Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

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Oxford’s burning destruction

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“Well, I never heard it before, but it sounds uncommon nonsense.”

Harriet Dagnall explains how derivative and good music are not mutually exclusive

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Ellie Gomes is taken back in time by this nostalgic adaptation of Steinbeck’s classic

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Emmanuelle Soffe discusses the misconceptions of modern art galleries and the White Cube effect

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Cressida Peever’s mystery explores the eery blankness of receiving anonymous postcards

“Smash the shit out of it”

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Preview: Splendour

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Review: House of Bernarda Alba

Nina Sandelson is struck by this eerie adaptation of Lorca’s classic in Cellar

Review: Common People Oxford

Oxford’s May Bank Holiday festival offering is sun-drenched and musically eclectic

Review: Everybody Wants Some!! – antiquated male stereotypes

Zach Leather considers Linklater’s latest nostalgia-soaked '80s escapade, finding it dominated by one-dimensional men in fear of emasculations

Preview: A Streetcar Named Desire

David Hills looks forward to this meticulously thought-out production

Is there hope for pop music?

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A Beginner’s Guide to… Grace Potter and the Nocturnals

Sophie Jordan introduces us to Grace Potter and the Nocturnals

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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