Culture

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the Edinburgh Fringe after a successful run in New York City by Emilee Lord and Karen...

Culture Nicole Palka -

Architectural and religious fusions in Andalusia and Oxford

Oxford is a city deeply entwined with religion. With the first of its colleges...

Art Sofia O'Casey -

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only...

Culture Rebecca Harper -

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine,...

Art Ava Doherty -

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Sapphire Shoferpoor talks to Claudia Graham about production, funding, and reining in directors

A treasure trove of unrequited love

Unrequited love has become something of a hobby. I say ‘love’ for ease and aesthetics— ‘infatuations borne out of lust, boredom and having read...

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Nina Sandelson is entranced by new writing examining obsession and trout fishing

America’s poet laureate: Bob Dylan

Phylis Stein on the sublime lyrics that make Dylan a Nobel Prize winner

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Sapphire Shoferpoor talks directing, writing, and time management with third year linguist Sarah Wright

Fiction: “Alone it is far harder to imagine”

Alexandra Illingworth explores the poignancy of growing up with a fraught sibling relationship

Oh, Albarn, stop playing with me!

Daniel Curtis just can’t wait for the new Gorillaz album

OxFolk Reviews: ‘Cycle’

If I’m being honest, Lady Maisery’s new album ‘Cycle’ came as a surprise to me not because of it’s accomplishment and beauty, but because...

All wound up by a Clockwork Orange

It is always a challenge to adapt a novel’s narrative to the stage. Even more so, when the novel is a dystopia like A...

Review: Anything Goes

This latest production of Anything Goes offers audiences a highly polished sail on the SS American, replete with camp-as-can-be sailors brandishing mops and tap...

Rewind: Winnie-the-Pooh’s 90th birthday

On its 90th anniversary, Ellie Duncan ponders the publication of Winnie-the-Pooh

Barbie: Mind over Mattel?

Olivia Retter writes of the bold female aspirations behind her childhood Barbie

Spotlight: the Edinburgh Fringe

The first thing that strikes you when you get off the train is Edinburgh as a city; this bizarrely layered and ancient city of...

The Cursed Child: ultimate fan fiction?

To get this out of the way: yes, Harry Potter and the Cursed Child is not only like a piece of fanfiction, but aims...

OxFolk Reviews: ‘Bird’s Nest’

It isn’t often that you come across instrumental music that is so beautiful that each track feels like brushstrokes in a piece of artwork....

OxFolk Reviews: ‘Old Adam’

“How do stories make us who we are?” This is the surprisingly philosophical question posed to us by Fa Hield in the introduction to...

Interview: Nish Kumar – “A snapshot of what I’m interested in”

Emma Leech talks politics, publicity and publishing with comic Nish Kumar

Review: After the Poet, the Bar

Benn Sheridan delights in the life and language intertwined in Ben Ray’s first poetry collection

Poetry as a necessity and a joy

Katie Mennis celebrates new verse at the Forward Prize for Poetry 2016

Preview: A Clockwork Orange

Olivia Cormack is delightfully disturbed by a preview that leaves her wanting more

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Culture

‘Timestamp’ at the Fringe: Existing in the ‘now’

Architectural and religious fusions in Andalusia and Oxford

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

Beyond the binary: Leigh Bowery’s radical individuality

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