Sunday 31st August 2025

Culture

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe debut this year. They kindly agreed to talk to Cherwell about the trials and tribulations...

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

★★★★☆ A capella groups from Oxford have long been favourites at the Edinburgh Fringe, with...

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the...

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...

The Scythians British Museum review – ‘a vivid and intriguing exhibition’

A vivid depiction of an ancient culture excites at the British Museum

A feminist rereading of Austen for 2018

The 18th century novel is surprisingly relevant to the issues facing women today

Doctor Feelgood offers a happy release from Oxford stress

Doctor Feelgood delivers a homespun and happy night at the Bullingdon

Revolt. She Said. Revolt Again. preview – ‘bracingly honest’

Adam Radford gets a privileged glance at this incendiary piece of feminist theatre

Fiddler On The Roof Review – ‘thoughtful and timely’

Izzy Troth sits on the roof, not on the fence, about the Oxford Playhouse's latest show

A long way home

Christmas dinners, children’s plane toys, and the difference between ‘chirpsing’ and ‘tuning’: living 10,000 miles away is both a blessing and a curse for Verity Bligh.

Coco sees Pixar back on delightful form

Pixar's latest venture may feature the Day of the Dead, but it's packed with heartwarming life and vitality

Making bad art

Oxford art students discover making bad portraits isn't as easy as it looks.

Amadeus review – ‘Salieri cackles in a high-backed chair like a Bond villain’

Tom Graus praises a theatrical spectacle containing a masterclass in stage performance

Twelfth Night preview – ‘a darker version’

Post-Truth Theatre Company's Twelfth Night is a clever and satirical take on modern life, says Nina Crisp

Twelfth Night Review – Shakespeare for the Love Island Generation’

Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly

Rachel Whiteread Tate review: ‘her pieces are embodiments of domestic memories’

William Hosie's mind is changed as he appreciates the ways that Whiteread's sculptures speak to our shared domestic reality.

Gender-swapped remakes are a risk not worth taking

Bad remakes don't do female actors any favours

Winner of the Nobel Prize in Literature: reflections on Kazuo Ishiguro’s recognition

Did the Swedish Academy miss the subtlety of his writing?

Five Minutes with Harry Househam

We chat to Harry Househam, producer of Jericho Comedy and Stand-up History, about comedy in Oxford and his brand new show.

The Greatest Showman falls on its face

This longtime passion project for Hugh Jackman is far more ugly and cynical than it first appears

A bombastic celebration of Europe, sexual freedom, and gelato

Phoenix’s unabashedly optimistic latest album is hard to dislike

Philosophical economists and privatised oceans

Barney Pite reviews Varoufakis’ Talking to My Daughter About the Economy

Restoring the silenced voices in Wide Sargasso Sea

The prequel is politically necessary to the original, writes Musty Kamal

Reimagining the Ordinary

  This week, Amber Sidney- Woollett explores the work environment by restructuring dark space, whilst Georgia Heneage uses expressive brush strokes and texture to add...

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