Culture

Review: All My Sons – ‘At the end of the American Dream’

Joe Keller, played by Tristan Hood, represents the American dream. He is a wealthy businessman with a traditional family with a surviving son that is about to marry. Like...

Theatre Henry Luo -

Review: The Tempest – ‘Power looks good on her’

All the guests arrived and promptly took their seats, as one of the directors...

Theatre Cienna Jennings -

Review: Bush! The Musical – ‘Is our actors singing?’

While the genre of historical musical theatre centred around US politicians may be dominated...

Music Milo Man -

Review: So Far, So Good – ‘Counting down the fall’

Student theatre has always thrived on experimentation, collaboration, and the courage to speak up....

Theatre Mercedes Haas -

Latest

The Price is right: Margo’s musings

Emily Beswick discusses gender with the rising country star

Harry Potter and the Procrastinators’ Tome

Izzy Smith is reminded of the comforting power of the books of our childhood

Home is where the art is: Helen Pinkney

Bill Freeman investigates his artist godmother’s inspirations and her relation to the process of creation

‘Enter First Lobster’

Miriam Nemmaoui plays the drama queen and attacks the state sector's failing arts curriculum

Author of the week: Halldór Laxness

Ellie Duncan takes a look at one of Iceland's greatest writers

Through the Looking Glass: Benazir Bhutto

Safa Dar paints a colourful picture of Benazir Bhutto taking Oxford by storm

The Road of Dreams

Travelling was once a life-and-death decision, not just a leisurely impulse

Don’t mess with Artemesia

Oliver Baldwin explores the dark story behind Artemesia Gentileschi’s paintings of powerful women

Which film best represents your college?

In a three part special, Jack Allsopp explores the movies that reflect our homes away from home

Preview: Edward II

Callum Luckett waxes lyrical about this new production of Marlowe's masterpiece

Review: ‘White Trash’ by Nancy Isenberg

Daniel Villar finds this survey of white working class America wanting

In conversation with the creators of ‘STOP’

Suzy Cripps talks mental illness and magic with the writers of a new musical

Review: The xx—A masterstroke of production

Dom Saad pulls apart the intricacies of The xx’s third album, I See You

Album of the week: Bonobo’s Migration

Bonobo’s Migration is a five star delight, says Natalia Bus

Who’s in the artistic power seat?

Ella Hill discusses Tristram Hunt’s appointment at the V&A and the continuation of gender inequality in the UK’s major museums

Review: ‘La La Land’

Jonnie Barrow is amazed by Chazelle’s modern musical, which reinvents a forgotten genre

Old&New: Pascal Pinaud, Granny’s modern rival

Yet another woolly jumper and a visit to the Maeght Foundation outside Nice push Sophie Jordan to consider the artist’s unexpected inspirations

Author of the week: Paul Beatty

A look at the winner of the 2016 Man Booker Prize

Home is where the art is—Doug Eaton and The Forest of Dean

Ewan Davis finds Doug Eaton’s unlikely colour palettes faithful to the landscape of the Forest of Dean

Brandon Flowers: “Nobody ever had a dream round here'”

Brandon Flowers is the most underrated musician of the 21st century, says Henry Shalders

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Culture

Review: All My Sons – ‘At the end of the American Dream’

Review: The Tempest – ‘Power looks good on her’

Review: Bush! The Musical – ‘Is our actors singing?’

Review: So Far, So Good – ‘Counting down the fall’

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