live Jazz at the Mad Hatter

A JazzSoc evening leaves Sophie Jordan convinced that jazz is still alive

Goodbye Sir Terry

Daniel Minister looks back at the career of the late Sir Terry Wogan

Review: This World Lousy

Ben Ray is unimpressed with a show that lives up to its title

Review: pussyfooting

Lucy Clarke unpicks a show that attempts to perform the performance of gender

Review: RENT

Momina Mukhtar is entranced by this no-holds-barred production

Preview: Thark

Ben Ray is quite literally spirited away by this hilarious 1920s haunted house farce

Is This Art?: Empty Lot

With the definition of art increasingly unclear, the Cherwell Art & Books team are on a mission to decide what art is. This week Charlie Willis visits an actual art exhibition at an actual art gallery

A story of homecoming

Johnny Patterson looks at Rembrandt’s ‘The Return of the Prodigal Son’

The endurance of the Queen of Crime

Charlie Atkins ponders what it is about Agatha Christie that we still love

Rewind: Peter Blake & Under Milk Wood

Ben Ray examines the psychedelic darkness of Peter Blake’s Under Milk Wood

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