Culture

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

★★★★☆ A-capella groups from Oxford have long been favourites at the Edinburgh Fringe, with Out of the Blue, Oxford Gargoyles and Oxford Belles often returning year-after-year to sold out performances...

Culture Xander Kwon -

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the...

Culture Nicole Palka -

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...

Culture Nicole Palka -

Architectural and religious fusions in Andalusia and Oxford

Oxford is a city deeply entwined with religion. With the first of its colleges...

Art Sofia O'Casey -

Latest

A perfectly preserved corner of London speaks to modern Britain

Susie Finlay discovers the delights of still-life drama

Strong musical talent and an excellent script

Jacob Greenhouse declares 'Cyrano de Bergarec' a triumph.

TV memes for deadline-drowning teens

Becky Cook comments on the importance of film and TV shows in meme culture

‘Bacchae’ review – A focus on gender that isn’t reflected in the casting

Louis Morris finds this year’s Oxford Greek Play, Euripides’ Bacchae, aims high but fails to impress.

Exploring the poetry of the everyday world

Quiet, mysterious Haruki Murakami fuses local culture with global emotions, writes Lucy Enderby

Confessions of a Drama Queen: My University Career Begins

In our new satirical column, 'Confessions of a Drama Queen', Katie Sayer re-imagines the Oxford drama scene from the perspective of a very melodramatic fresher

Cyrano de Bergerac preview – “heartwarming and heartbreaking”

James Woodbridge previews exciting new musical Cyrano de Bergerac

Alain de Botton: “The university system is failing people”

Author Alain de Botton, founder of the School of Life, talks philosophy, mental health and the education system

Meet Woolf’s doll house inspiration

A miniaturised book which inspired Woolf's Orlando is to be published

Crete’s mountain musician of mystery

Jonathan Egid sheds light on one of Crete's most intriguing characters

Three Parallel Places review – “a bit all over the place”

Chloe Taylor leaves 'Three Parallel Places' with mixed feelings

Protests widen the rift between public and police

William Hosie challenges conventional notions about protests' effectiveness

A little creativity can change a lot about the way we protest

Anoushka Kavanagh reports on the art-activist collective creating playful new forms of direct action

A film that celebrates an artistic history too long hidden, too long misunderstood

Gazelle Mba discusses a groundbreaking feminist film and the politicisation of artistic identity

‘Oslo’ Review – “a gripping political thriller straight off broadway”

Harry Hatwell reviews the Tony-winning Lincoln Center production of 'Oslo' at its UK press night on London’s South Bank

Confessions of a Drama Queen 3: the shame continues

In the third instalment of 'Confessions of a Drama Queen', our eponymous diarist considers a change of career

Five Minutes With: Charlotte Vickers, University Drama Officer

We chat to Charlotte Vickers, the University Drama Officer, about how she got to where she is today, and why she wouldn’t want to stage her favourite play at Oxford

‘Hair’ at The Vaults review – as raunchy and relevant as ever

Katie Sayer strongly recommends 'Hair', the hippie-inspired cult classic, on it's 50th anniversary performance

The Oxford Revue: The Best of the Fringe review – it left me in stitches

Chloe Taylor finds much to praise in the Oxford Revue's latest performance

The Ripieno Players Beethoven Piano Concerto review – a particularly impressive performance

Jacob Greenhouse commends the Ripieno Players for their rendition of two classic orchestral pieces

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Culture

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

‘Timestamp’ at the Fringe: Existing in the ‘now’

Architectural and religious fusions in Andalusia and Oxford

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