Saturday, May 31, 2025

Culture

Gregory Crewdson: How to remain relevant in the world of fine art photography

For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all creating broadly similar and anonymous...
Art Richard Kuehl -

Film photography: How I went from believer to sceptic

I’m far from the first person to point out the recent revival of analogue...
Art Richard Kuehl -

The afterlife of stories: The art and ambiguity of literary retellings

Love, betrayal, justice, jealousy: these are timeless themes, woven into the human experience for...
Books Saskia Maini -

What books do professors of different subjects read?

In discussion of ‘the great man theory’, Professor Dominic Scott discussed his recent reading...
Books Harriet Breakey -
Latest

‘Retelling Tales’ preview – “I heard stories that got inside my body.”

Lucy Enderby is impressed by the originality and emotive power of ‘Retelling Tales’

Confessions of a Drama Queen 6: Things get worse, again

Our drama queen goes into hiding, after some shocking humiliation.

Under Milk Wood preview – ‘Creative and interesting but overly dramatic’

Though admiring the production's use of space, Zad El Bacha finds the acting of 'Under Milk Wood' excessively solemn.

Five minutes with: Lucy Hayes

We chat to Lucy Hayes, chair of OUDS and manager of Perepeteia Productions, about her experience with Oxford drama, her real-life heroes, and her latest exciting project.

Julien Baker ‘Turn out the lights’ review – rawness and painstaking detail

Julien Baker exposes the harsh realities of her mental health struggles, writes Ollie Braddy

Sowing the seeds for the Eastern bloc’s sexual revolution

Chantal Marauta explores the life of Russian Revolutionary feminist Alexandra Kollontai and her fight for gender equality

Confessions of a Drama Queen 5: Things can only get better

Our drama queen's unparalleled potential is finally recognised

Revolutionary artists: from creatives to criminals

Catherine Cibulskis reflects on the dramatic evolution of Russian art in the immediate aftermath of the revolution

“A Mythical Future”: Katya Rogatchevskaia on the Russian Revolution

The British Librarian curator discusses her exhibition Russian Revolution: Hope, Tragedy, Myths

The ‘new’ jazz must be seen as well as heard

The latest offering from the 'new' Jazz scene is an innovative success, writes Harriet Davis

In The Aeroplane Over The Sea – “experimental and weird”

Barney Pite reexamines one of indie rocks most enigmatic classic albums

‘Lieutenant of Inishmore’ review – ‘An excellent understanding of pace’

John Livesey admires the acting in 'The Lieutenant of Inishmore,' but regrets how it shies away from violent visuals

Why the Sgt. Pepper’s show cannot be missed

Kenji Newton is impressed with the Oxford Beatles' recreation of the classic album

Not Forgetting William Hazlitt

Despite critical acclaim, William Hazlitt is now scarcely read.

Turtles All The Way Down review: messy, clichéd, and pretentious

John Green’s latest novel is a messy, sprawling cliché, writes Barney Pite

Villians Review – ‘Pop songs with rock sensibilities’

Queens of the Stone Age don't quite live up to their high standard, writes Rowan Janjauh

In conversation with Layo-Christina Akinlude

Katie Sayer talks Shakespeare and the pursuit of happiness with the star of 'As You Like It'

Angel Hill review – ‘It may be simple, but it isn’t empty’

Michael Longley’s Forward Prize short-listed collection is elegant and timeless, writes Barney Pite

‘A Familiar Friend’ review: “a masterful intensity”

Shamika Tamhane highly recommends 'A Familiar Friend' at the Michael Pilch studio

Lady in the Sheets review – ‘powerful and horrible but comic for all the wrong reasons’

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact
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