Tuesday 26th August 2025

Culture

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the Edinburgh Fringe after a successful run in New York City by Emilee Lord and Karen...

Architectural and religious fusions in Andalusia and Oxford

Oxford is a city deeply entwined with religion. With the first of its colleges...

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only...

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine,...

Spotlight: The Lemon Twigs

The Lemon Twigs are a band of sumptuous harmonies and odd thrills, says Natalia Bus

Home is where the art is: Kingsley Ng

Queenie Li considers the use of public transport in art

Old & New: Young art on old walls

Kate Asquith on the interplay of past and present at Somerville Arts

The Transports at Cecil Sharp House

Ben Ray is carried away by an epic tale of transportation told through folk music and stories

Brazilian vis-à-vis

From the beaches of Copacabana in Rio de Janeiro, the megalopolis of São Paulo to Maceio, these photos illustrate the diversity of environments and people that can be found in Brazil

Felicity Jones: Star of the Oxford drama scene

Theo Davies-Lewis recounts how acting at university fostered Jones' talents

Men directing women: Almódovar ‘Julieta’

Benjamin Davies discusses guilt, colours and female relationships in Pedro Almódovar’s latest work

Single of the week: James Blunt’s ‘Love Me Better’

Emma Leech slates the pop singer's painful new release

A word from the stalls

Miriam Nemmaoui accosts a teary-eyed audience member emerging from the Burton Taylor Studio, after the final showing of STOP

Dostoyevsky and the crime of orthodoxy

Daniel Villar reflects on how Fyodor Dostoyevsky’s religious beliefs influenced his literature as the anniversary of his death approaches on 9 February

Review: ‘Two Way Mirror’

Alice Robinson reflects on an admirable attempt to tackle a difficult pair of plays

Don’t miss your STOP

Hannah Arndt is full of enthusiasm for a preview of an original student musical

Review: ‘Collaborators’

Tilly Nevin rates this student production as amongst the best she has seen in Oxford

Review: Lubaina Himid’s ‘Invisible Strategies’

Ewan Davis explores Lubaina Himid’s Invisible Strategies at Modern Art Oxford

Review: STOP

Amaris Proctor admires this play's refreshingly frank attitude towards mental illness

Readers’ Photo Competition

Have some great Instagram shots of your college pals? Or portraits of people you met while travelling abroad? Send [email protected] your best portrait photos by Wed 15 and see your work in print!

A product of pointless nostalgia

Natalia Bus argues against the unfulfilling nature of musical reunions

Mrs Dalloway: A novel in cinemascope

Alice Robinson explores how Virginia Woolf embraces the techniques and temporality of the cinema in her writing

Reviewing Moffat: The Doctor Who Christmas Special

“Doctor Who does superheroes” is a premise which seems obvious. The show’s greatest asset is its ability to jump from one genre to the...

Which film best represents your college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

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