Culture

The death of the male novelist or the birth of the feminist?

The death of the male novelist, as a concept exaggerated by the dramaticisms of its name, fails to stand up under investigation.

Books Elizabeth Gammaidoni -

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Culture Leo Jones -

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Culture Sasha Darvas -

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Cecil Day-Lewis: Auden’s overlooked classmate

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Final call! Send your best portrait shots to [email protected] by Wed 15 Feb for a chance to see your work in print!

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The Transports at Cecil Sharp House

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Brazilian vis-à-vis

From the beaches of Copacabana in Rio de Janeiro, the megalopolis of São Paulo to Maceio, these photos illustrate the diversity of environments and people that can be found in Brazil

Felicity Jones: Star of the Oxford drama scene

Theo Davies-Lewis recounts how acting at university fostered Jones' talents

Men directing women: Almódovar ‘Julieta’

Benjamin Davies discusses guilt, colours and female relationships in Pedro Almódovar’s latest work

Single of the week: James Blunt’s ‘Love Me Better’

Emma Leech slates the pop singer's painful new release

A word from the stalls

Miriam Nemmaoui accosts a teary-eyed audience member emerging from the Burton Taylor Studio, after the final showing of STOP

Dostoyevsky and the crime of orthodoxy

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Culture

The death of the male novelist or the birth of the feminist?

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Siskin

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