Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Culture Leo Jones -

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Culture Sasha Darvas -

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Culture Siena Tracey -

May I Borrow The Tiger Please?

The history of Tipu Sultan’s Tiger is the history of imperialistic acquisition

Travels with a Cross-Dressing friend: A Personal Biography of China

Michael Bristow, a former BBC Foreign Correspondent, hopes his book will challenge the Chinese government

Post Malone Review – ‘Sticking to the Script’

Little has changed in the rapper/singer's latest album

Underrated Spaces: Jesus College Hall

The Devil is in the detail of this early modern revival

Funny Friends Preview – ‘A roundup of all the best student talent in the country’

Funny friends and frenetic feminisms fuse in this upcoming Playhouse performance

An American Nightmare

The glorification of greed in The Wolf of Wall Street is troubling for Becky Cook

The Lonesome West review – ‘a pressure-cooker of rage and almost-erupting violence’

Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy

Like A Virgin review – ‘the range of relationship difficulties explored is certainly impressive’

Sam Moore's play about the complexities of relationships finds resonance with audiences of all kinds

Scott Hutchison – ‘he gave expression to the things I could never’

The Frightened Rabbit frontman, who has died aged 36, confided to his listeners the perils of intimacy and loneliness

Beast review – ‘inventive visuals, fine acting, and an original story’

Order and chaos collide in this new, wild independent film

The King of The Fall rises from Starboy’s ashes

Orlaith Fox praises the moody R&B singer's latest offering

Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’

Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation

A Streetcar Named Desire Review – “a play that unpicks toxic masculinity”

The effects of modernisation upon Williams' play

Does ‘Wellington’s Victory’ deserve Beethoven’s name?

A mixture of Beethoven and Marriner, but is it any good?

Don’t know much about history

Who knew history could sound so good?

Review: Brave New World

Cesca Echlin is unsettled by Four Seven Two's evocation of Huxley's World State

The fault in our Fawlty

The show is vulgar, insular, and heavy-handed

Review – “Nell Gwynn”

University College Players capture the extravagance and obscenity of Restoration London in their production of Swale’s 2013 comedy

Changing the course of history

Our reimagination of classic works reflects our new priorities

I Need a Dollar

Cash, Rules, Everything, Around, Music

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