Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

Latest

Disabled characters must no longer be the villains

The representation of disfigurement needs to continue in a way that will do members of the disabled community justice

In search of Irish Revolutionaries

Eric Sheng discusses former Oxford don Roy Fisher’s recent work on Revolutionary Ireland

Redemption for the Fallen Women

The Magdalene Sisters - a film by Peter Mullan - follows the story of four fictional women who writhe against the fate of 30,000...

A Doll’s House preview – ‘a beautiful play to watch’

An intimate cast, toxic relationships, and powerful dialogue magnify a society on the cusp of sexual revolution

Hereafter preview – ‘an ostensible exploration of future technology that shines a light inwards, rather than forwards’

A fresh, emotional take on the future

Conceptual art is a bubble

Art critic Julian Spalding talks to Barney Pite about how art dealers have a stranglehold on popularity

Had Eno-ugh of revision? Give ‘Ascent’ a listen

Exams coming up? Check out this perfect track to help you cope

The insidious power of borrowing

Cultural synthesis has historically been a tool of colonial oppressors

Jacques-Louis David’s artistic revolution

David reinvents old stories in ways we don't expect

Medea Review – ‘vengeful, manipulative, and captivating’

More than just a play: 'Medea' reminds us why we go to the theatre

Grime4Corbyn: How a genre changed an election

A year on from the movement’s explosion, Grime4Corbyn activist Adam Elliot-Cooper and Roll Deep member Saskilla tell Isaac Pockney how Labour instigated change